As always, he has a plan to help you have a meaningful cultural experience while you're there—even with just a few hours in port.Inside you'll find one-day itineraries for sightseeing at or near the major Northern Europe ports of call, including:Southampton and Dover (London)Le Havre (Paris and Normandy)Zeebrugge (Bruges and Brussels)AmsterdamOsloCopenhagenWarnemünde/Rostock (Berlin)StockholmHelsinkiTallinnSt. PetersburgRick Steves' Northern Europe Cruise Ports explains how to get into town from the cruise terminal, shares sightseeing tips, and includes self-guided walks and tours. You'll learn which destinations are best for an excursion—and which you can confidently visit on your own. You'll also get tips on booking a cruise, plus hints for saving time and money on the ship and in port.You can count on Rick Steves to tell you what you really need to know when cruising through Northern Europe.

    In fact, another 40-plus years were to pass before inklings of her vast oeuvre began to reach public consciousness, with the landmark 1987 exhibition and book The Spiritual in Art. Since then, critics, artists and historians have praised her with ever-increasing awe, and today af Klint's paintings, watercolors and sketches--numbering over 1,000 in total--have never looked so contemporary, presaging as they do the works of Beatriz Milhazes, Elizabeth Murray and Tal R., and Agnes Martin, Emma Kunz and Arthur Dove before them. For af Klint herself, as a medium for an art she was despairingly unable to comprehend, contemporaneity was irrelevant: her work--much of which was dictated by a spirit guide named Ananda--unfolded in complete ignorance of Kandinsky, Malevich or Mondrian, who likewise practised an abstraction informed by theosophy and occult philosophy. Af Klint's abstractions preceded those of Kandinsky, who is usually credited with inventing abstract painting: as early as 1906, she was devising large-scale canvases filled with grids, circles, spirals and petal-like forms--sometimes diagrammatic, sometimes biomorphic. She was painting watercolor monochromes in 1916, and making automatic drawings long before the Surrealists. This monumental 280-page monograph, with 200 color plates, is the first full Hilma af Klint overview. A landmark publication, it not only reveals the moving lucidity of her art, but challenges the narrative of abstract art in the twentieth century.

    All packaged in a specially designed box.

    Whether you're looking for the things not to miss at the Top 10 sights, or want to find the best nightspots; this guide is the perfect pocket-sized companion.

    The Nordic Model of Social Democracy relates the concept of the Nordic model to the guiding role of social democratic ideology in developing and sustaining a particular way of society, extending from the mixed economy to social and gender equality and the universal welfare state. Moving beyond the historical account, the book also addresses a set of current and future challenges for social democrats, such as welfare state sustainability, the multicultural society, globalization and the decline of mass politics. The analysis breaks new ground by relating the recent international literature on social democracy to the distinct Scandinavian experience. It speaks out against the 'decline thesis' of the left, emphasizing instead the continuity and vitality of social democracy in the Nordic region

    As Winter looks around, he realizes that he was in the same hotel room many years earlier, when it was the last known location of a woman who subsequently disappeared and was never found. The two women seem to have nothing in common except for this hotel room, but Winter suspects that there may be other connections. The young woman’s parents are bereft and unable to explain the puzzling contents of a note she left behind. Winter, however, senses that they are holding back some secret that might help him to find her murderer. As he pursues his hunch and digs into the old police report on the woman who disappeared—one of his first cases as a young detective—Winter becomes increasingly convinced that the two cases are somehow related. Room No. 10 is a first-rate thriller, suffused with the gray seaside beauty of Gothenburg and filled with the characters that Åke Edwardson’s readers have come to love: Winter, the veteran detective who veers between pessimism and optimism but never gives up; Bertil Ringmar, the methodical old-timer whose analytical mind keeps everyone focused; hotheaded Fredrik Halders, whose temper sometimes overwhelms his passion for justice; and Aneta Djanali, Halders’s girlfriend, an immigrant from Burkina Faso whose ability to talk to other women can open new leads. As compelling as they are dedicated, they are an unforgettable team determined to find a bizarre killer.