It takes its legitimate place with the great works of the century of like kind, Ezra Pound's "Cantos," Louis Zukofsky's "A," Charles Olson's "Maximus," and Robert Duncan's "Passages." Its own specific character is, however, brilliantly singular."Robert Creeley"A late harvest of seeds sown by Blake, L. Frank Baum, the Bible, and Zukofsky, all in a new architecture, a wholly new voice, and even a new chemistry of words and images. It is for those who can see visions, and for those who know how to look well and be taught that they can see them."Guy Davenport

    Di Filippo coined "ribofunk" by fusing "ribosome" (as in cellular biology) with "funk" (as in rock and roll). In the world of Ribofunk, biology is a cutting-edge science, where the Protein Police patrol for renegade gene splicers and part-human sea creatures live in Lake Superior, dealing with toxic spills. Ribofunk depicts a sentient river; a sultry bodyguard who happens to be part wolverine; a reluctant thrill seeker who climbs a skyscraper-and finds himself stuck; and a chain-smoking Peter Rabbit who leads his fellows in a bloody rebellion against-whom else? - Mr. McGregor.This collection includes:One Night in Television CityLittle WorkerCockfightBig Eater The Boot Blankie The Bad Splice McGregorBrain WarsStreetlife Afterschool Special Up the Lazy River Distributed Mind

    Immediately banned by the authorities, it passed almost unnoticed at the time. Yet it began a remarkable series of debates between surrealism and Caribbean intellectuals that had a profound impact on the struggle for cultural identity. In the next two decades these exchanges greatly influenced the evolution of the concept of negritude, initiated revolution in Haiti in 1946, and crucially affected the development of surrealism itself.This fascinating book presents a series of key texts—most of them never before translated into English—which reveal the complexity of this relationship between black anti-colonialist movements in the Caribbean and the most radical of the European avant-gardes. Included are René Ménil’s subtle philosophical essays and the fierce polemics of Aimé and Suzanne Césaire, appreciations of surrealism by Haitian writers, lyrical evocations of the Caribbean by André Breton and André Masson, and rich explorations of Haiti and voodoo religion by Pierre Mabille and Michel Leiris.