offers a surrealistic view of the natural world. The two-page spreads present artful watercolors paired with such strange possibilities as "If zebras had stars and stripes...," "If the moon were square...," and "If worms had wheels...." Although some of the ideas and pictures are whimsical to the point of being downright creepy ("If caterpillars were toothpaste...," "If toes were teeth..."), the hypotheticals will surely inspire flights of fancy for readers of all ages. What could be more appealing for a 5-year-old than imagining the silliest suppositions and seeing them come to life in realistic paintings? Sculptor Sarah Perry creates a world to make us stop and think. One of her best illustrations depicts a large, hairy warthog with a sparkling crown and the text, "If ugly were beautiful...." With every if idea, the author encourages the kind of mental double take that comes naturally for children. (Ages 4 to 7, and adults, too) --Emilie Coulter

    Invented and played by such artists as André Breton, Rene Magritte, and Max Ernst, these gems still produce results ranging from the hilarious to the mysterious and profound.

    Telekinetic cop Sybil Jones knows that, like Coyote, they died happy – but even a happy death can be a murder. As exotic blooms begin to flower all over the city, the pollen count is racing towards 2000 and Sybil is running out of time.

    African American Studies. CRANIAL GUITAR collects poems that first appeared in The Ancient Rain and Crowded with Loneliness, and includes the entire text of the long-out-of-print Golden Sardine, in the only major collection available of the late poet Bob Kaufman. Kaufman was active (except during a decade long self-imposed silence) in the poetry scenes of San Francisco and New York from the 1950s to the 1980s, and has attained cult status for his place at the forefront of the Beat movement. "Kaufman is also known as one of America's true surrealist poets, a premier jazz poet, and a major poet of the black consciousness movement. So much did he embody a French tradition of the poet as outsider, madman, and outcast, that in France, Kaufman was called the Black Rimbaud."--from the introduction by David Henderson.

    His chosen role of outsider, as an American in Paris, straddling the worlds of art and photography, iconoclasm and calculated composition, American pragmatism and European elegance, confers on his work a timeless and provocative appeal. This compelling book presents an unprecedented view of a stimulating body of work. 300 duotone photos.