They stand out as one of the pinnacles in the critically neglected but perennially popular tradition of weird writing that includes E.T.A. Hoffmann and Charles Dickens as well as more recent masters like Jorge Luis Borges and Roald Dahl. With a cast of characters that ranges from man-eating flora to disgruntled devils and suburban salarymen (not that it's always easy to tell one from another), Collier's dazzling stories explore the implacable logic of lunacy, revealing a surreal landscape whose unstable surface is depth-charged with surprise.

    This volume, The Weapon Shops of Isher, includes the first three parts of the saga and introduces perhaps the most famous political slogan of science fiction: The Right to Buy Weapons is the Right to Be Free. Born at the height of Nazi conquest, the Isher stories suggested that an oppressive government could never completely subjugate its own citizens if they were well armed. The audience appeal was immediate and has endured long beyond other stories of alien invasion, global conflict and post war nuclear angst.

    A short story by Ray Bradbury

    350 numbered copies. Out of print. Contents: A Christmas Story/ Capra/ Calmahain/ The Khan/ Ringstones/ Number FourteenThe five original stories of the collection are here augmented by the first ever publication of “Number Fourteen”, a newly discovered conte cruel. - Uniquely disquieting short stories.Ringstones and Other Curious Tales ‘have a curiously-imparted quality of strangeness; the feeling of having strayed over the border of experience into a world where other dimensions operate.’ So said one of the original reviewers of these unique stories, first published in 1951. The title story is set on the Northumberland moors, where Daphne Hazel appears to cross the boundaries of time, becoming involved with terrifying personalities from the mysterious past. ‘Calmahain’ deals delicately and imaginatively with two children’s attempts at escape from the grim realities of the Home Front during World War Two. Sarban shows himself equally at home in the Middle East, where, against an authentic background of expatriate life, three further stories explore ancient legends with spine-chilling results.

    He stumbles across a rusted metal gauntlet and idly slips it on his hand. This is the start of an adventure that takes him back in time to the 14th century, when his Norman ancestors held the castle. Now, as Peter de Blois, he is plunged into a bewildering medieval world of chivalry and honor, of archery and falconry, of grand feasts and castles, but most of all, of heart pounding jousting tournaments. But all these rousing pastimes ominously give way to a rebellion among the Welsh tribes, culminating in a fierce assault on the castle fortress and its Norman defenders. Surrounded and outnumbered, the Normans must get word of the attack to the nearest castle. The only way out is down an immense cliff wall. Can Peter make the climb in time? A finely authentic picture of life in the 14th century. These rousing pastimes give way to ominous rebellion. Suddenly besieged in their castle, surrounded and outnumbered, these Normans are in peril. Will Peter now be the only one who can save the day?

    Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

    

    At first his efforts met only with failure and madness. But now The Thresholders have risen in fury. Somehow Bob Benedict must make one more trip into that land of peril and pacify them before they succeed in hurling his planet—piece by piece into the oblivion of infinity.

    It was published in The Saturday Evening Post. Meanwhile, a film with a similar theme of prehistoric sea monster was being shot under the working title of Monster from Beneath the Sea. Later the producers, who wished to capitalize on Bradbury's reputation and popularity, bought the rights to Bradbury's story and changed their film's title. Bradbury then changed the title of his story to "The Fog Horn". The monster of the film was based on the illustration of The Saturday Evening Post.Bradbury says that the idea for the story came from seeing the ruins of a demolished roller coaster on a Los Angeles-area beach. The tracks suggested a dinosaur skeleton. He credits this story with earning him the attention of John Huston, who engaged Bradbury to write the screenplay for the 1956 film version of Moby Dick.The story was reprinted in various collections including the 1953 publication The Golden Apples of the Sun, the Japanese publications The Fog Horn & Other Stories in 1979 and The Fog Horn and Other Stories in 1981 (both editions were published in English also), and finally Dinosaur Tales in 1983.