When Katalin and her father, Márton, are woken by the ringing of the doorbell in the dead of night, it can mean only one thing. The Secret Police have come to arrest him on charges of subversion. But Katalin knows her father is innocent.Since the end of the war Hungary has been occupied by the conquering Soviets who have imposed Stalinist communism with an iron fist. Ordinary people live in fear of the dreaded Secret Police, the AVO, who employ torture and tyranny in the pursuit of the communist ideal. Suspicion and betrayal are rife.But there is still hope. The death of Stalin is a spark that ignites a fuse. For the first time it seems that change is possible.In October 1956, a student-led demonstration soon turns into a bloody battle to overthrow the hated communist regime. Confronted by Soviet tanks, young and old take to the streets, armed with Molotov cocktails, bravery and cunning.Katalin and those she loves must fight for freedom. They must fight to survive.Packed with authentic historical details, Goodbye to Budapest is a panoramic novel of courage, sacrifice and the indomitable human quest for freedom.

    Rather than the straightforward systems of London, Paris or New York, these networks were used as a propaganda artwork--a fusion of sculpture, architecture and art that combined Byzantine, medieval, baroque and constructivist ideas and infused them with the notion that communism would mean a "communal luxury" for all. Today these astonishing spaces remain the closest realization of a Soviet utopia.Following his bestselling quest for Soviet Bus Stops, Canadian photographer Christopher Herwig has completed a subterranean expedition photographing the stations of each Metro network of the former USSR. From extreme marble and chandelier opulence to brutal futuristic minimalist glory, Soviet Metro Stations documents this wealth of diverse architecture. Along the way Herwig captures the elements that make up this singular Soviet experience: neon, concrete, escalators, signage, mosaics and relief sculptures all combine to build a vivid map of the Soviet Metro.Soviet Metro Stations includes an essay by the leading architectural and political writer Owen Hatherley, author of the acclaimed books Landscapes of Communism (2015), Trans-Europe Express (2018) and The Adventures of Owen Hatherley in the Post-Soviet Space.

    But Life and Fate was seized by the KGB. When it emerged posthumously, decades later, it was recognized as the War and Peace of the twentieth century. Always at the epicenter of events, Grossman (1905–1964) was among the first to describe the Holocaust and the Ukrainian famine. His 1944 article “The Hell of Treblinka” became evidence at Nuremberg. Grossman’s powerful anti-totalitarian works liken the Nazis’ crimes against humanity with those of Stalin. His compassionate prose has the everlasting quality of great art. Because Grossman’s major works appeared after much delay we are only now able to examine them properly. Alexandra Popoff’s authoritative biography illuminates Grossman’s life and legacy.

    Italian photographers Roberto Conte and Stefano Perego crossed the former Soviet republics of Kazakhstan, Kyrgyzstan, Uzbekistan and Tajikistan, documenting buildings constructed from the 1950s until the fall of the USSR.The resulting images showcase the majestic, largely unknown, modernist buildings of the region. Museums, housing complexes, universities, circuses, ritual palaces--all were constructed using a composite aesthetic. Influenced by Persian and Islamic architecture, pattern and mosaic motifs articulated a connection with Central Asia. Gray concrete slabs were juxtaposed with colourful tiling and rectilinear shapes broken by ornate curved forms: the brutal designs normally associated with Soviet-era architecture were reconstructed with Eastern characteristics.Many of the buildings shown in Soviet Asia are recorded here for the first time, making this book an important document, as, despite the recent revival of interest in Brutalist and modernist architecture, a number of them remain under threat of demolition. The publication includes two contextual essays by Alessandro De Magistris and Marco Buttino.

    Efforts to gain access to the site of catastrophic radiation damage were denied, and the residents of Chernobyl were given no answers as their lives hung in the balance. Drawing on a decade of archival research and on-the-ground interviews in Ukraine, Russia, and Belarus, Kate Brown unveils the full breadth of the devastation and the whitewash that followed. Her findings make clear the irreversible impact of man-made radioactivity on every living thing; and hauntingly, they force us to confront the untold legacy of decades of weapons-testing and other catastrophic nuclear incidents.

    Soviet atheism is the great lost subject of the 20th century. Pope Pius XI led a "crusade of prayer" against it; George Orwell satirized it in Animal Farm; the Nazis called it a Jewish plot; Franklin D. Roosevelt pressured Stalin to abandon it: Aleksandr Solzhenitsyn blamed it for Russia's catastrophes; and Ronald Reagan put it at the core of his "Evil Empire" speech. And yet, because the Soviet Union promoted atheism almost entirely for domestic consumption, decades' worth of arcane and astonishing anti-religious imagery remains unknown in the West.Drawing on the early Soviet atheist magazines Godless and Godless at the Machine, and postwar posters by Communist Party publishers, author Roland Elliott Brown presents an unsettling tour of atheist ideology in the USSR. Here are uncanny, imaginative and downright blasphemous visions from the very guts of the Soviet atheist apparatus: sinister priests rub shoulders with cross-bearing colonial torturers, greedy mullahs, a cyclopean Jehovah and a crypto-fascist Jesus; Russian cosmonauts mock God from space while vigilant border guards nab American Bible smugglers. Godless Utopia is the occult grimoire of a lost socialist anti-theology.

    Petersburg). An imbalance of power and the prevalence of antisemitism in her homeland led her father to steal Shalmiyev away, emigrating to America, abandoning her estranged mother, Elena. At age eleven, Shalmiyev found herself on a plane headed west, motherless and terrified of the new world unfolding before her.Now a mother herself, in Mother Winter Shalmiyev depicts in urgent vignettes her emotional journeys as an immigrant, an artist, and a woman raised without her mother. She tells of her early days in St. Petersburg, a land unkind to women, wayward or otherwise; her tumultuous pit-stop in Italy as a refugee on her way to America; the life she built for herself in the Pacific Northwest, raising two children of her own; and ultimately, her cathartic voyage back to Russia as an adult, where she searched endlessly for the alcoholic mother she never knew. Braided into her physical journey is a metaphorical exploration of the many surrogate mothers Shalmiyev sought out in place of her own—whether in books, art, lovers, or other lost souls banded together by their misfortunes.Mother Winter is the story of Shalmiyev’s years of travel, searching, and forging meaningful connection with the worlds she occupies—the result is a searing observation of the human heart and psyche’s many shades across time and culture. As critically acclaimed author Michelle Tea says, “with sparse, poetic language Shalmiyev builds a personal history that is fractured and raw; a brilliant, lovely ache.”"Vividly awesome and truly great.” —Eileen Myles"I love this gorgeous, gutting, unforgettable book.”—Leni Zumas“A rich tapestry of autobiography and meditations on feminism, motherhood, art, and culture, this book is as intellectually satisfying as it is artistically profound. A sharply intelligent, lyrically provocative memoir.” — Kirkus Reviews (starred review)

    Mann embraced his role as a public intellectual, deftly using his literary reputation and his connections in an increasingly global publishing industry to refute Nazi propaganda. As Boes shows, Mann undertook successful lecture tours of the country and penned widely-read articles that alerted US audiences and readers to the dangers of complacency in the face of Nazism's existential threat. Spanning four decades, from the eve of World War I, when Mann was first translated into English, to 1952, the year in which he left an America increasingly disfigured by McCarthyism, Boes establishes Mann as a significant figure in the wartime global republic of letters.

    Egle, a 28-year old woman from Lithuania, sets out on a 30,000-mile solo motorcycle ride from Peru to Patagonia and back, exploring South America on two wheels. Along the way, as she journeys to the far South, she connects with local people, discovers a different South America and, in the end, a different self. Tales from South America is filled with stories about the everyday life, the weird and wonderful legends, and the extraordinary people of Peru, Bolivia, Argentina, Chile, Ecuador, and Colombia. It’s also, in a way, an account of a young woman’s coming of age, a glimpse into what it was like to be growing up in post-Soviet Lithuania, and a tale of a lone motorcycle adventure across one of the most magical continents on Earth.

    In Second World, Second Sex Kristen Ghodsee rescues some of this lost history by tracing the activism of Eastern European and African women during the 1975 United Nations International Year of Women and the subsequent Decade for Women (1976-1985). Focusing on case studies of state socialist Bulgaria and nonaligned but socialist-leaning Zambia, Ghodsee examines the feminist networks that developed between the Second and Third Worlds and shows how alliances between socialist women challenged American women’s leadership of the global women’s movement. Drawing on interviews and archival research across three continents, Ghodsee argues that international ideological competition between capitalism and socialism profoundly shaped the world women inhabit today.

    Political and economic conditions heavily influenced Soviet life and foodways during this period and an exploration of Soviet women's central role in the daily sustenance for their families as well as the obstacles they faced on this quest offers new insights into intergenerational and inter-gender power dynamics of that time. Food, both in its quality and quantity, was a powerful tool in the Soviet Union. This collection features work by scholars in an array of fields including cultural studies, literary studies, sociology, history, and food studies, and the work gathered here explores the intersection of gender, food, and culture in the post-1960s Soviet context. From personal cookbooks to gulag survival strategies, Seasoned Socialism considers gender construction and performance across a wide array of primary sources, including poetry, fiction, film, women's journals, oral histories, and interviews. This collection provides fresh insight into how the Soviet government sought to influence both what citizens ate and how they thought about food.

    Split into three parts which focus on 'Food, Health and Leisure', the 'Lived Experience' and 'Religion and Ideology', the book is comprised of chapters covering a range of important subjects, including:* Food* Health and Housing* Sex and Gender* Education* Religion (Christianity, Islam and Judaism)* Sport and Leisure* FestivalsThere is detailed analysis of urban and rural life, as well as explorations of life in the gulag, life as a peasant, life in the military and what it was like to be disabled in Stalin's Russia. The book also engages with the wider Soviet Union wherever possible to ensure the most in-depth discussion of life, in all its minutiae, under Stalin.This is a vitally important book for any student of Stalin's Russia keen to know more about the human history of this complex period of dictatorship.

    Voices from the Soviet Edge focuses on the hundreds of thousands of Uzbeks, Tajiks, Georgians, Azerbaijanis, and others who arrived toward the end of the Soviet era, seeking opportunity at the privileged heart of the USSR. Through the extensive oral histories Sahadeo has collected, he shows how the energy of these migrants, denigrated as Blacks by some Russians, transformed their families' lives and created inter-republican networks, altering society and community in both the center and the periphery of life in the two capitals.Voices from the Soviet Edge connects Leningrad and Moscow to transnational trends of core-periphery movement and marks them as global cities. In examining Soviet concepts such as friendship of peoples alongside ethnic and national differences, Sahadeo shows how those ideas became racialized but could also be deployed to advance migrant aspirations. He exposes the Brezhnev era as a time of dynamism and opportunity, and Leningrad and Moscow not as isolated outposts of privilege but at the heart of any number of systems that linked the disparate regions of the USSR into a whole. In the 1980s, as the Soviet Union crumbled, migration increased. These later migrants were the forbears of contemporary Muslims from former Soviet spaces who now confront significant discrimination in European Russia. As Sahadeo demonstrates, the two cities benefited from 1980s' migration but also became communities where racism and exclusion coexisted with citizenship and Soviet identity.

    Geist compares how the two superpowers tried, and mostly failed, to reinforce their societies to withstand the ultimate catastrophe.Drawing on previously unexamined documents from archives in America, Russia, and Ukraine, Geist places these civil defense programs in their political and cultural contexts, demonstrating how each country's efforts reflected its cultural preoccupations and blind spots, and revealing how American and Soviet civil defense related to profound issues of nuclear strategy and national values. This work challenges prevailing historical assumptions and unearths the ways Moscow and Washington developed nuclear weapons policies based not on rational strategic or technical considerations, but in power struggles between different institutions pursuing their own narrow self-interests.

    Siegelbaum reveals the attractiveness of Communism as an object of study and its continued relevance decades after its disappearance from the landscape of its origin"--

    Marking the centennial of Soviet cultural production for children, it reviews the rich and dramatic history of Soviet children's books, films, and animation and explores their importance for contemporary Russian audiences.

    The Whole World Was Watching examines Cold War rivalries through the lens of sporting activities and competitions across Europe, Asia, Africa, Latin America, and the U.S. The essays in this volume consider sport as a vital sphere for understanding the complex geopolitics and cultural politics of the time, not just in terms of commerce and celebrity, but also with respect to shifting notions of race, class, and gender. Including contributions from an international lineup of historians, this volume suggests that the analysis of sport provides a valuable lens for understanding both how individuals experienced the Cold War in their daily lives, and how sports culture in turn influenced politics and diplomatic relations.

    The story is told from the perspective of "insiders." It recovers the voice of Bolshevik historians who first described the 1917-21 revolution in Ukraine; citizens who were accused of nationalist conspiracies by Stalin; Galician newspapers that covered the 1933-34 famine; nationalists who fomented revolution in the 1940s; and participants in the Euromaidan protests and Revolution of 2013-14. In each case the narrative reflects current "memory wars" over these key moments in history.The discussion of these flashpoints in history in a balanced, insightful and illuminating. It introduces recent research findings and new archival materials, and provides a guide to the heated controversies that have today focused attention scholarly and public attention on the issues of nationalism and Russian-Ukrainian relations. The Euromaidan protesters declared that "Ukraine is not Russia," but the slogan was already current in 1917. This volume describes the process that led to its reappearance in the present day.

    Imperiled by the Nazi invasion and facing catastrophic losses, Stalin called on the Soviet people to "subordinate everything to the needs of the front." Kazakhstan answered that call. Stalin had long sought to restructure Kazakh life to modernize the local population--but total mobilization during the war required new tactics and produced unique results. Kazakhstan in World War II analyzes these processes and their impact on the Kazakhs and the Soviet Union as a whole. The first English-language study of a non-Russian Soviet republic during World War II, the book explores how the war altered official policies toward the region's ethnic groups--and accelerated Central Asia's integration into Soviet institutions.World War II is widely recognized as a watershed for Russia and the Soviet Union--not only did the conflict legitimize prewar institutions and ideologies, it also provided a medium for integrating some groups and excluding others. Kazakhstan in World War II explains how these processes played out in the ethnically diverse and socially "backward" Kazakh republic. Roberto J. Carmack marshals a wealth of archival materials, official media sources, and personal memoirs to produce an in-depth examination of wartime ethnic policies in the Red Army, Soviet propaganda for non-Russian groups, economic strategies in the Central Asian periphery, and administrative practices toward deported groups. Bringing Kazakhstan's previously neglected role in World War II to the fore, Carmack's work fills an important gap in the region's history and sheds new light on our understanding of Soviet identities.

    The written word has been an important part of Russian art since the early years of the twentieth century, when artists of the avant-garde began writing manifestos and developing futurist concepts such as zaum (transrational) poetry through their art. The unofficial artists of the 1960s and 1970s continued this tradition, committing concepts and reminiscences to paper and incorporating language in their work. About the BookThe Agent in Love is more than an autobiography. In telling the story of his life in Moscow and Prague, and his renewed relationship with Russia after the collapse of the Soviet Union, artist Viktor Pivovarov plunges the reader into the rich cultural life of the artistic underground which existed behind the Iron Curtain in the 1960s and 1970s.