As the Soviet people looked back on decades of war and famine, conquest and achievement, and forward to sweeping changes during a time of new leadership and openness, the photographers were granted unprecedented access to homes, factories, schools and even prisons. They traveled to all 15 Soviet republics and across 11 time zones. They ventured into areas that have been closed to outsiders for centuries, and they came back with candid images of the daily life of the people behind the headlines, capturing a lost Soviet era, the twilight of a country.

    Of all this tragic generation of Russian poets (including Blok, Esenin, and Mayakovsky), Khlebnikov has been perhaps the most praised and the more censured.This first volume of the Collected Works, an edition sponsored by the Dia Art Foundation, will do much to establish the counterimage of Khlebnikov as an honest, serious writer. The 117 letters published here for the first time in English reveal an ebullient, humane, impractical, but deliberate working artist. We read of the continuing involvement with his family throughout his vagabond life (pleas to his smartest sister, Vera, to break out of the mold, pleas to his scholarly father not to condemn and to send a warm overcoat); the naive pleasure he took in being applauded by other artists; his insistence that a young girl's simple verses be included in one of the typically outrageous Futurist publications of the time; his jealous fury at the appearance in Moscow of the Italian Futurist Marinetti; a first draft of his famous zoo poem ("O Garden of Animals!"); his seriocomic but ultimately shattering efforts to be released from army service; his inexhaustibly courageous confrontation with his own disease and excruciating poverty; and always his deadly earnest attempt to make sense of numbers, language, suffering, politics, and the exigencies of publication.The theoretical writings presented here are even more important than the letters to an understanding of Khlebnikov's creative output. In the scientific articles written before 1910, we discern foreshadowings of major patterns of later poetic work. In the pan-Slavic proclamations of 1908-1914, we find explicit connections between cultural roots and linguistic ramifications. In the semantic excursuses beginning in 1915, we can see Khlebnikov's experiments with consonants, nouns, and definitions spelled out in accessible, if arid, form. The essays of 1916-1922 take us into the future of Planet Earth, visions of universal order and accomplishment that no longer seem so farfetched but indeed resonate for modern readers.

    His lucid analysis of the revolution that came to Poland from abroad is based on hundreds of first-hand accounts of the hardship, suffering, and social chaos that accompanied the Sovietization of this poorest section of a poverty-stricken country. Woven into the author's exploration of events from the Soviet's German-supported aggression against Poland in September of 1939 to Germany's attack on the Soviet Union in June 1941, these testimonies not only illuminate his conclusions about the nature of totalitarianism but also make a powerful statement of their own. Those who endured the imposition of Soviet rule and mass deportations to forced resettlement, labor camps, and prisons of the Soviet Union are here allowed to speak for themselves, and they do so with grim effectiveness.

     A brilliant modern history of the German invasion of Russia to their bloody crushing defeat by the re-invigorated Russian forces at the siege of Stalingrad. During 1942, the Axis advance reached its high tide on all fronts and began to ebb. Nowhere was this more true than on the Eastern Front in the Soviet Union. After receiving a disastrous setback on the approaches to Moscow in the winter of 1941-1942, the German armies recovered sufficiently to embark on a sweeping summer offensive that carried them to the Volga River at Stalingrad and deep into the Caucasus Mountains. The Soviet armies suffered severe defeats in the spring and summer of 1942 but recovered to stop the German advances in October and encircle and begin the destruction of the German Sixth Army at Stalingrad in November and December. This volume describes the course of events from the Soviet December 1941 counteroffensive at Moscow to the Stalingrad offensive in late 1942 with particular attention to the interval from January through October 1942, which has been regarded as a hiatus between the two major battles but which in actuality constituted the period in which the German fortunes slid into irreversible decline and the Soviet forces acquired the means and capabilities that eventually brought them victory. These were the months of decision in the East.

    Looking in detail at the backgrounds, motivations, and mentalities of the 25,000ers, Viola embarks on the first Western investigation of the everyday activities of Stalin's rank-and-file shock troops, the leading cadres of socialist construction. In the process, Viola sheds new light on how the state mobilized working-class support for collectivization and reveals that, contrary to popular belief, the 25,000ers went into the countryside as willing recruits. This unique social history uses an on the scene line of vision to offer a new understanding of the workings, times, and cadres of Stalin's revolution.