Perfect in their fusion of emotion and form, filled with drama and great beauty, they are among the best-known and best-loved works in all classical music. This volume contains complete scores for Symphony No. 1 in C Major, Op. 21; Symphony No. 2 in D major, Op. 36; Symphony No. 3 in E-flat Major ("Eroica"), Op. 55; Symphony No. 4 in B-flat Major, Op. 60.Meticulously reproduced from the authoritative Litolff edition, each score features large, clear noteheads and wide margins for ease of use in studying and following the music. Far less expensive than comparable full-score editions, this volume belongs in the library of any music lover who wishes to study the masterly innovation and creativity Beethoven brought to the symphonic form.

    Each book contains twelve preludes for the piano, many of them known to today's musical audiences because of their great popularity with pianists worldwide. Ranging from the mystical "La Cathédrale engloutie" to the capricious "Ondine" to the explosive "Feux d'artifice," they offer special joys to pianists of varying levels of ability.Other favorites from the piano repertoire in this collection include: "Danseuses de Delphes," "Ce qu'a vu le Vent d'Ouest," "La fille aux cheveux de lin," "La danse de Puck," and "Feuilles mortes." Some are technically simple, others comparatively difficult. All of them afford pianists an unparalleled opportunity to explore and develop their expressive range.This authoritative edition of the complete Preludes, with a helpful glossary of French terms, has been carefully printed on durable paper and sturdily bound to provide students and lovers of fine music a lifetime of study and enjoyment of these beloved masterpieces of piano composition.

    Commissioned by Diaghilev for the Ballets Russes, it premiered in Paris in 1912, with Nijinsky in the role of Daphnis, and Anna Pablova and Tamara Karsavina alternating in the role of Chloe.Ravel's lush scoring for this Greek pastoral dramatically displays his genius for transmuting a traditional musical idiom into a fresh and stirring language of his own — now audacious and driving, now softly and hauntingly beautiful. It reveals, too, in the logic and sweep of its technical effects, Ravel's constant striving for perfection of form and style. (Stravinsky compared him to "the most perfect of Swiss watchmakers.") This definitive full-score edition, reprinted from the original French edition, duplicates the full ballet score, not merely the orchestral suites adapted from it.

    Among the supreme achievements of that art are the ten sonatas he composed between 1892 and 1913, works that abundantly display both his technical virtuosity and the exhilarating emotional gamut he ranged with such individuality.All ten of Scriabin's sonatas are reprinted here from the authoritative Russian edition published in 1964. The first four reveal the influences of the pianism of Chopin and Liszt. The subsequent sonatas richly display Scriabin's emerging impressionist techniques and his deep attraction to mysticism, which progressively conjured a more and more ethereal framework of sound, now brooding and introspective, now rhapsodic and exultant.In both their technical requirements and their emotional demands, these brilliant works will offer pianists a deeply satisfying challenge. Nonpianists will also enjoy this finely made edition, with which they may follow, music in hand, the growing number of loved and recorded performances of these masterpieces.