This volume highlights the research and findings of this natural scientist. Powerful modern microscopes have confirmed the accuracy of Haeckel's prints, which even in their day, became world famous. Haeckel's portfolio, first published between 1899 and 1904 in separate installments, is described in the opening essays. The plates illustrate Haeckel's fundamental monistic notion of the -unity of all living things- and the wide variety of forms are executed with utmost delicacy. Incipient microscopic organisms are juxtaposed with highly developed plants and animals. The pages, ordered according to geometric and -constructive- aspects, document the oness of the world in its most diversified forms. This collection of plates was not only well-received by scientists, but by artists and architects as well. Rene Binet, a pioneer of glass and iron constructions, Emile Galle, a renowned Art Nouveau designer, and the photographer Karl Blossfeld all make explicit reference to Haeckel in their work.

    There are more than 500 wonderful things to make, play, and color. With just a few simple materials—and this book—children can keep themselves entertained for hours and hours!Richard Scarry has thrilled generations of children with his whimsical drawings and characters.

    IIn a stunning synthesis of art and science, Peter Stevens explores the universal patterns in which nature expresses herself. He provides a fresh way of viewing and understanding the physical world.“When we see how the branching of trees resembles the branching of arteries and the branching of rivers, how crystal grains look like soap bubbles and the plates of a tortoise’s shell, how the fiddleheads of ferns, stellar galaxies, and water emptying from the bathtub spiral in a similar manner, then we cannot help but wonder why nature uses only a few kindred forms in so many contexts…It turns out that those patterns and forms are peculiarly restricted, that the immense variety that nature creates emerges from the working and reworking of only a few formal themes.”In elegant and lucid prose, illuminated by hundreds of extraordinary photographs and geometrical drawings, Stevens examines those themes – spirals, meanders, branching patterns, explosions – and explains how they evolve according to the laws of stress, flow, turbulence, least effort, surface tension, close packing, and most important, the constraints of three-dimensional space. Steven’s insights about space and its limitations enable us to compare a lightning stroke with the tributaries of a river, and a splash of milk with galaxies in the heavens. He explores the spiral of a seashell, the markings of a giraffe, the spikes of an inkblot. His investigation carries him from the evolution of trees to the drifting of the continents, from the packing of billiard balls to black holes in space, and everywhere he rigorously shows us not only the individual beauty of natural objects, but the underlying harmony that they share.PATTERNS IN NATURE is a pleasure to read and to behold, a vivid and original piece of scholarship whose implications will influence scientists, architects and engineers for years to come – and whose aesthetic truth will enrich our appreciation of the natural world.