It is perhaps because of this that the poem is still popular with and of interest to modern readers. Owing to its length and its arguable breadth of focus, the poem might not be thought an elegy or a dirge in the strictest formal sense.The poem is not arranged exactly in the order in which it was written. The prologue, for example, is thought to have been one of the last things written. Critics believe, however, that the poem as a whole is meant to be chronological in terms of the progression of Tennyson's grief. The passage of time is marked by the three descriptions of Christmas at different points in the poem, and the poem ends with a description of the marriage of Tennyson's sister."In Memoriam" is written in four-line ABBA stanzas of iambic tetrameter, and such stanzas are now called In Memoriam Stanzas. Though not metrically unusual, given the length of the work, the meter creates a tonal effect which often divides readers - is it the natural sound of mourning and grief, or merely monotonous? The poem is divided into 133 cantos (including the prologue and epilogue), and in contrast to its constant and regulated metrical form, encompasses many different subjects: profound spiritual experiences, nostalgic reminiscence, philosophical speculation, Romantic fantasizing and even occasional verse. The death of Hallam, and Tennyson's attempts to cope with this, remain the strand that ties all these together.Excerpt: Strong Son of God, immortal Love,Whom we, that have not seen thy face,By faith, and faith alone, embrace,Believing where we cannot prove ;Thine are these orbs of light and shade ;Thou madest Life in man and brute ;[...]

    Downing, who was America's first important landscape architect, was instrumental in establishing a well-styled, efficient, yet low-priced house that offered many features that previously only mansions could provide. His designs were widely spread both by his books and by periodical republication.Downing's most important work was his Architecture of Country Houses (1850), which passed through nine editions by 1866 and served as the stylebook for tens, perhaps hundreds of thousands of homes throughout the Eastern United States. It contains 34 designs for model homes (country house in this context simply meaning a separate house, as opposed to a town house), with elevations, floor plans, and discussion of design, construction, and function. The English country house of the period is the ground style, upon which other styles are overlaid; designs showing Gothic, French, Italian, and Elizabethan styles allow the user considerable choice. In many ways these designs form one of the first steps toward the modern house, with avowed emphasis on function and convenience, expression of personality, Catholicism of taste, and concord with environment. Decoration, of course, was not frowned upon.Most valuable today is the author's full, thorough discussion of many other aspects of the early Victorian house: aesthetic concerns of architecture, adjustment to locality, materials, construction, costs, floor plan, roofing, shingling, painting, chimneys, and fireplaces, interior woodwork, wallpapering, decoration, furnishing, ventilation, sanitation, central heating, and landscaping. Since most of the houses concerned have been destroyed or altered, and practically no living situations have been preserved, this book is indispensable to everyone interested in early American culture, interior decoration, restoration, or Victorian architecture. It is far and away the richest source for the period.

    Ring out the grief that saps the mind,For those that here we see no more;Ring out the feud of rich and poor.Ring in redress to all mankind[...]

    This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.