Written in the tradition of Tolstoy's War and Peace, Grossman's Life and Fate, and Solzhenitsyn's The Gulag Archipelago, Yuri Slezkine's gripping narrative tells the true story of the residents of an enormous Moscow apartment building where top Communist officials and their families lived before they were destroyed in Stalin's purges. A vivid account of the personal and public lives of Bolshevik true believers, the book begins with their conversion to Communism and ends with their children's loss of faith and the fall of the Soviet Union.Completed in 1931, the House of Government, later known as the House on the Embankment, was located across the Moscow River from the Kremlin. The largest residential building in Europe, it combined 550 furnished apartments with public spaces that included everything from a movie theater and a library to a tennis court and a shooting range. Slezkine tells the chilling story of how the building's residents lived in their apartments and ruled the Soviet state until some eight hundred of them were evicted from the House and led, one by one, to prison or their deaths.Drawing on letters, diaries, and interviews, and featuring hundreds of rare photographs, The House of Government weaves together biography, literary criticism, architectural history, and fascinating new theories of revolutions, millennial prophecies, and reigns of terror. The result is an unforgettable human saga of a building that, like the Soviet Union itself, became a haunted house, forever disturbed by the ghosts of the disappeared.

    Although it offers a full and complete history of Leninism, 1917, the Russian Civil War and its aftermath, the book devotes more time than usual to the policies and actions of the socialist alternatives to Bolshevism - to the Menshevik Internationalists, the Socialist Revolutionaries (SRs), the Jewish Bundists and the anarchists. It prioritises Factory Committees, local Soviets, the Womens' Zhenotdel movement, Proletkult and the Kronstadt sailors as much as the statements and actions of Lenin and Trotsky. Using the neglected writings and memoirs of Mensheviks like Julius Martov, SRs like Victor Chernov, Bolshevik oppositionists like Alexandra Kollontai and anarchists like Nestor Makhno, it traces a revolution gone wrong and suggests how it might have produced a more libertarian, emancipatory socialism than that created by Lenin and the Bolsheviks. Although the book broadly covers the period from 1903 (the formation of the Bolsheviks and Mensheviks) to 1921 (the suppression of the Kronstadt rebellion) and explains why the Bolshevik Revolution degenerated so quickly into its apparent opposite, it continually examines the Leninist experiment through the lens of a 21st century, de-centralised, ecological, anti-productivist and feminist socialism. Throughout its narrative it interweaves and draws parallels with contemporary anti-capitalist struggles such as those of the Zapatistas, the Kurds, the Argentinean -Recovered Factories-, Occupy, the Arab Spring, the Indignados and Intersectional feminists, attempting to open up the past to the present and points in between. We do not need another standard history of the Russian Revolution. This is not one.

    In this wide-ranging and insightful work, Soma Marik defends the legacy of the Bolshevik Revolution, arguing against many of its detractors that the early communist regime was centrally concerned with both the liberation of women and the expansion of democracy.Soma Marik teaches Women's Studies and History at Jadavpur University.

    Four years later, the monarchy lay in ruins and a brutal struggle had begun to fill the vacuum of power. The Russian Revolution utterly re-shaped the landscape of the twentieth century. To mark the centennial of this epochal event, distinguished scholar Laura Engelstein offers a full history of not just the February and October Revolutions but the critical period surrounding and giving rise to them, beginning with the outbreak of World War One and following through until the end of the civil strife-seven years of violence and chaos that finally left the Bolsheviks in command of the field. With fresh eyes and narrative verve, backed by a lifetime of scholarly work in the field, Engelstein's account offers new perspectives on the events that led to the fall of the old order and ultimately the creation of the Soviet state, a way of looking at the institutions and structures of power that were simultaneously crumbling and being replaced. In the process she provides a dynamic sense of the play of personalities and agendas that set Russia on a course of self-destruction and reinvention, and on a scale previously unimagined. Russia in Flames will join the ranks of works by Orlando Figes, Simon Sebag Montefiore, Timothy Snyder, and Richard Pipes: a major, defining, exhaustive, and exhilarating account of war and revolution as they were unfolding, and as one of history's greatest empires was dissolving and reforming itself before the eyes of the world.