Vast in scope, exhaustive in original research, written with passion, narrative skill, and human sympathy, A People's Tragedy is a profound account of the Russian Revolution for a new generation. Many consider the Russian Revolution to be the most significant event of the twentieth century. Distinguished scholar Orlando Figes presents a panorama of Russian society on the eve of that revolution, and then narrates the story of how these social forces were violently erased. Within the broad stokes of war and revolution are miniature histories of individuals, in which Figes follows the main players' fortunes as they saw their hopes die and their world crash into ruins. Unlike previous accounts that trace the origins of the revolution to overreaching political forces and ideals, Figes argues that the failure of democracy in 1917 was deeply rooted in Russian culture and social history and that what had started as a people's revolution contained the seeds of its degeneration into violence and dictatorship. A People's Tragedy is a masterful and original synthesis by a mature scholar, presented in a compelling and accessibly human narrative.

    Their evenings were spent with their parents, reading aloud and pasting snapshots into albums. Drawing on these precious personal keepsakes - long hidden in Russian archives - this work offers a glimpse into the intimate family life of the last Romanovs. Illustrated in scrapbook style with Anastasia's own letters, photographs and watercolours, this album brings the youngest of the tsar's daughters to life - a tomboy who scrambled up snowy mountains to sled down on a silver tray. Letters from Anastasia's final heartbreaking days in captivity show that even the filthy conditions and the brutal treatment of her revolutionary jailers could not shake her faith.

    

    Based on archival research, this is a history of the Russo-Chinese border which examines Russia's expansion into the Asian heartland during the decades of Chinese decline and the 20th-century paradox of Russia's inability to sustain political and economic sway over its domains.

    It explores the development, amongst the diverse peoples of the vast landmass between the Carpathians and the Urals, of a society underpinned by a broadly common culture and eventually a common faith, out of which would emerge the future Russia and its neighbours. The book also describes the emergence of a dominant state centred on Kiev and the coming of Christianity to the Slavs. Finally, it shows how the gradual proliferation of new dynastic centres northwards and westwards shifted the power-base of the region into Russi proper, where it would subsequently stay.

    Shentalinsky opened the files to find detailed reports describing how these writers--including Isaac Babel and Maxim Gorky--were arrested, tortured, falsely accused of crimes, imprisoned in gulag camps, or secretly executed. of photos.

    Talleyrand, cunning & duplicitous, who would act as a victor tho he represented a defeated nation. Castlereagh, alone in His Majesty's government to understand the necessity for a Concert of Europe, who single-handedly built Britain's foreign corps & who would end a suicide. Wellington, the Iron Duke, who would go on to underwrite the diplomatic decisions with military victory. Metternich, the force majeure, seemingly everywhere at once, trading, entreating, finagling in his unremitting attack on the forces of liberalism. Along with a supporting cast of rogues & mistresses, clairvoyants & spies, they turned Vienna into a theater of intrigue that shaped the face of Europe for a century to come. Hovering over it all, the brooding presence of the man who was not there: Napoleon Bonaparte, whose shadow was the force that drove them to find common ground. He would confirm their worst fears, breaking free of exile to challenge them on the plains of Waterloo.