Stephen Kotkin was the first American in 45 years to be allowed into Magnitogorsk, a city built in response to Stalin's decision to transform the predominantly agricultural nation into a "country of metal." With unique access to previously untapped archives and interviews, Kotkin forges a vivid and compelling account of the impact of industrialization on a single urban community.Kotkin argues that Stalinism offered itself as an opportunity for enlightenment. The utopia it proffered, socialism, would be a new civilization based on the repudiation of capitalism. The extent to which the citizenry participated in this scheme and the relationship of the state's ambitions to the dreams of ordinary people form the substance of this fascinating story. Kotkin tells it deftly, with a remarkable understanding of the social and political system, as well as a keen instinct for the details of everyday life.Kotkin depicts a whole range of life: from the blast furnace workers who labored in the enormous iron and steel plant, to the families who struggled with the shortage of housing and services. Thematically organized and closely focused, Magnetic Mountain signals the beginning of a new stage in the writing of Soviet social history.

    Petersburg became the center of liberal opposition to the dominating power of the state, whether czarist or communist. Acclaimed Russian historian and emigre Volkov writes the definitive "cultural biography" of that famed city, sharply detailing the well-known figures of the arts whose works are now part of the permanent fabric of Western high culture. Photos.

    This unique collection is taken from the personal album of the Tsar's daughter, Grand Duchess Maria, and from the Tsarina Alexandra's own commemorative album, both now in the James Blair Lovell Archive. An extraordinary chronicle of a way of life that ended in 1918 with the brutal execution of nearly every member of the Imperial Family pictured here.

    Dobrynin became the main channel for the White House and the Kremlin to exchange ideas, negotiate in secret, and arrange summit meetings. Dobrynin writes vividly of Moscow from inside the Politburo, but In Confidence is mainly a story of Washington at the highest levels.

    Granted privileged access to Russia's secret archives, Edvard Radzinsky paints a picture of the Soviet strongman as more calculating, ruthless, and blood-crazed than has ever been described or imagined. Stalin was a man for whom power was all, terror a useful weapon, and deceit a constant companion.As Radzinsky narrates the high drama of Stalin's epic quest for domination-first within the Communist Party, then over the Soviet Union and the world-he uncovers the startling truth about this most enigmatic of historical figures. Only now, in the post-Soviet era, can what was suppressed be told: Stalin's long-denied involvement with terrorism as a young revolutionary; the crucial importance of his misunderstood, behind-the-scenes role during the October Revolution; his often hostile relationship with Lenin; the details of his organization of terror, culminating in the infamous show trials of the 1930s; his secret dealings with Hitler, and how they backfired; and the horrifying plans he was making before his death to send the Soviet Union's Jews to concentration camps-tantamount to a potential second Holocaust. Radzinsky also takes an intimate look at Stalin's private life, marked by his turbulent relationship with his wife Nadezhda, and recreates the circumstances that led to her suicide.As he did in The Last Tsar, Radzinsky thrillingly brings the past to life. The Kremlin intrigues, the ceaseless round of double-dealing and back-stabbing, the private worlds of the Soviet Empire's ruling class-all become, in Radzinsky's hands, as gripping and powerful as the great Russian sagas. And the riddle of that most cold-blooded of leaders, a man for whom nothing was sacred in his pursuit of absolute might--and perhaps the greatest mass murderer in Western history--is solved.

    In an intimate memoir that whispers with the intrigue of a spy novel, Aleksandr Solzhenitsyn pays tribute to the once-anonymous heroes who risked their lives to bring The Gulag Archipelago and his other works to the West during the darkest days of the Soviet Union.

    This work explores the vanished world of the Russian country estate. It examines the aristocratic dwellings, discussing their origins, their design and decoration, the social, family, and cultural life within their walls, and their physical demise after the 1917 revolution.

    This is a detailed account of the 1942/43 German campaign in the Caucasus region of Southern Russia. This major offensive was intended to capture the strategically essential oil fields at Baku and so provide petroleum products for the fuel-starved Wehrmacht. Although initially successful, this offensive culminated in a desperate withdrawal that almost trapped an entire army group—a disaster that would have surpassed even that at Stalingrad. An excellent account of a little known Eastern Front campaign.

    Challenging the generally accepted view that the character of the White movement was primarily anti-Bolshevik or even restorationist, she shows how the concept of "one, indivisible Russia" was central to the Volunteer Army's ideology and identity and how it contributed to its failure. Dr. Procyk also challenges the view that the Volunteer Army's generals were reactionary monarchists and that they were primarily responsible for the White movement's failure. She persuasively demonstrates that the ideology and political program of the Russian liberal intellectuals who dominated the Volunteer Army's Political Center reinforced Denikin's refusal to deal with the independent Ukrainian governments of 1918-19 and his hostility toward the idea of a Russo-Ukrainian federation and an anti-Bolshevik alliance. The Volunteer Army failed to defeat the Bolsheviks because it was unable and unwilling to come to terms with the Ukrainian question. At critical junctures during the Russian Civil War, its struggle against an independent Ukraine overshadowed its struggle against the Bolsheviks.

    The results of this assault on Russian culture are particularly evident in ruined architectural monuments, some of which are little known even within Russia itself. Over the past four decades William Craft Brumfield, noted historian and photographer of Russian architecture, has traveled throughout Russia and photographed many of these neglected, lost buildings, poignant and haunting in their ruin. Lost Russia provides a unique view of Brumfield’s acclaimed work, which illuminates Russian culture as reflected in these remnants of its distinctive architectural traditions. Capturing the quiet, ineffable beauty that graces these buildings, these photographs are accompanied by a text that provides not only a brief historical background for Russian architecture, but also Brumfield’s personal impressions, thoughts, and insights on the structures he views. Churches and monasteries from the fifteenth to the twentieth century as well as abandoned, ruined manor houses are shown—ravaged by time, willful neglect, and cultural vandalism. Brumfield also illustrates examples of recent local initiatives to preserve cultural landmarks from steady decline and destruction. Concluding with photographs of the remarkable log architecture found in Russia’s far north, Lost Russia is a book for all those concerned with the nation’s cultural legacy, history, and architecture, and with historic and cultural preservation generally. It will also interest those who appreciate the fine art of exceptional photography.

    It covers major writers including Pushkin, Tolstoy and Lermontov, but also introduces material from travelogues, oriental studies, ethnography, memoirs, and the utterances of tsarist officials and military commanders. Setting these writings and the responses of the Russian readership in historical and cultural context, Susan Layton examines ways that literature underwrote imperialism. But her study also reveals the tensions between the Russian state's ideology of a European mission to civilize the Caucasian Muslim mountaineers, and romantic perceptions of those peoples as noble primitives whose extermination was no cause for celebration.

    In examining this crucial event of Russian history he sheds fresh light on local power relations, high politics in St. Petersburg, controversies over the rule of law, and the origins of the Russian labor movement. Zelnik sees this pivotal moment in Russian labor history as the beginning step in the series of conflicts that eventually led to the upheavals of the early twentieth century.