This translation of his 1989 novel Nostalgia, writes Andrei Codrescu, "introduces to English a writer who has always had a place reserved for him in a constellation that includes the Brothers Grimm, Franz Kafka, Jorge Luis Borges, Bruno Schulz, Julio Cortazar, Gabriel Garcia Marquez, Milan Kundera, and Milorad Pavic, to mention just a few." Like most of his literary contemporaries of the avant-garde Eighties Generation, his major work has been translated into several European languages, with the notable exception, until now, of English.Readers opening the pages of Nostalgia should brace themselves for a verbal tidal wave of the imagination that will wash away previous ideas of what a novel is or ought to be. Although each of its five chapters is separate and stands alone, a thematic, even mesmeric harmony finds itself in children's games, the music of the spheres, humankind's primordial myth-making, the origins of the universe, and in the dilapidated tenement blocks of an apocalyptic Bucharest during the years of communist dictatorship.

    The entries—full of marvelous ideas, outlines for works never written, responses to the works of others, and much more—reveal many rarely glimpsed sides of the private, as well as public, man. What did he really think of the students who came to him for instruction in black magic? What were his private reflections on feminism, student drug use, the sexual revolution, the nature of American scholars and scholarship? Who were his best friends, why did he enjoy their company, and why did he shun the company of others?Quite apart from the personal, biographical interest the journal holds, it is a document of cultural and intellectual significance. Eliade remarks on such colleagues and friends as Jung, Dumézil, Ricoeur, Bellow, and Ionesco. Moreover, the period covered encompasses Eliade's most active years as a teacher, and the journal beautifully reflects his developing views on religion, history, and the nature of academic culture. Bits and pieces of Eliade's past life are juxtaposed with thoughts about ongoing projects and work yet to be undertaken as well as with anecdotes of his travels and comments on world events.A genuine treat for Eliade readers and those interested in history of religions, Journal III provides new perspectives on many of Eliade's other works—the History of Religious Ideas, Ordeal by Labyrinth, the Autobiography. At the same time the journal is a mature scholar's record of the aftermath of the 1960s, a turbulent period that profoundly affected American university life. As such, these writings hold valuable insights into not only the life and work of one man but also the cultural history of an entire era.