The speeds and feeds section has been revised, updated and expanded to include new materials, more cutting tools, and tool life estimates. The welding section has been rewritten to incorporate recent developments, the numerical control section has been expanded and rearranged to facilitate use, and logarithm and trigonometry tables have been reinstated. New to this edition are sections on bolt tightening torques, motion control sections, ISO 9000, lasers, dividing heads, bandsaws (including speeds and feeds), electrical discharge machining, retaining rings, machinability of wood, and collets. In addition, all the practical information and data has been reviewed and updated where necessary.

    Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

    Written while he was working for the Theosophical Society in California, Morris's version restores the Gods that he believed had disappeared from the written record but must have been present in the oral tradition of the Druid bards. First published in 1914 and republished in the 1970s as the 15th volume in the celebrated Newcastle Forgotten Fantasy Library.

    Botch that passage again, lazybones, and I'll have your hide! Poet-novelist Robert Graves and historian Alan Hodge have written a delightful book containing a very quirky 126-page critical history of English prose, a few short chapters listing every conceivable principle of clear & graceful writing, followed by some 200 pages of the most carping, anal-retentive editing & revising you've ever seen. Unlike most style-book authors, who criticize hypothetical or anonymous examples of bad prose, Graves & Hodge courageously tackle many of the biggest names of their era (Hemingway, Aldous Huxley, Bernard Shaw) and relentlessly pick, pick, pick until the carcass is clean and the bones lie strewn about the lair. Then they put it back together again PROPERLY, the way the author should have done it the first time. As G&H themselves note, the book might as well be subtitled "A Short Cut to Unpopularity". Of course, if any headmaster ever treated me the way G&H treat their victims, I'd be outraged. Luckily, we are not one of their hapless victims suffering under their harsh tutelage; so, although we wince in sympathy with those being raked over the coals, we can also profit greatly from their chastisement. "The Reader Over Your Shoulder" is the most painstaking and explicit guide ever published on the craft of revising one's prose. Ideal for self-study. But beware: G&H get under your skin and stay there.

    Probably best known today as the creator of the Goops and the famous Purple Cow verse, he was also the author of many books and a brilliant, iconoclastic American humorist who, when at a loss for words, made them up.Burgess Unabridged is the splendidly entertaining dictionary of linguistic inventions that Burgess originally published in 1914. Some of his coinages have since become playful parts of our language ("blurb," for one) while others were never picked up (such as "huzzlecoo"); but every one of them is as fresh, entertaining, and--yes--useful as when it first appeared. Reading Burgess is sheer delight: in addition to detailed definitions, he provides scintillating brief essays outlining the various usages of each word, and a clever eight-line poem displaying that word in action. Thus, every page brings entertainment and education in equal measure.This new edition offers the pleasures of the original typography and design along with the delightful artwork of Herb Roth, illuminating many of Burgess's creations. Like Ambrose Bierce's and Mark Twain's, Gelett Burgess's humor and mastery of the English language are timeless.

    Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

    Rare Antique, Out of Print.