– Matthew 7:24 Wisdom, encouragement, and exhortation is contained in these pages. Not because of the author's brilliance, but because of the words of truth contained in the gospel of John. And just as the Apostle John didn't draw any attention to himself, so also J. C. Ryle clearly and wonderfully directs his words and our thoughts towards the inspired words of scripture. If we truly love God, we will love His word; and the more study His word, the more we will love God. About the Author John Charles Ryle (1816-1900) graduated from Eton and Oxford and then pursued a career in politics, but due to lack of funds, he entered the clergy of the Church of England. He was a contemporary of Spurgeon, Moody, Mueller, and Taylor and read the great theologians like Wesley, Bunyan, Knox, Calvin, and Luther. These all influenced Ryle’s understanding and theology. Ryle began his writing career with a tract following the Great Yarmouth suspension bridge tragedy, where more than a hundred people drowned. He gained a reputation for straightforward preaching and evangelism. He travelled, preached, and wrote more than 300 pamphlets, tracts, and books, including Expository Thoughts on the Gospels, Principles for Churchmen, and Christian Leaders of the Eighteenth Century. Ryle used the royalties from his writing to pay his father’s debts, but he also felt indebted to that ruin for changing the direction of his life. He was recommended by Prime Minister Benjamin Disraeli to be Bishop of Liverpool where he ended his career in 1900.

    First published in 1856, The Grammar of Ornament remains a design classic. Its inspiration came from the pioneering architect and designer Owen Jones. His observations of decorative art on his extensive travels in Europe and the Near East were employed to improve the poor quality of Western design. His goal was to change the Victorian habit of mixing elements from a wide variety of sources and applying this mix indiscriminately to buildings, graphic design, and products. His resulting study is a comprehensive analysis of a remarkable collection of styles of ornamental design -- from Ancient Egypt and Greece to Imperial China and Renaissance Italy. With its sumptuous illustrations, its detailed survey of individual cultures, and its manifesto of "General Principles," it offered guidance to the designers of the future. In this new edition the designs are further illuminated by Iain Zaczek's perceptive commentaries. Hugely influential since its first publication, The Grammar of Ornament inspired great figures such as William Morris and Frank Lloyd Wright. Contemporary designers, entertained by the archaic charm of Jones's descriptions, are struck by the book's enduring relevance and its soundness regarding the essential principles of good design.