The tragedy of love thwarted by fate has always intrigued writers.  In the sixteenth century, William Shakespeare took this theme and fashioned one of the world's great plays: ROMEO AND JULIET.  In our own time, Shakespeare's drama has been used as a basis for the overwhelmingly successful musical play WEST SIDE STORY.  Though one of these works is set among the nobility of Verona, and the other among immigrant families of New York's West Side, both tell the story of the plight of young star-crossed" lovers.As Norris Houghton writes in his introduction: "What we see is that all four young people strive to consummate the happiness at the threshold on which they stand and which they have tasted so briefly.  All four are deprived of the opportunity to do so, the Renaissance couple by the caprice of fate, today's youngsters by the prejudice and hatred engendered around them."Poets and playwrights will continue to write of youthful lovers whom fate drives into and out of each other's lives.  The spectacle will always trouble and move us, even as the two dramas in this volume do today."

    The document was approved by a vote of 2,307 to 75 of the bishops assembled at the council, and was promulgated by Pope Paul VI on December 7, 1965, the day the council ended. As is customary with Catholic documents, the title is from the first sentence and means "Joy and Hope" in Latin. The document was not drafted before the council met, but arose from the floor of the council and was one of the last to be promulgated. This document alone embodies the spirit that arose from the bishops, who for the first time saw people at the heart of the church. The previous Vatican Council in 1869-1870 had tried to defend the role of the church in an increasingly secular world. This council sought the church to embrace this world and praised many of the good things in the world outside. One of the cardinals, Leo Joseph Suenens of Belgium urged the council to take on social responsibility for Third World suffering, International peace and war, and the poor. Pope John XXIII, who was deathly ill at the time, was forced to watch the proceedings on closed circuit television. He was too sick to attend, and died within months. He is said to have accepted that finally the fathers understood what this council was for. Contents - The numbers given correspond to section numbers within the text. Gaudium et Spes was promulgated by Pope Paul VI Preface (1-3) Introduction: The Situation of Men in the Modern World (4-10) Part 1: The Church and Man's Calling (11-45) The Dignity of the Human Person (12-22) The Community of Mankind (23-32) Man's Activity Throughout the World (33-39) The Role of the Church in the Modern World (40-45) Part 2: Some Problems of Special Urgency (46-93) Fostering the Nobility of Marriage and the Family (47-52) The Proper Development of Culture (53-62) The Circumstan

    Sofia is a Soviet Everywoman, a doctor's widow who works as a typist in a Leningrad publishing house. When her beloved son is caught up in the maelstrom of the purge, she joins the long lines of women outside the prosecutor's office, hoping against hope for any good news. Confronted with a world that makes no moral sense, Sofia goes mad, a madness which manifests itself in delusions little different from the lies those around her tell every day to protect themselves. Sofia Petrovna offers a rare and vital record of Stalin's Great Purges.

    This collection of more than 4,000 verses is supplemented by a glossary, genealogical tables, and an index correlating the verses with the original Sanskrit text.

    The book is about a lion cub who is on his own one day, just like Johnny. But, unlike Johnny Lion, this cub walks out into the world alone--and into lots of trouble!

    A comprehensive collection of Victorian poetry reflecting the period's literary climate and diversity through selections from both major and minor poets.

    At once dramatic and witty, his poems lay bare the loneliness and despair of life in genteel small towns ("Tilbury Down" and "The Mill"), the tyranny of love ("Eros Turrannos" and "The Unforgiven"), and unspoken, unnoticed suffering ("The Wandering Jew", and "Isaac and Archibald"). In addition, the fictional characters he created in "Reuben Bright", "Miniver Cheevy", "Richard Cory", and the historical figures he brought to life -- Lincoln in "The Master" and the great painter in "Rembrandt to Rembrandt" -- harbor demons and passions the world treats with indifference or cruelty. With an Introduction that sheds light on Robinson's influence on poets from Eliot and Pound to Frost and Berryman, this collection brings an unjustly neglected poet to new readers.