MacLeod's return eight years later, and the resulting 1995 revision, revealed little improvement in the lives of these men as they struggled in the labor market and crime-ridden underground economy. This classic ethnography addresses one of the most important issues in modern social theory and policy: how social inequality is reproduced from one generation to the next. Now republished with a preface by Joe Feagin, Ain't No Makin' It remains an admired and invaluable text.

    If the church is to speak meaningfully to youth and in turn reap the many benefits that young people have to offer, then its ministry must be predicated on passion — the Passion of Christ, the passion of youth, and the passionate faith that results when these two things come together. The uniqueness of Practicing Passion lies in its relocating youth ministry in practical theology rather than in educational theory or psychological or social development. While youth ministry has routinely capitalized on the passions of adolescents, little attention has been given to the theological mooring that youth need to connect with the church and hold firm amid the growing demands of popular culture. Focusing on the theological resonance between the Passion of Christ and adolescents’ experience of passion, Dean develops a framework for youth ministry that draws on the historic practices of the Christian community as a “curriculum of passion.” Offering a compelling new model for reaching, discipling, and empowering today’s young adults, Practicing Passion is a vital resource for anyone already engaged in or preparing for youth ministry.

    Missing from the roster of invitees is Christian's twin sister, Linda, who recently committed suicide. The reason for her action and the repercussions from it, form the basis of the shocking and painful events that transpire during a twenty-four hour period. In the midst of dinner, Christian makes a startling accusation and, even as the disbelieving guests are choosing sides, the play slowly unwraps the truth.David Eldridge powerful new play is adapted from Thomas Vinterborg's screenplay of the very successful film, Dogme.Published to tie in with Almeida Theatre production in March 2004 directed by Rufus Norris

    Clare was an impoverished agricultural laborer, whose genius was generally not appreciated by his contemporaries, and his later mental instability further contributed to his loss of critical esteem. But the extraordinary range of his poetical gifts has restored him to the company of contemporaries like Lord Byron, John Keats, and Percy Bysshe Shelley.This authoritative edition brings together a generous selection of Clare's poetry and prose, including autobiographical writings and letters and illustrates all aspects of his talent. It contains poems from all stages of his career, including love poetry and bird and nature poems. Written in his native Northamptonshire, Clare's work provides a fascinating reflection of rural society, often underscored by his own sense of isolation and despair. Clare's writings are presented with the minimum of editorial interference, and with a new introduction by the poet and scholar Tom Paulin.

    Which fruitTo pick from the nodding tree."This chilling passage is from Ellen McLaughlin’s new adaptation of The Persians by Aeschylus, the earliest surviving play in Western literature, an elegy for a fallen civi-lization and a warning to its new conqueror. As Margo Jefferson wrote in the New York Times, "The play is a true classic: we see the present and the future right there, inside the past. And when writers give us a ‘new version’ (a translation or adaptation) of a classic, they both serve and use it. They serve the playwright’s gifts by refusing to simplify. But they can’t just imitate. Every age has its own rhythms and drives. The classic must make us feel the new acutely. Ellen McLaughlin serves and uses The Persians with true power and grace."Also included in this volume: Iphigenia and Other Daughters (from Euripides and Sophocles); The Trojan Women (Euripides); Helen (Euripides); and Lysistrata (Aristophanes), all powerfully realized and as relevant today as when they were first performed.Ellen McLaughlin’s plays include Days and Nights Within, A Narrow Bed, Infinity’s House and Tongue of a Bird, which have been widely produced. She is a past finalist for the Susan Smith Blackburn Prize and was the co-winner of the Great American Play Contest. Also an accomplished actor, Ms. McLaughlin is most known for having originated the part of the Angel in Tony Kushner’s Angels in America, appearing in every U.S. production through its Broadway run.

    For each volume, a series editor reads pieces from hundreds of periodicals, then selects between fifty and a hundred outstanding works. That selection is pared down to the twenty or so very best pieces by a guest editor who is widely recognized as a leading writer in his or her field. This unique system has helped make the Best American series the most respected -- and most popular -- of its kind. Here you will find another "splendid array of unpredictable and delectable essays" (Booklist), chosen by the Pulitzer Prize-winning writer Louis Menand, another collection with "delights on every page" (Dallas Morning News). The Best American Essays once again earns its place as the liveliest and leading annual of its kind.

    Rogaski focuses on multiple manifestations across time of a single Chinese concept, weisheng—which has been rendered into English as "hygiene," "sanitary," "health," or "public health"—as it emerged in the complex treaty-port environment of Tianjin. Before the late nineteenth century, weisheng was associated with diverse regimens of diet, meditation, and self-medication. Hygienic Modernity reveals how meanings of weisheng, with the arrival of violent imperialism, shifted from Chinese cosmology to encompass such ideas as national sovereignty, laboratory knowledge, the cleanliness of bodies, and the fitness of races: categories in which the Chinese were often deemed lacking by foreign observers and Chinese elites alike.

    Fewer still realize that many Native Americans owned African Americans and Native Americans from other tribes. Recently, historians have determined that of the 2,193 interviews with former slaves that were collected by the Federal Writers' Project, 12 percent contain some reference to the interviewees' being related to or descended from Native Americans. In addition, many of the interviewees make references to their Native American owners. In Black Indian Slave Narratives, Patrick Minges offers the most absorbing of these firsthand testimonies about African American and Native American relationships in the 19th century. The selections include an interview with Felix Lindsey, who was born in Kentucky of Mvskoke/African heritage and who served as one of the buffalo soldiers who rounded up Geronimo. Chaney Mack, whose father was a "full-blood African" from Liberia and whose mother was a "pure-blood Indian," gives an in-depth look at both sides of her cultural heritage, including her mother's visions based on the "night the stars fell" over Alabama. There are stories of Native Americans taken by "nigger stealers," who found themselves placed on slave-auction blocks alongside their African counterparts. The narratives in this collection provide insight into the lives of people who lived in complex and dynamically interconnected cultures. The interviews also offer historical details of capture and enslavement, life in the Old South and the Old West, Indian removal, and slavery in the Indian territory.Patrick Minges worked for 17 years for Amnesty International and Human Rights Watch. He teaches in Stokes County Schools and at Forsyth Technical Community College in Winston-Salem. He is also the author of Slavery in the Cherokee Nation: The Keetowah Society and the Defining of a People, 1855-1867 and Far More Terrible for Women: Personal Accounts of Women in Slavery. This book is an important contribution to the dialogue about relationships between African-Americans and Native-Americans, and the complex political context in which these narratives were recorded. Patrick does not over-analyze this often emotional subject. He simply allows the people to tell their stories. -Wilma Mankiller

    He provides novel insights on well-known aspects of the Sioux story, such as the Oregon Trail, the deaths of Crazy Horse and Sitting Bull, and the Ghost Dance, and offers an in-depth look at many lesser-known facets of Sioux history and culture. Paying close attention to Sioux perspectives of their history, the book demonstrates how the Sioux creatively responded to the challenges of U.S. expansion and domination, revealing simultaneously how U.S. power increasingly limited the autonomy of their communities as the century came to a close. Ostler's innovative analysis of the Plains Sioux culminates in a compelling reinterpretation of the events that led to the Wounded Knee massacre of December 29, 1890. History Department Head at the University of Oregon, Associate Professor Jeffrey Ostler has held honors such as the National Endowment for the Humanities Fellowship and has published articles in Western Historical Quarterly, Great Plains Quarterly, and Pacific Historical Review.