Eighty centuries before our time -- in the frozen interior of a place that would someday be called Alaska -- a clubfooted babe was left in the snow to die...until he was rescued by a young woman ravaged by her enemies and sworn to vengeance.Twenty years later, the child, called Chakliux, has grown to manhood and occupies an honored place as his tribe's treasured storyteller, while his adoptive mother K'os has grown cunning and cold. But in the neighboring village of the Near River People -- where he has been sent to make peace by wedding the shaman's daughter -- a shocking double murder occurs that sets Chakliux on a remarkable journey. Driven by the ancient songs of sea and sky, earth and animals, the storyteller traverses a harsh, unknown, yet enthralling landscape in search of the strange truth about the offenses for which his people have suffered...and about the hateful, ambitious woman who raised him, who may be his most dangerous enemy of all.

    Drawing on prehistory, protohistory, and Gallo-Roman antiquity, the twenty-six essays in this book focus on a particular place or artifact for the relevance inherent in each. A Bronze Age earring or the rippling wave pattern in Massiolite ceramic are more than archival curiosities for Sobin. Instead they invite inquiry and speculation on existence itself: Artifacts are read as realia, and history as an uninterrupted sequence of object lessons.As much travel writing as meditative discourse, Luminous Debris is enhanced by a prose that tracks, questions, and reflects on the materials invoked. Sobin engages the reader with precise descriptions of those very materials and the messages to be gleaned from their examination, be they existential, ethical, or political.An American expatriate living in Provence for the past thirty-five years, Gustaf Sobin shares his enthusiasm for his adopted landscape and for a vertical interpretation of its strata. In Luminous Debris he creates meaning out of matter and celebrates instances of reality, past and present.

    In the past decade, dinosaur paleontology has experienced an explosive growth. So rapidly has the field expanded that no individual can hope to master all its aspects. The editors have brought together 47 experts in subjects ranging from functional morphology and paleobiology to biogeography and systematics to present a thorough survey of dinosaurs from the earliest discoveries through the contemporary controverises over their extinction. Where contention exists, as over the question of whether dinosaurs, were warmblooded or cold-blooded, the editors have let the experts agree to disagree. Technical jargon is kept to a minimum, and there is a glossary of less familiar terms.

    Dunmire and Tierney are able to eloquently illustrate the importance of the people-plant relationship that has existed throughout the ages among Native peoples and how ancient traditional uses of these plants inform contemporary uses today. Through vignettes of background information drawn from lore and cultural traditions and interviews with tribal elders, Wild Plants and Native Peoples of the Four Corners describes uses for edible, medicinal, and dye plants, as well as plants used for making baskets, tools, and shelters. Complementing these essays are profiles of fifty new trees, shrubs, herbaceous perennials, and grasses common to traditional Native America.

    

    Crustal shifting, the tilting of Earth's axis, mass extinctions, upthrusted mountain ranges, rising and shrinking land masses, and gigantic volcanic eruptions and earthquakes--all indicate that a fateful confrontation with a destructive cosmic visitor must have occurred. The abundant geological, biological, and climatological evidence from this dire event calls into question many geological theories and will awaken our memories to our true--and not-so-distant--past.

    The book also offers the first detailed account of how the world of scholarship became aware of the existence of prehistoric art, reproducing the very earliest drawings by explorers and surveyors from the 1600s onward to create a unique pictorial as well as discursive resource. With this powerful combination of illustration and analysis, Paul Bahn describes what prehistoric art is and the different ways in which it can shed light on the lives and preoccupations of our ancestors: sexual, humorous, social, economic, and religious. The result is a fascinating exploration: a book that Desmond Morris describes as a model of scientific restraint and objectivity....this is ultimately an art book, and as such it is endlessly provocative and engaging. Paul Bahn is an archaeologist and the author of more than 400 publications. He has authored or coauthored eight books, including The Cambridge Illustrated History of Archaeology. Dr. Bahn is a fellow of the Society of Antiquaries.

    In the first full-length treatment of the subject, based largely on new fieldwork, Richard Bradley argues that these carvings should be interpreted as a series of symbolic messages that are shared between monuments, artefacts and natural places in the landscape. He discusses the cultural setting of the rock carvings and the ways in which they can be interpreted in relation to ancient land use, the creation of ritual monuments and the burial of the dead. Integrating this fascinating yet little-known material into the mainstream of prehistoric studies, Richard Bradley demonstrates that these carvings played a fundamental role in the organization of the prehistoric landscape.

    In addition to its natural beauty, the area has been host to a number of ancestral Pueblo Indian groups dating back to prehistoric times. In the 1930s, archeological professionals made up a small, growing group while the ranks of amateur enthusiasts and pothunters, those who dug ancient sites for artifacts out of curiosity or for monetary gain, swelled. Prehistory in Peril is the first accurate account of the early period of archeological study of the Durango area. The area, still rife with unexplored sites, drew many self-trained amateurs and pothunters. As more and more historically significant artifacts were found, bitter confrontation and animosity developed between professionals and enthusiasts. Prehistory in Peril follows the fascinating drama and re-evaluates data from two prominent archeologists of that time, and takes into account more recent research to draw new conclusions about the prehistoric cultural patterns revealed in the southern Colorado area of Durango.