The little girl wears it to school proudly, and when the other children laugh, she gives them a quick lesson about what it means to be rich. Judith Sutton's beautiful paintings bring one of Dolly Parton's best-loved songs to life. "The heartfelt verses are imbued with the same genuine, infectiously likeable spirit Parton herself projects." Publishers Weekly

    Color illustrations.

    . . Highly recommended." -- Small Press ReviewA memoir of race and education, this is the story of a girl who grew up and out of the Cleveland projects in the 1960s and '70s.While growing up in Cleveland, young Charlise Lyles experienced turbulent events including race riots and a neighborhood murder. Yet she was inspired to appreciate literature at a young age, and she spent her days reading--and also often searching for the estranged father who taught her that love of learning.Despite starting in the "slow class" at an aging school on Cleveland's east side, Lyles had a thirst for knowledge and drive for success that would open a door to new opportunities. Granted a scholarship to a prestigious prep school in a wealthy suburb, the vibrant teenager finds herself presented with a bewildering set of new challenges--and a new direction in life.

    Against extraordinary odds she opened the Christina Noble Children's Foundation, a haven of food, beds, medical aid and schooling where the street children of Saigon can find safety and new beginnings under the protection of "Mama Tina".In this vivid and moving book, Christina's compelling story continues with the amazing tale of what she and her Foundation have achieved. She takes us from the streets of Saigon to the Children's Prisons of Mongolia. A staunch campaigner for children's rights, for her there are no frontiers, only a world filled with children reaching out.

    Cynthia Rylant’s poetry about the photographs offers a new voice in the telling, celebrating the beauty of life lived in extreme circumstances.

    In a personal introduction that sets the tone, Sobrino describes the evolution of his own thinking under the impact of the Salvadoran reality. Part One focuses on the essential character of mercy, and on the importance of shaping the mission of the church and the task of theology. Part Two analyzes the crucified reality of the Third World with specific reflections on salvation, forgiveness, and the grace of being forgiven. Part Three presents two manifestations of mercy: the reality of priesthood and solidarity. Finally, in a moving Afterword, Sobrino focuses on his martyred fellow Jesuits of the Central American University, a group who paid the ultimate price of mercy.

    The splendid retelling is accented by stunning, full-color paintings.

    To interpret Paul is thus to set foot on a terrible battleground between spiritual forces. But as Neil Elliott argues, the struggle to liberate human beings from the power of Death requires Liberating Paul from his enthrallment to that power. In this book, Elliott shows that what many people experience as the scandal of Paul is the unfortunate consequence of the way Paul has usually been read, or rather misread, in the churches.In the first half of the book, Elliott examines the many texts historically interpreted to support oppression or maintain the status quo. He shows how often Paul's authentic message has been interpreted in the light of later pseudo-Pauline writings.In Part Two, Elliott applies a political key to the interpretation of Paul. Though subsequent centuries have turned the cross into a symbol of Christian piety, Elliott forcefully reminds us that in Paul's time this was the Roman mode of executing rebellious slaves, a fact that has profound political implications.Under Elliott's examination, a startlingly new image of Paul begins to emerge, liberated from layers of false interpretation, and free to speak a liberating and challenging word to our world today.