She details its prod'n., dist'n., & cons'n. in Great Britain between Waterloo & WWI. Sigel examines how this medium changed over time to explore key questions: How did Brit. society define PN? Who had access to it? What did people make of its ideas? And how did these messages affect sexual & social dynamics? PN offered people a way to make sense of sexuality & its relationship to the world during the transition of Brit. society from an era of radical politics to one of consumer pleasures. Illustrated with literary & visual materials drawn from public & private collections.

    Soble demonstrates that neither conservative nor feminist critics of pornography show much acquaintance with the genre they criticize. This suggests that purely political motives underlie their critiques instead of reasoned, objective arguments based on thorough empirical research.Soble also faults critics of pornography for their failure of empathy: they refuse to see pornographic images from the various perspectives of their viewers. In approaching these images literally, detractors promulgate the worst possible interpretation of pornography. Further, they do not do justice to the social and psychological research about pornography and its purported harms. Conservatives and feminists manufacture their case against pornography and its consumers based on oversimplified interpretations of the images and a poor understanding of scientific studies.This sardonic and well-reasoned critique of feminist and conservative moral outrage over pornography is sure to be controversial.