Recognizing his life for what it was, he ran away from his home, but hecould not run away from all of his problems.Sixteen years later he found himself hungry of body and empty of spirit in asmall Midwestern town. He was determined to make something of himself and tonot be controlled by alcohol.Initially, he finds no help in this so-called Christian town. Eventually, heis taken in by George Udell, a local publisher and a kind-hearted man. GeorgeUdell gives the young man a job, and something more important: spiritualsupport. Through hard work and Christian morals, the man who becomes known as"that printer of Udell's" rises above his past to a new life withGod, inspiring those around him along the way.As in Wright's The Shepherd of the Hills and The Callingof Dan Matthews, both also published by Pelican, good deeds and astrong belief in God form the basis for a happy life, no matter what the past.

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    Will Gilmore is a young man from a small village called Scarcombe, a place whose primary industries are fishing and smuggling. Rather than pursue either career, he joins the Royal Navy as a ship's boy. His rise in the navy begins rather quickly when he distinguishes himself in a battle against the French, and he is promoted to midshipman. This promotion begins a career which includes battles with pirates, being captured and escaping from the enemy no less than three times, and participation in both the Battle of Cape St. Vincent and the Battle of Camperdown. His final adventure involves him with none other than Admiral Horatio Nelson, where his resolve and persistence pay off.

    Convinced that Grace Brissenden has become younger by drawing upon her husband, Guy, the narrator seeks to discover the source of the newfound wit of Gilbert Long, previously “a fine piece of human furniture.” His perplexing and ambiguous quest, and the varying reactions it provokes from the other guests, calls into question the imaginative inquiry central to James’s art of the novel.James described the essential idea of The Wings of the Dove as “a young person conscious of a great capacity for life, but early stricken and doomed, condemned to die under short respite, while also enamoured of the world.” The heroine, a wealthy young American heiress, Milly Theale (inspired by James’s beloved cousin Minny Temple), is slowly drawn into a trap set for her by the English adventuress Kate Croy and her lover, the journalist Morton Densher. The unexpected outcome of their mercenary scheme provides the resolution to a tragic story of love and betrayal, innocence and experience that has long been acknowledged as one of James’s supreme achievements as a novelist. This volume prints the New York Edition text of The Wings of the Dove, and includes the illuminating preface James wrote for that edition.

    In it he captures a young man's exhilaration in the face of danger and the unknown.THE END OF THE TETHER is of a different mold. Captain Whalley, aging but still afloat, compromises his principles without understanding what can follow. But life, like the sea, is unsparing, and the captain's fate arrives in due course, served up with Conrad's own brand of uncompromising logic.

    It accounts the narrator's day to day activities in London of its day, and fanciful tales set in Kensington Gardens and elsewhere. This book also includes the very first appearance of Peter Pan.Excerpt:If you ask your mother whether she knew about Peter Pan when she was a little girl she will say, "Why, of course, I did, child," and if you ask her whether he rode on a goat in those days she will say, "What a foolish question to ask, certainly he did." Then if you ask your grandmother whether she knew about Peter Pan when she was a girl, she also says, "Why, of course, I did, child," but if you ask her whether he rode on a goat in those days, she says she never heard of his having a goat. Perhaps she has forgotten, just as she sometimes forgets your name and calls you Mildred, which is your mother's name. Still, she could hardly forget such an important thing as the goat. Therefore there was no goat when your grandmother was a little girl. This shows that, in telling the story of Peter Pan, to begin with the goat (as most people do) is as silly as to put on your jacket before your vest.