Hence, Austrian painter Christiane Ritter was at best ambivalent when her husband asked her to join him on the small Arctic island of Spitsbergen in a tarpaulin-covered hut sixty miles from the nearest neighbor. Yet his descriptions were filled not with cold and hardship but tales of remarkable wildlife, alluring light shows, and treks over water and ice. Won over, Ritter joined her husband and grew to love life on this small isle off Norway's coast, and in this charming memoir she describes her experiences, with insight and wry humor. Whether or not you ever plan a trip to the Arctic, A Woman in the Polar Night offers thoughtful reflections on isolation and the place the natural world holds in the human psyche.

    They wanted to escape civilization & live strictly according to nature. Without medical supplies, they came within inches of losing their lives, but they also found the serenity they were seeking. They built a bamboo cabin & lived off the land, struggling against myriad diseases. They lived to tell of hazardous inter-island voyages, their idyllic month-long stay with the last surviving Polynesian cannibal, their mixed relations with the islanders, their failures & successes in an entirely natural world. Fatu-Hiva was a turning point in Heyerdahl's life. It was there that he began to pick up a trail that would lead to the Kon-Tiki expedition. Ancient stone figures, the presence of such flora as the pineapple & local legends all pointed to an early migration from South America. At the time, this theory was considered outrageous. Heyerdahl would later prove it not only possible, but likely.List of IllustrationsFarewell to CivilizationBack to NatureWhite Men, Dark ShadowsExodusTabooOcean EscapeOn HivaoaIsland of Ill OmenIn the Cannibal ValleyCave DwellersIndex

    

    As he explored the wilderness of the western part of the United States for decades, he carried notebooks with him, narrating his wanderings, describing what he saw, and recording his scientific researches. This reprint of his journals, edited by Linnie Marsh Wolfe in 1938 and long out of print, offers an intimate picture of Muir and his activities during a long and productive period of his life.    The sixty extant journals and numerous notes in this volume were written from 1867 to 1911. They start seven years after the time covered in The Story of My Boyhood and Youth, Muir’s uncompleted autobiography. The earlier journals capture the essence of the Sierra Nevada and Alaska landscapes. The changing appearance of the Sierras from Sequoia north and beyond the Yosemites enthralled Muir, and the first four years of the journals reveal his dominating concern with glacial action. The later notebooks reflect his changes over the years, showing a mellowing of spirit and a deep concern for human rights.    Like all his writings, the journals concentrate on his observations in the wilderness. His devotion to his family, his many warm friendships, and his many-sided public life are hardly mentioned. Very little is said about the quarter-century battle for national parks and forest reserves. The notebooks record, in language fuller and freer than his more formal writings, the depth of his love and transcendental feeling for the wilderness. The rich heritage of his native Scotland and the unconscious music of the poetry of Burns, Milton, and the King James Bible permeate the language of his poetic fancy.    In his later life, Muir attempted to sort out these journals and, at the request of friends, published a few extracts. A year after his death in 1914, his literary executor and biographer, William Frederick Badè, also published episodes from the journals. Linnie Marsh Wolfe set out to salvage the best of his writings still left unpublished in 1938 and has thus added to our understanding of the life and thought of a complex and fascinating American figure.