Ranging from "Why is there such a fuss about nonnative people wearing Indian costumes for Halloween?" to "Why is it called a 'traditional Indian fry bread taco'?" to "What's it like for natives who don't look native?" to "Why are Indians so often imagined rather than understood?", and beyond, Everything You Wanted to Know About Indians But Were Afraid to Ask (Young Readers Edition) does exactly what its title says for young readers, in a style consistently thoughtful, personal, and engaging.Updated and expanded to include:• Dozens of New Questions and New Sections—including a social activism section that explores the Dakota Access Pipeline, racism, identity, politics, and more!• Over 50 new Photos• Adapted text for broad appeal

    This companion book to the award-winning We Are Grateful: Otsaliheliga offers readers everything they never learned in school about Native American people's past, present, and future. Precise, lyrical writing presents topics including: forced assimilation (such as boarding schools), land allotment and Native tribal reorganization, termination (the US government not recognizing tribes as nations), Native urban relocation (from reservations), self-determination (tribal self-empowerment), Native civil rights, the Indian Child Welfare Act (ICWA), religious freedom, economic development (including casino development), Native language revival efforts, cultural persistence, and nationhood.

    Poet Laureate, has championed the voices of Native peoples past and present. Her signature laureate project gathers the work of contemporary Native poets into a national, fully digital map of story, sound, and space, celebrating their vital and unequivocal contributions to American poetry.This companion anthology features each poem and poet from the project to offer readers a chance to hold the wealth of poems in their hands. With work from Natalie Diaz, Ray Young Bear, Craig Santos Perez, Sherwin Bitsui, Layli Long Soldier, among others, Living Nations, Living Words showcases, as Joy Harjo writes in her stirring introduction, “poetry [that] emerges from the soul of a community, the heart and lands of the people. In this country, poetry is rooted in the more than 500 living indigenous nations. Living Nations, Living Words is a representative offering.”

    When the war is over and revenge-fueled war trials begin, each young woman is faced with an impossible choice. In a swiftly changing world, both Emma and Oenikika must look deep within and fight for the truth of their convictions—even as horror and injustice unfolds all around them.Inspired by the true story of the thirty-eight Dakota-Sioux men hanged in Minnesota in 1862—the largest mass execution in US history—Dovetails in Tall Grass is a powerful tale of two young women connected by the fate of one man.

    And she never thought she’d be one of the first Native American women in Congress. During her campaign, she heard from a lot of doubters. They said she couldn’t win because of how she looked, who she loved, and where she came from. But here’s the thing: Everyone’s path looks different and everyone’s path has obstacles. And this is the remarkable story of Sharice Davids’ path to Congress.Beautifully illustrated by Joshua Mangeshig Pawis-Steckley, an Ojibwe Woodland artist, this powerful autobiographical picture book teaches readers to use their big voice and that everyone deserves to be seen—and heard!The back matter includes information about the Ho-Chunk written by former Ho-Chunk President Jon Greendeer, an artist note, and an inspiring letter to children from Sharice Davids.

    We used to be from New York. We had a little real estate problem.” In We Had a Little Real Estate Problem, acclaimed comedy historian Kliph Nesteroff focuses on one of comedy’s most significant and little-known stories: how, despite having been denied representation in the entertainment industry, Native Americans have influenced and advanced the art form. The account begins in the late 1880s, when Native Americans were forced to tour in wild west shows as an alternative to prison. (One modern comedian said it was as “if a Guantanamo detainee suddenly had to appear on X-Factor.”) This is followed by a detailed look at the life and work of seminal figures such as Cherokee humorist Will Rogers and Hill, who in the 1970s was the first Native American comedian to appear The Tonight Show. Also profiled are several contemporary comedians, including Jonny Roberts, a social worker from the Red Lake Nation who drives five hours to the closest comedy club to pursue his stand-up dreams; Kiowa-Apache comic Adrianne Chalepah, who formed the touring group the Native Ladies of Comedy; and the 1491s, a sketch troupe whose satire is smashing stereotypes to critical acclaim. As Ryan Red Corn, the Osage member of the 1491s, says: “The American narrative dictates that Indians are supposed to be sad. It’s not really true and it’s not indicative of the community experience itself…Laughter and joy is very much a part of Native culture.” Featuring dozens of original interviews and the exhaustive research that is Nesteroff’s trademark, We Had a Little Real Estate Problem is a powerful tribute to a neglected legacy.

    The newly constituted United States actually emerged as a fragile, internally divided union of states contending still with European empires and other independent republics on the North American continent. Native peoples sought to defend their homelands from the flood of American settlers through strategic alliances with the other continental powers. The system of American slavery grew increasingly powerful and expansive, its vigorous internal trade in Black Americans separating parents and children, husbands and wives. Bitter party divisions pitted elites favoring strong government against those, like Andrew Jackson, espousing a democratic populism for white men. Violence was both routine and organized: the United States invaded Canada, Florida, Texas, and much of Mexico, and forcibly removed most of the Native peoples living east of the Mississippi. At the end of the period the United States, its conquered territory reaching the Pacific, remained internally divided, with sectional animosities over slavery growing more intense.Taylor’s elegant history of this tumultuous period offers indelible miniatures of key characters from Frederick Douglass and Sojourner Truth to Elizabeth Cady Stanton and Margaret Fuller. It captures the high-stakes political drama as Jackson and Adams, Clay, Calhoun, and Webster contend over slavery, the economy, Indian removal, and national expansion. A ground-level account of American industrialization conveys the everyday lives of factory workers and immigrant families. And the immersive narrative puts us on the streets of Port-au-Prince, Mexico City, Quebec, and the Cherokee capital, New Echota.Absorbing and chilling, American Republics illuminates the continuities between our own social and political divisions and the events of this formative period.

     Underneath the New Mexico sky, a Navajo boy named Cody finds that his family's barrels of water are empty. He checks the chicken coop-- nothing. He walks down the road to the horses' watering hole. Dry. Meanwhile, a few miles away, Darlene Arviso drives a school bus and picks up students for school. After dropping them off, she heads to another job: she drives her big yellow tanker truck to the water tower, fills it with three thousand gallons of water, and returns to the reservation, bringing water to Cody's family, and many, many others. Here is the incredible and inspiring true story of a Native American woman who continuously gives back to her community and celebrates her people.

    In this modern world, we spend our attention in ways that benefit the powers that be, and not ourselves or the earth. This book's intention is not to teach you to be Native American, but instead to use the indigenous culture of the Lakota to help you connect with your own indigenous roots and help you remember your ancestral knowing that all beings are divinely connected.Thinking indigenously centers around three concepts: 1) The way of the seven generations--conscious living 2) The way of the buffalo--mindful consumption3) The way of the village--collective impactAuthor Doug Good Feather, with Doug Pineda, shares the knowledge that has been handed down through his Lakota elders to help you connect with your purpose in life, personal power, and place in this interconnected web with Spirit, Mother Earth, and humanity as a whole.

    Then, one by one, the Osage began to die under mysterious circumstances, and anyone who tried to investigate met the same end.As the death toll surpassed more than twenty-four Osage, the newly created Bureau of Investigation, which became the FBI, took up the case, one of the organization's first major homicide investigations. An undercover team, including one of the only Native American agents in the bureau, infiltrated the region, struggling to adopt the latest modern techniques of detection. Working with the Osage, they began to expose one of the most chilling conspiracies in American history.In this adaptation of the adult bestseller, David Grann revisits his gripping investigation into the shocking crimes against the Osage people. The book is a searing indictment of the callousness and prejudice toward Native Americans that allowed the murderers to occur for so long.

    For millennia, vibrant Coast Salish communities have lived beside these waters dense with nutrient-rich foods, with cultures intertwined through exchanges across the waterways. Transformed by settlement and resource extraction, Puget Sound and its future health now depend on a better understanding of the region's ecological complexities.Focusing on the area south of Port Townsend and between the Cascade and Olympic mountains, Williams uncovers human and natural histories in, on, and around the Sound. In conversations with archaeologists, biologists, and tribal authorities, Williams traces how generations of humans have interacted with such species as geoducks, salmon, orcas, rockfish, and herring. He sheds light on how warfare shaped development and how people have moved across this maritime highway, in canoes, the mosquito fleet, and today's ferry system. The book also takes an unflinching look at how the Sound's ecosystems have suffered from human behavior, including pollution, habitat destruction, and the effects of climate change.Witty, graceful, and deeply informed, Homewaters weaves history and science into a fascinating and hopeful narrative, one that will introduce newcomers to the astonishing life that inhabits the Sound and offers longtime residents new insight into and appreciation of the waters they call home.

    His best-selling novels added Navajo Tribal Police detectives Joe Leaphorn and Jim Chee to the pantheon of American fictional detectives. Morris offers a balanced portrait of Hillerman’s personal and professional life and provides a timely appreciation of his work. In intimate detail, Morris captures the author’s early years in Depression-era Oklahoma; his near-death experience in World War II; his sixty-year marriage to Marie; his family life, including six children, five of them adopted; his work in the trenches of journalism; his affliction with PTSD and its connection to his enchantment with Navajo spirituality; and his ascension as one of America’s best-known writers of mysteries. Further, Morris uncovers the almost accidental invention of Hillerman’s iconic detective Joe Leaphorn and the circumstances that led to the addition of Jim Chee as his partner. Hillerman’s novels were not without controversy. Morris examines the charges of cultural appropriation leveled at the author toward the end of his life. Yet, for many readers, including many Native Americans, Hillerman deserves critical acclaim for his knowledgeable and sensitive portrayal of Diné (Navajo) history, culture, and identity. At the time of Hillerman’s death, more than 20 million copies of his books were in print, and his novels inspired Robert Redford to adapt several of them to film. In weaving together all the elements of Hillerman’s life, Morris drew on the untapped collection of the author’s papers, extensive archival research, interviews with friends, colleagues, and family, as well as travel in the Navajo Nation. Filled with never-before-told anecdotes and fresh insights, Tony Hillerman will thrill the author’s fans and awaken new interest in his life and literary legacy.

    Bordertowns are white-dominated towns and cities that operate according to the same political and spatial logics as all other American towns and cities. The difference is that these settlements get their name from their location at the borders of current-day reservation boundaries, which separates the territory of sovereign Native nations from lands claimed by the United States. Bordertowns came into existence when the first US military forts and trading posts were strategically placed along expanding imperial frontiers to extinguish indigenous resistance and incorporate captured indigenous territories into the burgeoning nation-state. To this day, the US settler state continues to wage violence on Native life and land in these spaces out of desperation to eliminate the threat of Native presence and complete its vision of national consolidation “from sea to shining sea.” This explains why some of the most important Native-led rebellions in US history originated in bordertowns and why they are zones of ongoing confrontation between Native nations and their colonial occupier, the

    It showcases the breadth, depth, and diversity of Diné creative artists and their poetry, fiction, and nonfiction prose.This wide-ranging anthology brings together writers who offer perspectives that span generations and perspectives on life and Diné history. The collected works display a rich variety of and creativity in themes: home and history; contemporary concerns about identity, historical trauma, and loss of language; and economic and environmental inequalities.The Diné Reader developed as a way to demonstrate both the power of Diné literary artistry and the persistence of the Navajo people. The volume opens with a foreword by poet Sherwin Bitsui, who offers insight into the importance of writing to the Navajo people. The editors then introduce the volume by detailing the literary history of the Diné people, establishing the context for the tremendous diversity of the works that follow, which includes free verse, sestinas, limericks, haiku, prose poems, creative nonfiction, mixed genres, and oral traditions reshaped into the written word. This volume combines an array of literature with illuminating interviews, biographies, and photographs of the featured Diné writers and artists. A valuable resource to educators, literature enthusiasts, and beyond, this anthology is a much-needed showcase of Diné writers and their compelling work. The volume also includes a chronology of important dates in Diné history by Jennifer Nez Denetdale, as well as resources for teachers, students, and general readers by Michael Thompson. The Diné Reader is an exciting convergence of Navajo writers and artists with scholars and educators.

    Supporters called the pipeline key to safely transporting American oil from the Bakken oil fields of the northern plains to markets nationwide, essential to both national security and prosperity. Native activists named it the “black snake,” referring to an ancient prophecy about a terrible snake that would one day devour the earth. Activists rallied near the Standing Rock Reservation in North Dakota for months in opposition to DAPL, winning an unprecedented but temporary victory before the federal government ultimately permitted the pipeline. Oil began flowing on June 1, 2017. The water protector camps drew global support and united more than three hundred tribes in perhaps the largest Native alliance in U.S. history. While it faced violent opposition, the peaceful movement against DAPL has become one of the most crucial human rights movements of our time.Black Snake is the story of four leaders—LaDonna Allard, Jasilyn Charger, Lisa DeVille, and Kandi White—and their fight against the pipeline. It is the story of Native nations combating environmental injustice and longtime discrimination and rebuilding their communities. It is the story of a new generation of environmental activists, galvanized at Standing Rock, becoming the protectors of America’s natural resources.

    But on his first day things quickly start to go awry. Will Little Chaski be able to deliver the royal message on time?

    Bear, Hawk, Caribou, and Wolf all have teachings to share to help us live a good life. But when Grampa gets sick and falls into a coma, the little girl must lean on his teachings as she learns to say goodbye.Masterful prose and stunning collage weave a gentle story about animal teachings, the power of dreams, and the death of a loved one.

    This sweet, authentic story from a Maliseet mother and her Passamaquoddy husband includes backmatter about traditional basket making and a Wabanaki glossary.

    For hundreds of years people in Canada and the United States have told stories of a giant cannibalistic monster that could devour an entire community- or worse yet, possess you and turn you into a Wendigo. Almost everything that has previously been written about the Wendigo comes from an anthropological or sociological perspective, often failing to even address the supernatural component of the lore. Not this book! The result is one of the most comprehensive explorations of the Wendigo legend ever written. While not for the faint of heart, Wendigo Lore is a treasure trove of information for those seeking to learn more about this unique legend of the Northwoods.

    

    But Declan longs to see real Buffalo. Then one magical night, herds of the majestic creatures stampede down from the sky. That’s when things really get wild!Azby Whitecalf’s playful illustrations add to the joy and reverence in Deidre Havrelock’s picture book debut. A reprinting of the Buffalo Treaty and an author’s note describe the importance of Buffalo to Indigenous Peoples and efforts to revitalize the species.

    P. Morgan commissioned Edward S. Curtis to produce a series of books depicting Native American life. Edward S. Curtis Portraits contains over 250 of the project’s beautiful and haunting portraits. “In Mr. Curtis we have both an artist and a trained observer, whose pictures are pictures, not merely photographs.” —President Theodore Roosevelt Talented photographer Edward Sheriff Curtis set out on the project with the goal of becoming a successful portrait artist, but as he worked taking photographs of the “vanishing Indian,” he discovered a calling as an ethnographer and embarked on a mission to document every aspect of traditional Native American culture before it disappeared forever. He considered the loss of Native American traditions a national tragedy and sacrificed his financial security, marriage, and even his health to pursue his mission. Curtis’s highly expressive portraits convey the full range of human emotions, attesting to the trust he established with his subjects, and serve as exquisite examples of classic portraiture. From Alaska to Mexico, the photographs in this compact volume feature tribes such as:The ApacheThe JicarillasThe NavahoThe PapagoThe QahatikaThe MohaveThe YumaThe MaricopaThe WalapaiThe HavasupaiThe YavapaiAnd many moreThough Curtis has been criticized for idealizing the people he photographed with props and staged shots, his deep respect for them and earnest attempt to understand them is apparent in his work. Today, these portraits allow us a precious glimpse into Native American life as it existed before complete colonial expansion in the United States.

    But when Thunder’s mosom asks him what he hears on an urban nature walk, Thunder starts to understand how sounds like bird wings flapping and rushing water can help him feel calm and connected. Gentle, inviting illustrations by Joshua Mangeshig Pawis-Steckley emphasize Mosom’s lessons about the healing power of the world around us.

    A great westward migration carried the Ojibwe people to this place, the Point of Rocks. Against this backdrop—Misaabekong, the place of the giants—the lives chronicled in Linda LeGarde Grover’s book unfold, some in myth, some in long-ago times, some in an imagined present, and some in the author’s family history, all with a deep and tenacious bond to the land, one another, and the Ojibwe culture.Within the larger history, Grover tells the story of her ancestors’ arrival at the American Fur Post in far western Duluth more than two hundred years ago. Their fortunes and the family’s future are inextricably entwined with tales of marriages to voyageurs, relocations to reservation lands, encounters with the spirits of the lake and wood creatures, the renewal of life—in myth and in art, the search for meaning in the transformations of our day is always vital. Finally, in one man’s struggles, age-old tribulations, the intergenerational traumas of extended families and communities, and a uniquely Ojibwe appreciation for the natural and spiritual worlds converge, forging the Ojibwe worldview and will to survive as his legacy to his descendants.Blending the seen and unseen, the old and the new, the amusing and the tragic and the hauntingly familiar, this lyrical work encapsulates a way of life forever vibrant at the Point of Rocks.

    In Volume 1 of this series, Native Americans Traci Sorell (Cherokee) and Lee Francis IV (Laguna Pueblo) take readers on a contemporary tour of their nation. Readers learn the history of their people, famous citizens, traditional stories, as well as details about tribal life today--including their system of government, education, and commerce.