He was there at the beginning of bluegrass. Yet his music, forged in the remote hills and hollows of Southwest Virginia, has even deeper roots. In "Man of Constant Sorrow," Dr. Ralph Stanley gives a surprisingly candid look back on his long and incredible career as the patriarch of old-time mountain music. Marked by Dr. Ralph Stanley's banjo picking, his brother Carter's guitar playing, and their haunting and distinctive harmonies, the Stanley Brothers began their career in 1946 and blessed the world of bluegrass with hundreds of classic songs, including ?White Dove, ? ?Rank Stranger, ? and what has become Dr. Ralph's signature song, ?Man of Constant Sorrow.? Carter died in 1966 after years of alcohol abuse, but Dr. Ralph Stanley carried on and is still at the top of his game, playing to audiences across the country today at age eighty-one. Rarely giving interviews, he now grants fans the book they have been waiting for, filled with frank recollections, from his boyhood of dire poverty in the Appalachian coalfields to his early musical success with his brother, to years of hard traveling on the road with the Clinch Mountain Boys, to the recent, jubilant revival of a sound he helped create. The story of how a musical art now popular around the world was crafted by two brothers from a dying mountain culture, "Man of Constant Sorrow" captures a life harmonized with equal measures of tragedy and triumph.

    One by one, he examines and dismisses Bear, Cat, Tiger, Dog and Wolf as being too frightening. Trickster at last settles on the humble and unimposing Rabbit with his companions, Coyote, Raven and Crow as the very beasts to teach the Way of Laughter. As the story unfolds, the reader is taken on a journey of warmth and humor full of visual delights and details reminiscent of the worldwide Trickster tales which sparked the story s inspiration. Trudy Herring's imaginative story, S.J. Tucker's lyrical ballad complemented by W. Lyon Martin's lively illustration creates a book young and old readers will delight in for years to come.

    Recasting his mysterious musical silence and his undeniably influential life against the backdrop of Finland’s national awakening, Sibelius will be the definitive biography of this creative legend for many years to come.   Glenda Dawn Goss begins her sweeping narrative in the Finland of Sibelius’s youth, which remained under Russian control for the first five decades of his life. Focusing on previously unexamined events, Goss explores the composer’s formative experiences as a Russian subject and a member of the Swedish-speaking Finnish minority. She goes on to trace Sibelius’s relationships with his creative contemporaries, with whom he worked to usher in a golden age of music and art that would endow Finns with a sense of pride in their heritage and encourage their hopes for the possibilities of nationhood. Skillfully evoking this artistic climate—in which Sibelius emerged as a leader—Goss creates a dazzling portrait of the painting, sculpture, literature, and music it inspired. To solve the deepest riddles of Sibelius’s life, work, and enigmatic silence, Goss contends, we must understand the awakening in which he played so great a role.   Situating this national creative tide in the context of Nordic and European cultural currents, Sibelius dramatically deepens our knowledge of a misunderstood musical giant and an important chapter in the intellectual history of Europe.

    After a couple of failed attempts to kill his brother Martin, his parents gave him a guitar for Christmas.From schoolyard battles between the Bowie Boys and the Prog Rockers to Mrs Kemp’s firm insistence on net curtains, and from acting for the Children’s Film Foundation to manning a fruit and veg stall on Saturdays, Gary brilliantly evokes an upbringing full of love, creativity and optimism.As the Thatcher years begin, Gary’s account of the outrageous London club scene centred around the Blitz and Billy’s is just sizzling. Out of this glamorous mayhem of kilt-wearing mascara’d peacocks would emerge Spandau Ballet – the band that would define the era, and hold high the victorious standard of the New Romantics.Gary’s thrilling journey with Spandau Ballet would see them record worldwide hits such as ‘True’, ‘Gold’ and ‘Through the Barricades’, play the biggest stadiums in the world and take to the stage in togas when their luggage gets lost in flight. Stallions, supermodels and dwarves would be hired for video shoots, and through it all, Gary records the wonderful friendships, and the slowly-building tensions, that would eventually see five old friends facing each other in court.‘I Know This Much’ tells the story of Spandau Ballet, but it’s far more than a book about being in a band. Whether it’s meeting Ronnie Kray before filming ‘The Krays’, sketching out the fashions and subcultures of the day, or hanging out with Princess Diana, this book offers a story on every page. And all the more so because it’s all written – brilliantly – by Gary himself.

    Now, Give My Poor Heart Ease puts front and center a searing selection of the artistically and emotionally rich voices from this invaluable documentary record. Illustrated with Ferris's photographs of the speakers and their communities and including a dual CD/DVD that presents his original field recordings and films, the book features more than twenty musicians who relate frank, dramatic, and engaging narratives about black life and blues music in the heart of the American South.Here are the stories of artists who have long memories and speak eloquently about their lives, blues musicians who represent a wide range of musical traditions--from one-strand instruments, bottle-blowing, and banjo to spirituals, hymns, and prison work chants. From celebrities such as B. B. King and Willie Dixon to artists known best in their neighborhoods, they express the full range of human experience--joyful and gritty, raw and painful. In an autobiographical introduction, Ferris reflects on how he fell in love with the vibrant musical culture that was all around him but was considered off limits to a white Mississippian during a troubled era. This magnificent volume illuminates blues music, the broader African American experience, and indeed the history and culture of America itself.

    After all, it was Jack Bruce who had the looks, and who co-wrote and sang all the band's major hits. But he was a singular talent who wanted to be a pioneer, not just a pop star. His background is in classical music and jazz; at 10 he was winning classical song contests, at 12 composing string quartets and improvising on piano. Then he fell in love with Thelonious Monk and Charlie Mingus and left home at 18 to find his fortune as a jazz bass player. He found his way into the London blues scene and played with luminaries such as John Mayall and Graham Bond before first tasting chart success with Manfred Mann. Then there was Cream, one of the most influential rock bands of their time, who sold 35 million albums during their two-year existence. Cream split in their prime but their influence endured, and when they reformed in 2005 tickets were selling for nearly $3000 on e-bay. In the 40 years since Cream split Bruce has continued his musical adventures with the likes of John McLaughlin, Billy Cobham, Carla Bley and Mick Taylor, never quite achieving the success and recognition he deserves. It has been an often troubled life -- heroin addiction, management rip-offs, family tragedy, and a failed liver transplant, all of which he speaks about frankly in this book, telling a story that is sometimes funny, sometimes bleak, and always honest.