There are many things people don't know about me and maybe when they read about those things they will have an understanding of the journey I have been on, why I've made the mistakes I have and hopefully help other people overcome their adversities.' Life has presented its fair share of setbacks for James Arthur, from his disrupted childhood - during which he felt like a stray and a misfit, entering the care system in his teens - to a very public fall from favour just at the point when all his dreams should have been coming true. With an extraordinary comeback in 2016, starting with No. 1 single 'Say You Won't Let Go' and his Platinum album Back From The Edge, Back To The Boy shows the British singer and songwriter reflecting not only on his past but also on his return to the charts, and the phenomenal global success that followed. James shares his struggles with mental health issues which led to drug abuse, and how he dealt with the feelings of intense pressure and loneliness that accompanied his sudden rise to fame. Back to the Boy gives an insight into the life of one of the most exciting musicians of today, and how his experiences are reflected in the raw emotion and passion in his music. This is a story of hope and self-discovery to inspire those who have ever hit rock-bottom and managed to pick themselves up again.

    This book chronicles the club's storied past, beginning with its impressive inaugural show in April 1970 (Joe Cocker's "Mad Dogs & Englishmen" tour) and through its oft-maligned disco era of the late 1970s. In the 1980s, it earned global attention as the hub of Prince's "Purple Rain" and the incubator for widely revered, wild-eyed indie-rock bands such as the Replacements, Husker Du, Soul Asylum, and Babes in Toyland. More recently, it survived corporate competitors, bankruptcy, and a bitter ownership battle to become one of the most successful independent clubs in the country and ground zero to Minneapolis's thriving community of hip-hop and indie-rock acts. Amidst all that history, the book is interlaced with anecdotes, quotes, and occasionally cloudy memories from musicians, employees, and regulars--many of whom are as unique as the club itself. Chock full of concert photos and memorabilia collected from professional photographers and average fans alike, the book is a lavish celebration of a rock 'n' roll landmark.

    Lavishly illustrated throughout with material from the band’s archive, including never-before-seen photographs, ephemera, and more, this book examines what makes Pink Floyd unique, from the mythology underpinning their output  to their musicianship, epic staging, and performance impact. With a photographic section devoted to the band’s 15 albums, the book explores the lasting Pink Floyd phenomenon. Five essays address what has made Pink Floyd unique, and contextualize their continued impact: 1. “Lift Off”: Syd Barrett, Pink Floyd and the London undergroundJoe Boyd examines the character and musical legacy of Syd Barrett, as the mythologized founder of Pink Floyd and icon of late 1960s British counterculture, drawing on the author’s personal acquaintance with Syd Barrett.2. “What Have We Done to England?” Pink Floyd and the lure of the pastoralRob Young places Pink Floyd in a wider visual tradition, exploring their “British” appeal.3. A Long Term Prospect Jon Savage on how Pink Floyd negotiated a transition from single releases to concept albums between 1967 and 1970.4. “Painters, pipers, prisoners”: the musical legacy of Pink FloydHoward Goodall explains how Pink Floyd escaped the musical constraints of the three-minute single and exploited the potential of longer-form pieces in the mid-1970s, developing their signature sound and style in Dark Side of the Moon and Wish You Were Here and continuing to hone this over subsequent albums.  5. Great Gigs in the Sky: Pink Floyd on stageVictoria Broackes and Anna Landreth-Strong chart the band’s live acts, from the psychedelic light shows in 60s London to huge stadium concerts, with particular reference to their successful collaboration with architect and set designer Mark Fisher (1947–2013).Their Mortal Remains: The Studio Albums: A chronological, album-by-album history of the band, each album is introduced by Mark Blake and accompanied by insights from Aubrey “Po” Powell.

    He's a contradiction: a hard drinking rock star with the soul of a poet; a wordsmith and a raconteur, a romantic and a realist, a bon vivant op-shop-dressed dandy. He's the wild man of Australian rock n' roll, a man who loves footy, who was brought up in the wild emptiness of Kalgoorlie, but he's now an urban hipster - a legend of Australian rock music, more at home in St Kilda than the bush.In this offbeat and immensely charming literary memoir, Tim Rogers talks about what it is to be a man, about accepting who you are, about masculinity, love, drinking, footy, his father, being a dad, anxiety, and above all, his continuing, magical, ever-present muse - music.It is by turns revealing, warm, self-deprecating, intimate, shocking, confessional, sharp, funny and immensely engaging.

    Drawn from over 180 interviews with friends, rivals, lovers, and collaborators, some of whom have never before spoken about their relationship with Bowie, this oral history weaves a hypnotic spell as it unfolds the story of a remarkable rise to stardom and an unparalleled artistic path. Tracing Bowie's life from the English suburbs to London to New York to Los Angeles, Berlin, and beyond, its collective voices describe a man profoundly shaped by his relationship with his schizophrenic half-brother Terry; an intuitive artist who could absorb influences through intense relationships and yet drop people cold when they were no longer of use; and a social creature equally comfortable partying with John Lennon and dining with Frank Sinatra. By turns insightful and deliciously gossipy, DAVID BOWIE is as intimate a portrait as may ever be drawn. It sparks with admiration and grievances, lust and envy, as the speakers bring you into studios and bedrooms they shared with Bowie, and onto stages and film sets, opening corners of his mind and experience that transform our understanding of both artist and art. Including illuminating, never-before-seen material from Bowie himself, drawn from a series of Jones's interviews with him across two decades, DAVID BOWIE is an epic, unforgettable cocktail-party conversation about a man whose enigmatic shapeshifting and irrepressible creativity produced one of the most sprawling, fascinating lives of our time.

    Formed in Toronto in 1968, the rock trio Rush has gone on to multiplatinum success behind the distinctive high register and virtuosic bass-playing of frontman Geddy Lee, the legendary drumming and lyric-writing of Neil Peart, and the guitar heroics of Alex Lifeson. Despite having just four chart-topping singles since the release of their debut LP in 1974, Rush has nonetheless sold more than 25 million albums in the U.S. and more than 40 million worldwide. The Canadian trio may be the definition of an "album band," and this new book from prolific rock journalist and acknowledged Rush authority Martin Popoff pays tribute to the band's discography by moderating in-depth, frank, and entertaining conversations about all 20 of Rush's studio albums. Inside, the author gathers 20 rock journalists and authors who offer insights, opinions, and anecdotes about every release. Together, the conversations comprise a unique historical overview of the band, as well as a handsome discography. Popoff also includes loads of sidebars that provide complete track listings, details on album personnel, information on where and when the albums were recorded, and sidebar facts about the albums, their songs, and the band.

    The songwriting giant behind the bands Songs: Ohia and Magnolia Electric Co. had a knack for spinning tales, from the many personal myths he cultivated throughout his life to the poems and ballads he penned and performed. As with too many great musicians, Molina's complicated relationship with the truth, combined with a secretive relationship with the bottle, ultimately claimed his life.Jason Molina: Riding with the Ghost details Molina's personal trials and triumphs and reveals for the first time the true story of Molina's last months and works, including an unpublished album unknown to many of his fans. Offering unfettered access to the mind and artistry of Molina through exclusive interviews with family, friends, and collaborators, the book also explores the Midwest music underground and the development of Bloomington, Indiana-based label Secretly Canadian.As the first authorized and detailed account of this prolific songwriter and self-mythologizer, Jason Molina provides readers with unparalleled insight into Molina's tormented life and the fascinating Midwest musical underground that birthed him. It's a story for the ages that speaks volumes to the triumphs and trials of the artistic spirit while exploring the meaningful music that Molina's creative genius left behind.

    Hailed by the New York Times Book Review as a “crucial voice” in the documentation of Marley’s legacy, Steffens spent years traveling with the Wailers and taking iconic photographs. Through eyewitness accounts of vivid scenes—the future star auditioning for Coxson Dodd; the violent confrontation between the Wailers and producer Lee Perry; the attempted assassination (and conspiracy theories that followed); the artist’s tragic death from cancer—So Much Things to Say tells Marley’s story like never before. What emerges is a legendary figure “who feels a bit more human” (The New Yorker).

    The five seasoned musicians – Tom Petty, Bob Dylan, George Harrison, Jeff Lynne and Roy Orbison – had gathered to write and record what was intended as a throwaway B-side track. After Harrison submitted the completed song to his record company, he was told that it was too good to be hidden away on the flip side of a European single. Instead, he was instructed to regroup with his fellow musicians and to record an entire album of songs. But for the newly formed supergroup, there was no roadmap, no detailed plan, no record company involvement and no expectation of success. Nicknamed the Billion Dollar Quintet, the five musical legends could all speak of their own individual achievements, their own musical triumphs, as well as their own extended periods of fan indifference. Some of the members had already establishment close knit relationships, while others barely knew each other. This book chronicles how the Traveling Wilburys were formed, what went into the making of their two hit albums and why they never toured. The book also examines how the careers and personal lives of these five men overlapped as well as how they influenced one another. Lastly, this book looks at the group’s musical legacy.

    In their sixteen years of touring, the Smugglers experienced all the highs and lows the road can offer, from playing a gig at New York’s legendary CBGB club to starting a riot in a Denver nightclub to having their performance tuxes stolen in Australia.Through the fights, sexual misadventures, new friendships, dance contests and mayhem, the band grew up together on the road. Told with Grant’s signature self-deprecating wit, the anecdotes develop into a compelling story of the growth of an independent, do-it-yourself touring band, a community, and a musical movement. So crack open a semi-cold can of Black Label beer, stick a Smugglers tape into the cassette deck and let the good times roll.

    This landmark book documents the magazine’s rise to prominence as the voice of rock and roll and a leading showcase for era-defining photography. From the 1960s to the present day, the book offers a decade-by-decade exploration of American music and history. Interviews with rock legends—Bob Dylan, Mick Jagger, Kurt Cobain, Bruce Springsteen, and more—appear alongside iconic photographs by Baron Wolman, Annie Leibovitz, Mark Seliger, and other leading image-makers. With feature articles, excerpts, and exposés by such quintessential writers as Hunter S. Thompson, Matt Taibbi, and David Harris, this book is an irresistible and essential keepsake of the magazine that has defined American music for generations of readers.

    Their new style of music was loud, brutal, scary, innovative, and it has greatly influenced heavy metal bands since then. Their five decades of music cross generations of fans, and they remain relevant to this day, with their 2013 album charting #1 in the United States and at least five other countries.In Experiencing Black Sabbath: A Listener's Companion, musician and scholar Nolan Stolz leads the reader through Sabbath's twenty studio albums and additional songs, closely examining their music and the storied history of the band. Along the way, Stolz highlights often-overlooked key moments that defined Sabbath's unique musical style and legacy. Band members' own words illuminate certain aspects of the music, and Stolz makes connections from song to song, album to album, and sometimes across decades to create an intricate narrative of the band's entire catalog.Experiencing Black Sabbath reveals the underappreciated genius of these heavy metal progenitors to all rock music lovers and gives even the most fervent Sabbath fans a new perspective on the music.--Martin Popoff, author of seventy music books "Publishers Weekly"