Over the next fifteen years he turned it into Britain's most iconic music venue. And now he's telling his story: full of fond - and wild - reminiscences of the famous musicians who played at the venue, including Robert Plant and Jimmy Page, Lou Reed, The Ramones, New Order, the Beastie Boys and The Smiths.This is about one man's burning desire for success against the odds, his passion for live music and the excitement of those wilderness years, a far cry from the corporate world that controls the scene today. From rock-star debauchery and mixing it up with Brixton gangsters to putting on the first legal raves in the UK and countless backroom business deals, this is the story of how to succeed in business with no experience and fulfil your teenage fantasies.

    Drake released only three complete albums -- Five Leaves Left (1969), Bryter Layter (1970), Pink Moon (1972) -- and was not well known before his death in 1974. Yet he gained a massive posthumous following, inspiring leading musicians such as R.E.M.'s Peter Buck and Robert Smith of The Cure and bands such as Coldplay and The Black Crowes.Forty years after Nick's death, Remembered for a While peels back some of the mystery surrounding his life. The book will feature gorgeous color photographs, as well as original letters and interviews with family and friends. As Nick's sister writes in the introduction, Remembered for a While will reveal "the poet, the musician, the friend, the son, the brother, who was also more than all of these together, and as indefinable as the morning mist."At long last, Remembered for a While paints a portrait of a visionary musician who inspired a fanatical following and whose legacy continues to inspire future generations of musicians -- and the lives of his fans.

    Robert Wyatt started out as the drummer and singer for Soft Machine, who shared a residency at Middle Earth with the Pink Floyd and toured America with Jimi Hendrix. He brought a Bohemian and jazz outlook to the 1960s rock scene, having honed his drumming skills in a shed at the end of Robert Graves' garden in Mallorca. His life took an abrupt turn after he fell from a fourth floor window at a party and was paralysed from the waist down. He reinvented himself as a singer and composer with the extraordinary album Rock Bottom that has brought him a loyal following not just in Britain but in France, Italy and Germany. Today, Wyatt remains perennially hip, guesting with artists such as Bjork, Brian Eno, Scritti Politti, David Gilmour and Hot Chip. Marcus O'Dair has talked to all of them - indeed to just about everyone who has shaped, or been shaped by, Wyatt over five decades of music history.

    . . She was a bundle of emotions, at times adorable and at times unbearable. . . . Amy's passing did not follow a clear line. It was jumbled, and her life was unfinished—not life's natural order at all. She left no answers, only questions, and in the years since her death I’ve found myself trying to make sense of the frayed ends of her extraordinary existence.”Amy's mother, Janis, knew her in a way that no one else did. In this warm, poignant, and at times heartbreaking memoir, she tells the full story of the daughter she loved so much. As the world watched the rise of a superstar, then the free fall of an addict to her tragic death, Janis simply saw her Amy: the daughter she’d given birth to, the girl she’d raised and stood by despite her unruly behavior, the girl whose body she was forced to identify two days after her death—and the girl she's grieved for every day since.Arguably the most gifted artist of her generation, Amy Winehouse died tragically young, aged just twenty-seven. With a worldwide fan base and millions of record sales to her name, she should have had the world at her feet. Yet in the years prior to her death, she battled with addiction and was frequently the subject of lurid tabloid headlines.Including rare photographs and extracts from Amy's childhood journals, Loving Amy offers a new and intimate perspective on the life and untimely death of a musical icon.

    Now, for the first time, he tells his story in his own words, via more than 50 interviews conducted worldwide between 1966 and 2012.            In Leonard Cohen on Leonard Cohen—which includes a foreword by singer Suzanne Vega and eight pages of rarely seen photos—the artist talks about “Bird on the Wire,” “Hallelujah,” and his other classic songs. He candidly discusses his famous romances, his years in a Zen monastery, his ill-fated collaboration with producer Phil Spector, his long battle with depression, and much more.            You’ll find interviews that first appeared in the New York Times and Rolling Stone, but also material that has not previously been printed in English. A few have not been available until now in any format, including many illuminating reminiscences that contributors supplied specifically for this definitive anthology.

    And then enthralled. He set about trying to catch their lightning in his Nikon F2AS.That quixotic impulse became a lifelong quest. A little history got made on the way.Collected here for the first time are the fruits of his labour. A Little History is an extraordinary document, tracking Nick Cave's creative career from the apoplectic extravagance of The Birthday Party to the calmer disquiet of 2013's Push The Sky Away via snapshots, spotlit visions and sumptuous, theatrical portraits. It mixes the candid and uncanny, the spontaneous and the patiently staged, and includes eyeball encounters with Cave's baddest lieutenants, men for the most part who long since burned their own bridges down. Butcher's Nikonic eye defines moment after arresting moment in Cave's glorious, sprawling story: it's a splendid testament to two brilliant careers.

    Fahey made more than 40 albums between 1959 and his death in 2001, most of them featuring only his solo steel-string guitar. He fused elements of folk, blues, and experimental composition, taking familiar American sounds and recontextualizing them as something entirely new. Yet despite his stature as a groundbreaking visionary, Fahey’s intentions—as a man and as an artist—remain largely unexamined. Journalist Steve Lowenthal has spent years researching Fahey’s life and music, talking with his producers, his friends, his peers, his wives, his business partners, and many others. He describes Fahey’s battles with stage fright, alcohol, and prescription pills; how he ended up homeless and mentally unbalanced; and how, despite his troubles, he managed to found a record label that won Grammys and remains critically revered. This portrait of a troubled and troubling man in a constant state of creative flux is not only a biography but also the compelling story of a great American outcast.

    Composers of video game music must master an array of specialized skills not taught in the conservatory, including the creation of linear loops, music chunks for horizontal resequencing, and compositional fragments for use within a generative framework. In A Composer's Guide to Game Music, Winifred Phillips--herself an award-winning composer of video game music--provides a comprehensive, practical guide that leads an aspiring video game composer from acquiring the necessary creative skills to understanding the function of music in games to finding work in the field.Musicians and composers may be drawn to game music composition because the game industry is a multibillion-dollar, employment-generating economic powerhouse, but, Phillips writes, the most important qualification for a musician who wants to become a game music composer is a love of video games. Phillips offers detailed coverage of essential topics, including musicianship and composition experience; immersion; musical themes; music and game genres; workflow; working with a development team; linear music; interactive music, both rendered and generative; audio technology, from mixers and preamps to software; and running a business.A Composer's Guide to Game Music offers indispensable guidance for musicians and composers who want to deploy their creativity in a dynamic and growing industry, protect their musical identities while working in a highly technical field, and create great music within the constraints of a new medium.

    Is there a bustle in your hedgerow?  Does it alarm you?  Are you aware that it is just a Spring clean from the May Queen?  Thankfully, for those whose hedgerows are alarmingly bustled, Led Zeppelin answered this existentially relevant question in the classic rock song Stairway to Heaven.  In Benjamin Darling's new book Everything I Need to Know I learned From Led Zeppelin Robert Plant, Jimmy Page, John Bonham and John Paul Jones, through their lyrics, and select quotes; with their magical, dreamy and overwhelmingly positive message  provide the reader newly minted aphorisms and freshly conceived maxims  on the timeless topics of life, love and happiness.  All this great advice is wittily presented and cleverly illustrated with children's primer/classic rock art mash-ups.  Reader's will find deep wisdom and profound poetry in the lyrics featured in Everything I Need to Know I learned From Led Zeppelin; part self-help, part anthology, and part philosophical treatise, the book is an exercise, through words and whimsical pictures in free thought, the type of thought many have experienced laying back on their bed staring at a record album  cover.

    The ultimate story of The Killers’ rise from Las Vegas croupiers to million selling global superstars headlining festivals throughout the world. Featuring interview transcripts with the band as well as new interviews with them and those around them right up to their new album Battle Born.

    It draws on more than 100 first-hand interviews with key musicians, producers, promoters, and journalists, from stars like Roger McGuinn of the Byrds, Donovan, John Sebastian of the Lovin' Spoonful, and Judy Collins to behind-the-scenes producers and cult artists. Starting with the folk revival of the early 1960s, it covers the folk-rock movement from the first stars to electrify folk (especially the Byrds and Bob Dylan) to stars like Buffalo Springfield, Joni Mitchell, and Crosby, Stills, Nash & Young, as well as underrated greats (like Richard & Mimi Fariña, Fred Neil, Tim Buckley, and Nick Drake to nearly unknown cult artists. Previously published in two separate volumes as Turn! Turn! Turn! and Eight Miles High, this combines those books into one, adding 15,000 words of updates and new material. It also adds a 75,000-word mini-book with in-depth descriptions of nearly 200 folk-rock recordings from the era, which together would comprise the ideal 1960s folk-rock box set. All branches of the decade’s folk-rock are covered, from early electric folk-rock, protest folk-rock, and folk-rock-psychedelia to singer-songwriters, country-rock, and the distinctively British form of folk-rock.

    Featuring quotes and interviews from close friends and musical associates who watched Cobain's story unfold firsthand—including some who have never spoken about him before—this unique volume commemorates the 20th anniversary of his death and his years with Nirvana. Illustrated with more than 150 photographs, and including every significant event in the band's lifetime from its inception right through to Kurt Cobain's tragic suicide, Nirvana Chronicle comes as close to a day-by-day log as a fan can get.

    It is the story of the life and fifty-year career, from the age of cylinder recordings to the stereo era, of the man who pioneered the recording, marketing, and publishing of blues, jazz, country, gospel, and Latin music.The book tracks Peer’s role in such breakthrough events as the recording of Mamie Smith’s “Crazy Blues” (the record that sparked the blues craze), the first country recording sessions with Fiddlin’ John Carson, his discovery of Jimmie Rodgers and the Carter Family at the famed Bristol sessions, the popularizing of Latin American music during World War II, and the postwar transformation of music on the airwaves that set the stage for the dominance of R&B, country, and rock ’n’ roll.But this is also the story of a man from humble midwestern beginnings who went on to build the world’s largest independent music publishing firm, fostering the global reach of music that had previously been specialized, localized, and marginalized. Ralph Peer redefined the ways promising songs and performers were identified, encouraged, and promoted, rethought how far regional music might travel, and changed our very notions of what pop music can be.