Through his long and distinguished career he managed, like very few others in the teeth of a huge and relentless industry, to elevate each of his films to a distinctive level of art. His Rashomon—one of the best-remembered and most talked-of films in any language—was a revelation when it appeared in 1950 and did much to bring Japanese cinema to the world's attention. Kurosawa's films display an extraordinary breadth and an astonishing strength, from the philosophic and sexual complexity of Rashomon to the moral dedication of Ikiru, from the naked violence of Seven Samurai to the savage comedy of Yojimbo, from the terror-filled feudalism of Throne of Blood to the piercing wit of Sanjuro.

    For millions of people, the film is that rare combination of a powerful and moving story, first-rate music, and breathtaking scenery. "The Sound of Music: The Making of America's Favorite Movie" is a tribute to this beloved movie musical and a fascinating, behind-the-scene account of the creation of a Hollywood classic.Through exclusive in-depth interviews with cast and crew, stills from the movie's most memorable scenes, snapshots from personal scrapbooks, and papers from the Fox Studios archives, Julia Hirsch re-crates the magic that is "The Sound of Music." Julie Andrews recounts some of her more humorous memories of the filming, from her "first kiss" with Christopher Plummer, when neither of them could stop laughing, to rushing up the mountain for the famous opening scene only to be continually knocked down by the downdraft from the cameraman's helicopter. The book reveals details both fans and film buffs will enjoy, such as the fact that Yul Brynner, Walter Matthau, and Sean Connery were all considered fro the role of the Captain (while teenagers Mia Farrow, Sharon Tate, and Richard Dreyfuss auditioned for juvenile roles) and that director/producer Robert Wise, already fielding calls from Fox's Dick Zanuck for being over budget, almost didn't finish the location shoot in Austria because it simply wouldn't stop raining.But most of all, Hirsch captures the extraordinary camaraderie shared by everyone involved, a group whose friendships would last a lifetime. This engaging narrative is both an insider's guide to, and a delightful celebration of, a film that truly is "the happiest sound in all the world."

    . . the most brutal and authentic account of a road gang that we have had." —New York TimesOut of his experiences working on a chain gang, Donn Pearce created Cool Hand Luke, the larger-than-life war hero—Good Guy Number One—turned drunkard, vandal, and convict. A blasphemer and "pretty evil feller" who "could work the hardest, eat the mostest, and tell the biggest lies." Luke's outsized feats of gambling and gluttony—he bets Society Red, a college man from Boston, that he can eat fifty eggs—and his harrowing escapes and recaptures are recounted by Dragline, who followed Luke in his last, fatal escape attempt and who basks in Luke's reflected glory. To the convicts left behind on the chain gang, Luke has become the hope of freedom and defiance that they dare not act upon themselves. Luke's refusal to "git his mind right" and submit to the sadistic discipline of the Walking Boss becomes part of their mythology of survival.

    Her comments are so fresh and direct, it's as if the movies had only been released last week.

    When Robin Wood returned to his writings in Hitchcock's films and published Hitchcock's Films Revisited in 1989, the multidimensional essays took on a new shape―one tempered by Wood's own development as a critic.This revised edition of Hitchcock's Films Revisited includes a substantial new preface in which Wood reveals his personal history as a film scholar―including his coming out as a gay man, his views on his previows critical work, and how his writings, his love of film, and his personal life have remained deeply intertwined through the years. This revised edition includes all eighteen original essays and a new chapter on Marnie titled "You Freud, Me Hitchcock: Does Mark Cure Marnie?"

    His career took him from the concert hall to Broadway and Hollywood, to radio and television, to drug addiction and the psychiatric ward of Mr Sinai hospital. Through a collection of anecdotal vignettes, Levant offers the reader a roller-coaster ride through the ups and downs of an often troubled, often brilliant artist and critic of the human condition, let loose on the uneasy ground where art and commerce overlap.

    But since they were both fugitives—since they were forced to share daily bread, shelter and fear—they were forced to do one other thing. To take a new, close look at one another. At the face of the enemy.My Sweet Charlie—an unconventional, unsparing story about two people from hostile worlds who are thrown into a strange intimacy.

    Special effects have long been used to enhance scale and place, and to suggest realities that are but imagined. Once intended to save money, special effects films have now developed into the dominant motion picture genre.