Best of
Middle-Ages

2011

Conqueror Series Collection: Wolf of the Plains, Lords of the Bow, Bones of the Hills


Conn Iggulden - 2011
    Originally published: 2007 --Lords of the bow. Originally published: 2008 --Bones of the hills. Originally published: 2008.For the first time in one volume - three bestselling, action packed novels telling the life of a great warrior and hero - Gengis Khan Wolf of the Plains 'I am the land and the bones of the hills. I am the winter.' Temujin, the second son of the khan of the Wolves tribe, was only eleven when his father died in an ambush. His family were thrown out of the tribe and left alone, without food or shelter, to starve to death on the harsh Mongolian plains. But Temujin's destiny is not to perish - He will become the khan of the sea of grass, Genghis. Lords of the Bow The gathering of the tribes of the Mongols has been a long time in coming but finally, triumphantly, Temujin of the Wolves, Genghis Khan, is given the full accolade of the overall leader and their oaths. Now he can begin to meld all the previously warring people into one army, one nation. Not only must Genghis succeed in this incredible campaign, but he must also reconcile the restless factions among his own generals, mediate between his ambitious brothers and cope with his own reactions to his growing sons. The young warrior has become a notable and victorious military commander of thousands: he must now learn to become a great leader of peoples of many different races and religions. Bones of the Hills Genghis Khan has united the warring tribes and even taken his armies against the great cities of their oldest enemies. Now he finds trouble rising west of the Mongolian plains. His emissaries are mutilated or killed; his trading gestures rebuffed. So, dividing his armies, using his sons as generals of the various divisions, he sends them out simultaneously in many directions, ranging as far as modern Iran and Iraq. As well as discovering new territories, exacting tribute from conquered peoples, laying waste the cities which resist, this policy is also a way of diffusing the rivalries between his sons and heirs and working out who should succeed the khan.

The Sorcerer of the North


John Flanagan - 2011
    

Lady of the English


Elizabeth Chadwick - 2011
    Matilda, daughter of Henry I, is determined to win back her crown from Stephen, the usurper king. Adeliza, Henry's widowed queen and Matilda's stepmother, is now married to William D'Albini, a warrior of the opposition. Both women are strong and prepared to stand firm for what they know is right. But in a world where a man's word is law, how can Adeliza obey her husband while supporting Matilda, the rightful queen? And for Matilda pride comes before a fall ...What price for a crown? What does it cost to be 'Lady of the English'?

Edward III


W. Mark Ormrod - 2011
    Reigning for over fifty years, he achieved spectacular military triumphs and overcame grave threats to his authority, from parliamentary revolt to the Black Death. Revered by his subjects as a chivalric dynamo, he initiated the Hundred Years' War and gloriously led his men into battle against the Scots and the French.In this illuminating biography, W. Mark Ormrod takes a deeper look at Edward to reveal the man beneath the military muscle. What emerges is Edward's clear sense of his duty to rebuild the prestige of the Crown, and through military gains and shifting diplomacy, to secure a legacy for posterity. New details of the splendor of Edward's court, lavish national celebrations, and innovative use of imagery establish the king's instinctive understanding of the bond between ruler and people. With fresh emphasis on how Edward's rule was affected by his family relationships—including his roles as traumatized son, loving husband, and dutiful father—Ormrod gives a valuable new dimension to our understanding of this remarkable warrior king.

Strategos: Born in the Borderlands


Gordon Doherty - 2011
    Only one man can save the empire . . . the Haga!1046 AD. The Byzantine Empire teeters on full-blown war with the Seljuk Sultanate. In the borderlands of Eastern Anatolia, a land riven with bloodshed and doubt, young Apion's life is shattered in one swift and brutal Seljuk night raid. Only the benevolence of Mansur, a Seljuk farmer, offers him a second chance of happiness. Yet a hunger for revenge burns in Apion's soul, and he is drawn down a dark path that leads him right into the heart of a conflict that will echo through the ages.

The Grand Medieval Bestiary: Animals in Illuminated Manuscripts


Christian Heck - 2011
    Many proto-zoological illustrations, of great charm but variable accuracy, are found in the bestiaries, or compendiums of animal lore, that were exceedingly popular in the twelfth and thirteenth centuries. But animals are depicted in every other sort of illuminated manuscript as well, from the eighth-century Echternach Gospels, with its geometrically schematized symbols of the Evangelists, to the early fifteenth-century Très Riches Heures du Duc de Berry, with its famously naturalistic scenes of peasant and aristocratic life.In his insightful opening chapters, the noted art historian Christian Heck explains that the prevalence of animals in illuminated manuscripts reflects their importance in medieval thought, an importance due in part to the agricultural society of that age, in which a variety of species—and not just docile pets—were the daily companions of man. Animals also had a greater symbolic significance than they do today: in popular fables, such as those of Reynard the Fox, they held up a mirror to the follies of mankind, and on the religious plane, they were understood as an integral part of God’s creation, whose attributes and behaviors could be taken as clues to His plan of salvation.The main part of the book explores the complex and fascinating iconography of the individual creatures most frequently depicted by medieval miniaturists. It is arranged in the manner of a proper bestiary, with essays on one hundred animals alphabetized by their Latin names, from the alauda, or lark, whose morning song was thought to be a hymn to Creation, to the vultur, which enjoyed a certain respect due to its impressive appearance, but whose taste for carrion also made it a symbol of the sinner who indulges in worldly pleasures. The selection includes a number of creatures that would now be considered fantastic, including the griffin, the manticore, and of course the fabled unicorn, tamable only by a gentle maiden.Not merely a study of art history, The Grand Medieval Bestiary uses a theme of timeless interest to present a panorama of medieval life and thought that will captivate even the most sophisticated modern reader.

The Forest Dwellers


Judith Arnopp - 2011
    When �lf and Leo encounter a trio of Normans molesting Alys, a forest girl fairer than any they have ever seen, they stop the attack in the only way they can ... violently. The resulting social upheaval tears the family apart and will end only with the death of a king.The Forest Dwellers is a story of oppression, sexual manipulation and revenge.

Dear Viking


Lori Soard - 2011
    The tradition of his upbringing, his new Christian faith and the code of honor that says he must protect his family at all costs wage war within him. He and his brothers go on a mission to kill Jarl Van of Colby before the man can make another attempt on their father's life. The code of honor insists that they either kill or be killed, however, there are dark forces at work of which Rok is unaware. Leani is the daughter of the jarl Rok believes is making attempts on his father's life. When the eldest brother reaches her village ahead of R�k and the rest of the party, he kills her father and defiles her frail sister. Enraged, and fearing for her own life, Leani drives a silver dagger into his neck. Leani is captured by the vile Eriksons and forced to leave behind her broken sister as they take her to face a trial for killing the Viking who murdered her father. Leani's life hangs in the balance as she struggles with her guilt over taking the life of another and tries to find forgiveness where none should exist. Her faith will be tested to the limits as she fights a growing attraction to her enemy, tries to hide the truth about her identity, uncovers a treachery that runs deep within the Erikson clan, and sees how God can come to your rescue even when all hope seems lost...

Lost Gold of the Dark Ages: War, Treasure, and the Mystery of the Saxons


Caroline Alexander - 2011
    The treasure trove promises to shed unprecedented light on the most mysterious period of British history—the so-called "Dark Ages"—when the Saxons, Anglos, Celts, Picts, Jutes, and Vikings battled for control of the British Isles and a "mish mash of peoples evolved into a homogenous nation possessed with a strong cultural identity," according to New York Times bestselling author of the book, Caroline Alexander.   Alexander, author of the bestselling The Endurance and The Bounty, draws themes from the story of the spectacular treasure to explore the entire fascinating history of the Saxons in England; from the fall of Rome to the flourishing and seemingly incomprehensible spread of Saxon influence. Piece by piece, she draws readers into a world of near constant warfare guided by a unique understanding of Christianity, blended as it was with pagan traditions. Through heroic and epic literature that survives in poems such as Beowulf and the Legends of King Arthur, Alexander seeks to separate myth from reality and wonder, with readers, if the circumstances of the deposit of such a spectacular hoard have parallels in legendary tales. Peering through a millennia of mist and mystery, Alexander reveals a fascinating era—and a mesmerizing discovery—as never before, uncovering a dynamic period of history that would see its conclusion in the birth of the English nation.   Set in a landscape whose beauty endures, the story of the making of England emerges through a wealth of archaeological and written material. The story highlights the fluid nature of human societies and carries a surprisingly modern message of a successful, cohesive culture emerging from a diverse group of peoples.From the Hardcover edition.

Christian Materiality: An Essay on Religion in Late Medieval Europe


Caroline Walker Bynum - 2011
    These objects appeared animated -- they wept, bled, and even walked. Such phenomena posed a challenge to Christians. On the one hand, they sought ever more frequent encounters with miraculous matter and, on the other hand, they turned toward an inward piety that rejected material objects of devotion. By the fifteenth century, these aspirations, accompanied by new anxieties and concerns, were at the heart of religious practice and polemic.In Christian Materiality, Caroline Walker Bynum describes the miracles themselves, discusses the problems they posed to both church authorities and to the ordinary faithful, and probes the basic scientific and religious assumptions about matter that lay behind them. Bynum also provides a deep analysis of the proliferation of religious art in the later Middle Ages.Her argument is without precedent: religious art, in this context and time period, called attention to its own materiality in sophisticated ways that explain both the animation of images and the hostility toward them on the part of iconoclasts. Understanding the fourteenth and fifteenth centuries' Christian culture as a paradoxical affirmation of the glory and the threat of the natural world, Bynum's study suggests a new understanding of the background to sixteenth-century reformations, both Protestant and Catholic. Moving beyond a cultural study of "the body" -- a field she was crucial in establishing -- Bynum exposes how Western attitudes toward the body and person must be placed in the context of changing conceptions of matter itself. Christian Materiality is a major contribution to the study and theory of material culture and religious practice.

The Light and the Glory for Young Readers: 1492-1793


Peter J. Marshall - 2011
    From its discovery by Europeans to its settlement, from the Revolution to Manifest Destiny, from the stirrings of civil unrest to civil war, America was on a path. In our pluralistic world, when textbooks are being rewritten in ways that obscure the Judeo-Christian beginnings of our country, the books in the Discovering God's Plan for America series help ground young readers in a distinctly evangelical way of understanding early American history.As young readers look at their nation's development from God's point of view, they will begin to have a clearer idea of how much we owe to a very few--and how much is still at stake. These engaging books bring history alive in a way that will inspire young people to do their important part in shaping this nation into the future.

Julian of Norwich, Theologian


Denys Turner - 2011
    In this astute book, Denys Turner offers a new interpretation of Julian and the significance of her work. Turner argues that this fourteenth-century thinker's sophisticated approach to theological questions places her legitimately within the pantheon of other great medieval theologians, including Thomas Aquinas, Bernard of Clairvaux, and Bonaventure.Julian wrote but one work in two versions, a Short Text recording the series of visions of Jesus Christ she experienced while suffering a near-fatal illness, and a much expanded Long Text exploring the theological meaning of the "showings" some twenty years later. Turner addresses the apparent conflict between the two sources of Julian's theology: on the one hand, her personal revelation of God's omnipotent love, and on the other, the Church's teachings on and her own witnessing of evil in the world that deserves punishment, even eternal punishment. Offering a fresh and elegant account of Julian's response to this conflict—one that reveals its nuances, systematic character, and originality—this book marks a new stage in the century-long rediscovery of one of the English language's greatest theological thinkers.

Medieval Cats


Kathleen Walker-Meikle - 2011
    They are depicted as pets, as mousers, in Bestiaries, in marginalia, and in other surprising images—for example, depictions of cats in religious iconography. This charming gift book presents a wealth of cat imagery from a wide variety of medieval sources and will have a wide appeal for cat lovers everywhere. The text is peppered with fascinating facts about the medieval view of cats and amusing anecdotes about people and their pets in the Middle Ages. For example, "Cats often had full rein of the dining hall, a situation which books of courtesy despaired of, asking that owners refrain from petting cats sitting on tables. They also invaded bedrooms, for which the Boke of Nurture asked with little success that the owner dryve out dogge and catte, or els geve them a clout."

The Cambridge Companion to Medieval Music


Mark Everist - 2011
    Divided into three main sections, the book first of all discusses repertory, styles and techniques - the key areas of traditional music histories; next taking a topographical view of the subject - from Italy, German-speaking lands, and the Iberian Peninsula; and concludes with chapters on such issues as liturgy, vernacular poetry and reception. Rather than presenting merely a chronological view of the history of medieval music, the volume instead focuses on technical and cultural aspects of the subject. Over nineteen informative chapters, fifteen world-leading scholars give a perspective on the music of the Middle Ages that will serve as a point of orientation for the informed listener and reader, and is a must-have guide for anyone with an interest in listening to and understanding medieval music.

Brush Talks from Dream Brook


Shen Kuo - 2011
    Highly valued by scholars for its scientific and technological coverage, this encyclopaedic book is probably the most important source text for technological advances and the organization of knowledge in China's golden age, the Song dynasty (960-1279). Author Shen Kuo is the most famous writer in China's scientific history. The significance of Brush Talks From Dream Brook been thoroughly researched by scholars such as Fu Daiwie but it has not yet gained the recognition it deserves in Western studies on the history of science and technology. Written between 1086 and 1093 in note style, it covers astronomy, mathematics, geography, physics, biology, medicine, military, literary, history, archaeology and music. Now translated into English and available outside of China for the very first time, it's rightly recognised as a masterpiece in the history of Chinese scientific and technological development.

Crying in the Middle Ages: Tears of History


Elina Gertsman - 2011
    Crying in the Middle Ages addresses the place of tears in Jewish, Christian, and Islamic cultural discourses, providing a key resource for scholars interested in exploring medieval notions of emotion, gesture, and sensory experience in a variety of cultural contexts.Gertsman brings together essays that establish a series of conversations with one another, foregrounding essential questions about the different ways that crying was seen, heard, perceived, expressed, and transmitted throughout the Middle Ages. In acknowledging the porous nature of visual and verbal evidence, this collection foregrounds the necessity to read language, image, and experience together in order to envision the complex notions of medieval crying.

The Historical Atlas of Knights & Castles: The Rise and Fall of the Age of Chivalry


Ian Barnes - 2011
    Knights have a unique military and romantic legacy, and this analyzes how knighthood has been portrayed in art and literature over the centuries. The book examines the distinct legacy of the knight, focusing on knighthood in its military and romantic modes and looking at the concept of chivalry as an ideal but seldom attained state. It also details the castle, explaining how and why they were built.  It looks at their construction and demonstrates how designs became more intricate over the centuries.  Castle life is examined in detail, focusing on the social fabric and hierarchy, work, entertainment, food production, and the castle town.  The role of religion and monasticism in castles is also explored.  Many of the major castles are visited and mapped, giving a real insight into the role they played in centuries gone by.

The Gibraltar Crusade: Castile and the Battle for the Strait


Joseph F. O'Callaghan - 2011
    After the Castilian conquest of Seville in 1248 and the submission of the Muslim kingdom of Granada as a vassal state, the Moors no longer loomed as a threat and the reconquest seemed to be over. Still, in the following century, the Castilian kings, prompted by ideology and strategy, attempted to dominate the Strait. As self-proclaimed heirs of the Visigoths, they aspired not only to reconstitute the Visigothic kingdom by expelling the Muslims from Spain but also to conquer Morocco as part of the Visigothic legacy. As successive bands of Muslims over the centuries had crossed the Strait from Morocco into Spain, the kings of Castile recognized the strategic importance of securing Algeciras, Gibraltar, and Tarifa, the ports long used by the invaders.At a time when European enthusiasm for the crusade to the Holy Land was on the wane, the Christian struggle for the Strait received the character of a crusade as papal bulls conferred the crusading indulgence as well as ancillary benefits. The Gibraltar Crusade had mixed results. Although the Castilians seized Gibraltar in 1309 and Algeciras in 1344, the Moors eventually repossessed them. Only Tarifa, captured in 1292, remained in Castilian hands. Nevertheless, the power of the Marinid dynasty of Morocco was broken at the battle of Salado in 1340, and for the remainder of the Middle Ages Spain was relieved of the threat of Moroccan invasion. While the reconquest remained dormant during the late fourteenth and early fifteenth centuries, Ferdinand and Isabella conquered Granada, the last Muslim outpost in Spain, in 1492. In subsequent years Castile fulfilled its earlier aspirations by establishing a foothold in Morocco.

Structuring Spaces: Oral Poetics and Architecture in Early Medieval England


Lori Ann Garner - 2011
    Through systematic exploration of the period's verbal and material culture as complementary art forms, Garner argues that in Anglo-Saxon England the arts of poetry and building emerged from the same cultural matrix. Not only did Anglo-Saxon builders and poets draw demonstrably from many of the same traditionally encoded motifs and images, but so rhetorically powerful was the period's architectural poetics that its expressive force continued in literature and architecture produced long after the Norman Conquest.Far from conceiving this inherited tradition as monolithic in nature, Structuring Spaces foregrounds the complex interface of orality and literacy as a nexus of varied and multivalent cultural traditions that influenced the production of texts and buildings alike. After establishing a model of architectural poetics based on oral theory and vernacular architecture, Garner explores fictionalized buildings in such works as Beowulf and the Ruin, architectural representation in Old English adaptations of Greek and Latin works, uses of architectural metaphor, and themes of buildings in Anglo-Saxon maxims, riddles, elegies, hagiographies, and charms. Her book draws on scholarship from art history, archaeology, anthropology, and architecture, as well as the great wealth of studies addressing the literature itself."Detailing the deeply interconnected relationship of Anglo-Saxon oral poetics and the architectonics of constructed space in the period, Lori Garner's Structuring Spaces makes a significant contribution. Her ability to put the material culture of the period, despite the truly fragmentary nature of the surviving evidence, into a direct and mutually illuminating dialogue with the discourse of oral poetics is very impressive and of considerable value to scholars in the several fields of medieval literature, medieval architecture, and oral theory." --Mark C. Amodio, Vassar College"In this wide-ranging and lavishly-illustrated study, Lori Garner effectively aligns the established approach of oral poetics with insights from the emerging field of vernacular architecture. From Heorot to Grendel's mere, from the Mermedonian prison of Andreas to the nest of The Phoenix, from the Wife's earth-hall to Holofernes' tent, Garner's sensitive readings of the poetics of built spaces in Old English poetry open up new perspectives on "conventional" imagery that we only thought we knew how to read." --Charles D. Wright, University of Illinois

The Story of Gutenberg and the Printing Press


Rupert Sargent Holland - 2011
    1400-1468), the first in the West to print by using movable type and a printing press. The so-called “Gutenberg Bible” (1450s) was the first major book to be printed using such a method.Sample passage:Gutenberg sat studying the broken block of wood. As he studied it a new idea came to him. Picking up his knife he split the wood, making separate pieces of every letter carved on it. Then he stared at the pile of little pieces that lay before him like a bundle of splinters. He realized that he was now on the trail of a greater discovery than any he had yet made, for these separate letters could be used over and over again, not only in printing one book but in printing hundreds.Taking a fresh block he split it into little strips, and cutting these down to the right size, he carved a letter on the end of each strip. This was more difficult than cutting on the solid block, and he spoiled many strips of wood before he got a letter that satisfied him. But finally he had made one, and then another, and another, until he had all the letters of the alphabet. He was careful to cut the sticks of the proper width, so that the letters would not be too far apart when they should be used for printing. When they were done he showed them to the others and called them “stucke,” or type They soon saw what a great step forward he had made.

All Things Medieval: An Encyclopedia of the Medieval World


Ruth A. Johnston - 2011
    The culture and lifestyle in the medieval world vary wildly depending on the specific area and the exact point within this ancient period in human history—an era that predates what is typically represented at Renaissance fairs by at least a century.All Things Medieval: An Encyclopedia of the Medieval World covers the widest definition of "medieval Europe" possible, not by covering history in the traditional, textbook manner of listing wars, leaders, and significant historic events, but by presenting detailed alphabetical entries that describe the artifacts of medieval Europe. By examining the hidden material culture and by presenting information about topics that few books cover--pottery, locks and keys, shoes, weaving looms, barrels, toys, pets, ink, kitchen utensils, and much more--readers get invaluable insights into the nature of life during that time period and area.The heartland European regions such as England, France, Italy, and Germany are covered extensively, and information regarding the objects of regions such as Byzantium, Muslim Spain, and Scandinavia are also included. For each topic of material culture, the entry considers the full scope of the medieval period--roughly 500-1450--to give the reader a historical perspective of related traditions or inventions and describes the craftsmen and tools that produced it.

Imagination, Meditation, and Cognition in the Middle Ages


Michelle Karnes - 2011
    Karnes here understands imagination in its technical, philosophical sense, taking her cue from Bonaventure, the thirteenth-century scholastic theologian and philosopher who provided the first sustained account of how the philosophical imagination could be transformed into a devotional one. Karnes examines Bonaventure’s meditational works, the Meditationes vitae Christi, the Stimulis amoris, Piers Plowman, and Nicholas Love’s Myrrour, among others, and argues that the cognitive importance that imagination enjoyed in scholastic philosophy informed its importance in medieval meditations on the life of Christ. Emphasizing the cognitive significance of both imagination and the meditations that relied on it, she revises a long-standing association of imagination with the Middle Ages. In her account, imagination was not simply an object of suspicion but also a crucial intellectual, spiritual, and literary resource that exercised considerable authority.

Mixed Metaphors: The Danse Macabre In Medieval And Early Modern Europe


Sophie Oosterwijk - 2011
    The Danse was once a major motif that occurred in many different media and spread across Europe in the course of the fifteenth century, from France to England, Germany, Scandinavia, Poland, Spain, Italy and Istria. Yet the Danse is hard to define because it mixes metaphors, such as dance, dialogue and violence. The Danse Macabre aimed to confront viewers and readers with the prospect of their own demise by showing how Death summons each and every one of us-whether high or low, young or old, rich or poor. It functioned both as a text and as a visual theme, and often in combination, while also lending itself well to performance. Now best known through the satirical woodcuts of Hans Holbein the Younger, the motif was one of several 'macabre' themes that developed alongside the moralising tale of the Three Living and the Three Dead and the stark depiction of the cadaver on tomb monuments. The Danse Macabre was influenced by earlier themes, but thanks to its versatility its own impact went much further. As this corpus of innovative research will show, the Danse inspired sculptors, portrait artists, authors and dramatists such as Shakespeare far more than has been recognised until now. From the mural in 1420s Paris and John Lydgate's poem to the subsequent dissemination in print, Mixed Metaphors will reveal the lasting influence of the Danse on European culture from the Middle Ages to the present day.

In the Steps of the Black Prince: The Road to Poitiers, 1355-1356


Peter Hoskins - 2011
    Using the recorded itineraries as his starting point, the author of this book walked more than 1,300 miles across France, retracing the routes of the armies in search of a greater understanding of the Black Prince's expedition. He followed the 1355 chevauch�e from Bordeaux to the Mediterranean and back, and that for 1356 from Aquitaine to the Loire, to the battlefield at Poitiers, and back again to Bordeaux. Drawing on his findings on the ground, a wide range of documentary sources, and the work of local historians, many of whom the author met on his travels, the book provides a unique perspective on the Black Prince's chevauch�es of 1355 and 1356 and the battle of Poitiers, one of the greatest English triumphs of the Hundred Years War, demonstrating in particular the impact of the landscape on the campaigns. Peter Hoskins is a former Royal Air Force pilot, now living in France. He combines his interest in exploration of his adopted country with his research into the Hundred Years War.

Fairies in Medieval Romance


James Wade - 2011
    James Wade provides a counter-reading to theories of the Celtic origins of medieval fairies and suggests ways in which these unusual figures can help us think about the internal logics of medieval romance.

The True Chronicles Of Jean le Bel, 1290–1360


Jean Le Bel - 2011
    They were only rediscovered and published at the beginning of the twentieth century, thoughFroissart begins his much more famous work by acknowledging his great debt to the "true chronicles" which Jean le Bel had written. Many of the great pages of Froissart are actually the work of Jean le Bel, and this is the first translation of his book. It introduces English-speaking readers to a vivid text written by a man who, although a canon of the cathedral at Li�ge, had actually fought with Edward III in Scotland, and who was a great admirer of the English king. He writes directly and clearly, with an admirable grasp of narrative; and he writes very much from the point of view of the knights who fought with Edward. Even as a canon, he lived in princely style, with a retinue oftwo knights and forty squires, and he wrote at the request of John of Hainault, the uncle of queen Philippa. He was thus able to draw directly on the verbal accounts of the Cr�cy campaign given to him by soldiers from Hainault who had fought on both sides; and his description of warfare in Scotland is the most realistic account of what it was like to be on campaign that survives from this period. If he succumbs occasionally to a good story from one of theparticipants in the wars, this helps us to understand the way in which the knights saw themselves; but his underlying objective is to keep "as close to the truth as I could, according to what I personally have seen and remembered, and also what I have heard from those who were there". Edward may be his hero, a "gallant and noble king", but Le Bel tells the notorious story of his supposed rape of the countess of Salisbury because he believed it to be true, puzzled and shocked though he was by his material.It is a text which helps to put the massive work of Jean Froissart in perspective, but its concentrated focus and relatively short time span makes it a much more approachable and highly readable insight into the period.

Battles of the Medieval World, 1000-1500: From Hastings to Constantinople


Martin J. Dougherty - 2011
    Provides an information-packed, highly illustrated guide to 20 battles of the Medieval period, including Hastings, Hattin, Leignitz, Lake Peipus, Bannockburn, Crécy, Agincourt, Constantinople, and many more Includes exciting, full-color tactical maps for each battle, showing the reader the dispositions and movements of the opposing armies at a glance

Travel and Trade in the Middle Ages


Paul B. Newman - 2011
    This book examines why medieval Europeans traveled--from making pilgrimages to engaging in international trade--and surveys in detail how they traveled, both by land and water. Travel and trade were inextricably linked to transportation, and over time an infrastructure of roads, bridges, and accommodations grew across Europe, enabling people and goods to move around the continent and beyond. Also explored are the hardships faced by medieval travelers, including storms at sea, avalanches in the Alps, the presence of pirates and robbers, and the fundamental problems of finding a meal and shelter.

Sacred Folly


Max Harris - 2011
    Afterward, they would take to the streets, howling, issuing mock indulgences, hurling manure at bystanders, and staging scurrilous plays. The problem with this popular account--intriguing as it may be-- is that it is wrong.In Sacred Folly, Max Harris rewrites the history of the Feast of Fools, showing that it developed in the late twelfth and early thirteenth centuries as an elaborate and orderly liturgy for the day of the Circumcision (1 January)--serving as a dignified alternative to rowdy secular New Year festivities. The intent of the feast was not mockery but thanksgiving for the incarnation of Christ. Prescribed role reversals, in which the lower clergy presided over divine office, recalled Mary's joyous affirmation that God has put down the mighty from their seat and exalted the humble. The fools represented those chosen by God for their lowly status.The feast, never widespread, was largely confined to cathedrals and collegiate churches in northern France. In the fifteenth century, high-ranking clergy who relied on rumor rather than firsthand knowledge attacked and eventually suppressed the feast. Eighteenth- and nineteenth-century historians repeatedly misread records of the feast; their erroneous accounts formed a shaky foundation for subsequent understanding of the medieval ritual. By returning to the primary documents, Harris reconstructs a Feast of Fools that is all the more remarkable for being sanctified rather than sacrilegious.