Drawing together approaches from archaeology, anthropology, geography, and Science and Technology Studies, through twenty-eight specially commissioned essays by leading international researchers, the volume explores contemporary issues and debates in a series of themed sections--Disciplinary Perspectives, Material Practices, Objects and Humans, Landscapes and the Built Environment, and Studying Particular Things. From Coca-Cola, chimpanzees, artworks, and ceramics, to museums, cities, human bodies, and magical objects, the Handbook is an essential resource for anyone with an interest in materiality and the place of material objects in human social life, both past and present. A comprehensive bibliography enhances its usefulness as a research tool.

    Pens and Needles is the first book to examine all these forms as interrelated products of self-fashioning and communication.Because early modern people saw verbal and visual texts as closely related, Susan Frye discusses the connections between the many forms of women's textualities, including notes in samplers, alphabets both stitched and penned, initials, ciphers, and extensive texts like needlework pictures, self-portraits, poetry, and pamphlets, as well as commissioned artwork, architecture, and interior design. She examines works on paper and cloth by such famous figures as Elizabeth I, Mary, Queen of Scots, and Bess of Hardwick, as well as the output of journeywomen needleworkers and miniaturists Levina Teerlinc and Esther Inglis, and their lesser-known sisters in the English colonies of the New World. Frye shows how traditional women's work was a way for women to communicate with one another and to shape their own identities within familial, intellectual, religious, and historical traditions. Pens and Needles offers insights into women's lives and into such literary texts as Shakespeare's Othello and Cymbeline and Mary Sidney Wroth's Urania.

    Located in present-day Albemarle County, Virginia, Shadwell was at the time considered "the frontier." However, Kern demonstrates that Shadwell was no crude log cabin; it was, in fact, a well-appointed gentry house full of fashionable goods, located at the center of a substantial plantation.Kern’s scholarship offers new views of the family’s role in settling Virginia as well as new perspectives on Thomas Jefferson himself. By examining a variety of sources, including account books, diaries, and letters, Kern re-creates in rich detail the daily lives of the Jeffersons at Shadwell—from Jane Jefferson’s cultivation of a learned and cultured household to Peter Jefferson’s extensive business network and oversight of a thriving plantation.Shadwell was Thomas Jefferson’s patrimony, but Kern asserts that his real legacy there came from his parents, who cultivated the strong social connections that would later open doors for their children. At Shadwell, Jefferson learned the importance of fostering relationships with slaves, laborers, and powerful office holders, as well as the hierarchical structure of large plantations, which he later applied at Monticello. The story of Shadwell affects how we interpret much of what we know about Thomas Jefferson today, and Kern’s fascinating book is sure to become the standard work on Jefferson's early years.

    439: Burlesque and Side degree Specialties: Paraphernalia and Costumes, in which the manufacturers De Moulin Bros. Co. from Greenville, Ill. feature the finest electro-dropo benches, goat-shaped tricycles, electric branding irons (and much much more)!Not only does this 1930 catalog, reproduced with marvelous 21st century machinery, provide tightly rendered pen-and-ink period illustrations and detailed product descriptions, it also has helpful how-tos and scripts to aid in the pulling of these pranks on initiates!(WARNING: Fantagraphics Books is in no way responsible for any resultant maiming, crippling, immolation, or disfigurement resulting from the construction and/or use of devices pictured in this catalogue. At least, we don’t think so.) Today, DeMoulin Bros. Co. is one of the largest suppliers of costumes for marching bands in the united States. But in 1930 the company produced an amazing array of props and devices created specifically to be used in minor “hazing” of candidates in the side degrees of various fraternal organizations. The great 1930 DeMoulin Bros. Company Fraternal Supply Catalog No. 439 is truly a holy grail for the prankster, arm-chair sadist and those interested in the some of the zanier historic arcana lurking behind that neighborhood odd-fellows lodge.This is the ultimate desert-island book for pranksters looking for something edgy and new to dream about, Rube Goldberg-like devices created to instill terror and bemused respect, before the candidate ascends to receive a more sublime form of illumination. All in good fun, it is—or was—the American way!

    Burrison has brought to this undertaking a sensitivity, a finesse, and a flair for description and analysis that entitle the book to a place among the classics of this type.”From Mud to Jug—both a companion and sequel to Brothers in Clay—deepens and enriches Burrison’s earlier study by focusing on the northeast corner of Georgia, which has maintained a continuous tradition of pottery making since the early nineteenth century. Through interviews, a census of active potters trained at the centers of Cleveland (White County) and Gillsville (Hall County), and more than one hundred color photographs of pots, potters, and their work spaces, Burrison captures the living tradition of one of the last areas of the United States where Euro-American folk pottery is still being made. The book also explores the roots and historical development of north Georgia’s stoneware tradition and includes rare historic photos that have not been previously published. The Folk Pottery Museum of Northeast Georgia, which opened in 2006 at Sautee Nacoochee Center in White County, is also acknowledged and described.

    This definitive collection is now available in an expanded single volume with essays by contemporary graphic design luminaries such as Paula Scher, Stephen Doyle, and many more. Over 1,000 iconic trademarks are packed into this extra-chunky paperback. While the original books have long enjoyed cult status, this attractive, updated edition will win legions of new fans among today's ever-increasingly design-savvy public.