It created an international sensation upon first publication and led to the author's 1920 Nobel Prize in Literature. Rich in symbolism, it continues to resonate with modern readers today.

    Throughout these stories, Tagore's main interest is people and the kaleidoscope of human emotions, as men and women struggle with the restrictions and prohibitions of contemporary Hindu society.

    With his traveling book wagon named Parnassus, he moves through the New England countryside of 1915 on an itinerant mission of enlightenment. Mifflin's delight in books and authors is infectious--with his singular philosophy and bright eyes, he comes to represent the heart and soul of the book world. But a certain spirited spinster, disgruntled with her life, may have a hand in changing all that. This roaring good adventure yarn is spiced with fiery roadside brawls, heroic escapes from death, the most groaning boards in the history of Yankee cookery, and a rare love story--not to mention a glimpse at a feminist perspective from the early 1900s.

    It is presented here in an excellent new English translation by Stanley Appelbaum.

    Contains over 20 stories written by various Russian authors, including, "The Gentleman from San Francisco" by 1933 Nobel Prize winner Bunin, and stories by Pushkin, Gogol, Turgenev, Dostoyevsky, Tolstoy, Saltykov, Korolenko, Garshin, Chekhov, Sologub, Potapenko, Semyonov, Gorky, Artzybashev, Kuprin, Andreyev, and others.

    In the mines he befriends many of the workers, and realizes their misery and exploitation at the hands of the bosses. What he found there was abhorrent -- thus begins the tale of unionization and the advocacy workers' rights. Unionization, however, is easier spoken of than it is accomplished. It was a dangerous task -- for the leaders of the coal mines were hardened men, men who would not stop at petty threats and minor violence.

    This essential Unamuno reader begins with the full-length novel Abel Sanchez, a modern retelling of the story of Cain and Abel. Also included are two remarkable short stories, The Madness of Doctor Montarco and San Manuel Bueno, Martyr, featuring quixotic, philosophically existential characters confronted by the dull ache of modernity.Translated by Anthony Kerrigan and with an insightful introduction by Mario J. Valdes

    CONTENTSYouthHeart of DarknessThe Nigger of the NacissusIl CondeGaspar RuizThe BruteTyphoonThe Secret SharerFreya of the Seven IslesThe DuelThe End of the TetherThe Shadow-Line

    Here, he comments on politics, education, the media, religion, and literature. The true subject of Twain's satire and burlesque is that strangest of all animals, the human being. In his novels, travel narratives, stories, essays, and sketches, Twain exposes such a variety of human foibles that one is left either laughing at the folly of human enterprise, blushing with shame at human behavior, or cursing the gods that would create such a silly animal. Twain does all three, often at the same time.

    Pollard:"There is much repetition in the Morte d'Arthur as Malory left it. How often Sir Breuse sans Pitie played his ugly tricks, or Tristram rescued Palomides, or minor knights met at adventure and emulated their betters, it is not easy to count. I have tried to clear away some of the underwoods that the great trees may be better seen, and though I know that I have cleared away some small timber that is fine stuff in itself, if the great trees stand out the better, the experiment may be forgiven. In attempting it I have introduced, I think, not more than a hundred words of my own, but in certain places I have taken over the readings devised half a century ago for the well-known Globe edition by Sir Edward Strachey, which has justified itself by passing through some twenty editions, and has probably brought Malory more readers than all other texts put together."

    Toward the end of his life, Reverdy confirmed that the alienated, anxious -thief- of this novel in verse was a portrait of himself (-Talant- conveys both the dual echo in French of -talent- and the small town of Talan near Dijon, thereby evoking a potential plagiarizer from the countryside), and -Abel the Magus, - a semi-satirical portrait of Jacob.Originally published in French in 1917, The Thief of Talant is a radical experiment in verse and narrative, a moving evocation of the loss (and recovery) of self and an encrypted guidebook to the -heroic- years of Cubism.Pierre Reverdy (1889-1960) was a reclusive yet integral component of the early Parisian avant-garde and a friend to painters such as Modigliani, Picasso and Gris, who, with fellow poets such as Apollinaire and Jacob, came to represent a faction known as the -Cubist poets.- In 1926, Reverdy withdrew from Paris for a life of seclusion in the northwest of France.

    Mostly written in the first person, it lights up the different aspects of love