The Abisaabs uncover a more nuanced account in which colonialism, the modern state, social class, and provincial politics profoundly shaped Shi'i society.The authors trace the sociopolitical, economic, and intellectual transformation of the Shi'ites of Lebanon from 1920 during the French colonial period until the late twentieth century. They shed light on the relationship of contemporary Islamic militancy with traditions of religious modernism and leftism in both Lebanon and Iraq. Analyzing the interaction between sacred and secular features of modern Shi'ite society, the authors clearly follow the group's turn toward religious revolution and away from secular activism. This book transforms our understanding of twentieth-century Lebanese history and demonstrates how the rise of Hizbullah was conditioned by Shi'ites' consistent marginalization and neglect by the Lebanese state.

    Some parties distribute goods and services broadly, even to members of other parties or other faiths, while others allocate services more narrowly to their own base. In Compassionate Communalism, Melani Cammett analyzes the political logics of sectarianism through the lens of social welfare. On the basis of years of research into the varying welfare distribution strategies of Christian, Shia Muslim, and Sunni Muslim political parties in Lebanon, Cammett shows how and why sectarian groups deploy welfare benefits for such varied goals as attracting marginal voters, solidifying intraconfessional support, mobilizing mass support, and supporting militia fighters.Cammett then extends her arguments with novel evidence from the Sadrist movement in post-Saddam Iraq and the Bharatiya Janata Party in contemporary India, other places where religious and ethnic organizations provide welfare as part of their efforts to build political support. Nonstate welfare performs a critical function in the absence of capable state institutions, Cammett finds, but it comes at a price: creating or deepening social divisions, sustaining rival visions of the polity, or introducing new levels of social inequality.Compassionate Communalism is informed by Cammett's use of many methods of data collection and analysis, including Geographic Information Systems (GIS) analysis of the location of hospitals and of religious communities; a large national survey of Lebanese citizens regarding access to social welfare; standardized open-ended interviews with representatives from political parties, religious charities, NGOs, and government ministries, as well as local academics and journalists; large-scale proxy interviewing of welfare beneficiaries conducted by trained Lebanese graduate students matched with coreligionist respondents; archival research; and field visits to schools, hospitals, clinics, and other social assistance programs as well as political party offices throughout the country.

    The always edifying and often hilarious adventures of the Fariyaq, as he moves from his native Lebanon to Egypt, Malta, Tunis, England and France, provide the author with grist for wide-ranging discussions of the intellectual and social issues of his time, including the ignorance and corruption of the Lebanese religious and secular establishments, freedom of conscience, women’s rights, sexual relationships between men and women, the manners and customs of Europeans and Middle Easterners, and the differences between contemporary European and Arabic literatures. Al-Shidyaq also celebrates the genius and beauty of the classical Arabic language. Akin to Sterne and Rabelais in his satirical outlook and technical inventiveness, al-Shidyaq produced in Leg Over Leg a work that is unique and unclassifiable. It was initially widely condemned for its attacks on authority, its religious skepticism, and its “obscenity,” and later editions were often abridged. This is the first English translation of the work and reproduces the original Arabic text, published under the author’s supervision in 1855.Humphrey Davies is an award-winning translator of Arabic literature from the Ottoman period to the present. Writers he has translated include Elias Khoury, Naguib Mahfouz, Alaa Al Aswany, Bahaa Taher, Mourid Barghouti, Muhammad Mustagab, Gamal al-Ghitani, Hamdy el-Gazzar, Khaled Al-Berry, and Ahmed Alaidy, as well as Ahmad Faris al-Shidyaq and Yusuf al-Shirbini for the Library of Arabic Literature. He has also authored, with Madiha Doss, an anthology of writings in Egyptian colloquial Arabic. He lives in Cairo.

    An Islamist terrorist group dedicated to destroying Israel or the first Arab national Resistance to have ever defeated Tel-Aviv's troops, a patriotic and respectable party or a fascistnetwork having managed to control all levers of Lebanese political life... what exactly is Hezbollah? How did it acquire such an important role in the Middle-Eastern game and in Lebanese politics?This book has three purposes. It first gives an articulated definition of Hezbollah, presenting a thorough history of the party, describing its well-built internal structure, and the large scope of its social and political action. It then explains the evolution of the party's mobilization. Finally, it illustrates another path, political but mainly identity-related, that of the Shiite community, today the main constituent of Lebanese society.Through a rigorous and richly documented study, mainly based on primary sources, amongst which hundreds of interviews with rank and file members, executives and officials of the party, and research material never examined before, the author unveils brand new aspects of this organization, thuscompleting, in a clear and efficient manner, our understanding of both the Hezbollah phenomenon and Lebanese politics of the last two decades.

    The always edifying and often hilarious adventures of the Fariyaq, as he moves from his native Lebanon to Egypt, Malta, Tunis, England and France, provide the author with grist for wide-ranging discussions of the intellectual and social issues of his time, including the ignorance and corruption of the Lebanese religious and secular establishments, freedom of conscience, women's rights, sexual relationships between men and women, the manners and customs of Europeans and Middle Easterners, and the differences between contemporary European and Arabic literatures. Al-Shidyaq also celebrates the genius and beauty of the classical Arabic language. Akin to Sterne and Rabelais in his satirical outlook and technical inventiveness, al-Shidyaq produced in Leg Over Leg a work that is unique and unclassifiable. It was initially widely condemned for its attacks on authority, its religious skepticism, and its "obscenity," and later editions were often abridged. This is the first English translation of the work and reproduces the original Arabic text, published under the author's supervision in 1855.Humphrey Davies is an award-winning translator of Arabic literature from the Ottoman period to the present. Writers he has translated include Elias Khoury, Naguib Mahfouz, Alaa Al Aswany, Bahaa Taher, Mourid Barghouti, Muhammad Mustagab, Gamal al-Ghitani, Hamdy el-Gazzar, Khaled Al-Berry, and Ahmed Alaidy, as well as Ahmad Faris al-Shidyaq and Yusuf al-Shirbini for the Library of Arabic Literature. He has also authored, with Madiha Doss, an anthology of writings in Egyptian colloquial Arabic. He lives in Cairo.

    A construction worker speeds through the Indonesian jungle to board his plane on time. Playing a terrifying game of cat and mouse, an isolated sniper in Beirut observes the city from his rooftop perch. With profound insight El-Zein’s stories cross continents and time zones, effortlessly melding themes of loss and longing with larger questions of power, politics, faith and love. His characters, as provocative as they are diverse, confront issues of violence, justice and redemption with varying degrees of rage, suspense, satire and wit. With a sharp eye for the ridiculous, El-Zein’s collection cleverly illuminates stereotypes and contemplates global truths. These are worldly stories in the best sense, and wise ones.‘These stories range across time and culture, yet somehow sit outside both. They are often disturbing and beautiful in the same moment. A stark, moving and memorable collection.’ EVA HORNUNG