Elaborate outfits, made from textiles as well as branches, straw, and other materials plucked from the natural environment, are donned in rural, agricultural, and fishing communities throughout Japan to celebrate seasonal rites of fertility and abundance. Yokainoshima (literally “island of monsters”) explores the extraordinary crop of masks, costumes, and characters that reappear with the return of each season.Charles Fréger’s photographs combine the attention to detail of a documentary photograph with individual portraiture in a fresh and distinctive style. Texts by specialists in Japanese folk culture and anthropology accompany the photographs, putting the huge variety of eclectic costumes in context with descriptions of the local festivals, dances, and rituals where they are worn.This compelling sequence of new portraits by an internationally acclaimed photographer will captivate enthusiasts of fine art photography and far off places as it pulls back the curtain on a strange and magical centuries-old tradition.

    Paul Roquet traces the emergence of ambient styles from the environmental music and Erik Satie boom of the 1960s and 1970s to the more recent therapeutic emphasis on healing and relaxation.Focusing on how an atmosphere works to reshape those dwelling within it, Roquet shows how ambient aesthetics can provide affordances for reflective drift, rhythmic attunement, embodied security, and urban coexistence. Musicians, video artists, filmmakers, and novelists in Japan have expanded on Brian Eno’s notion of the ambient as a style generating “calm, and a space to think,” exploring what it means to cultivate an ambivalent tranquility set against the uncertain horizons of an ever-shifting social landscape. Offering a new way of understanding the emphasis on “reading the air” in Japanese culture, Ambient Media documents both the adaptive and the alarming sides of the increasing deployment of mediated moods.Arguing against critiques of mood regulation that see it primarily as a form of social pacification, Roquet makes a case for understanding ambient media as a neoliberal response to older modes of collective attunement—one that enables the indirect shaping of social behavior while also allowing individuals to feel like they are the ones ultimately in control.

    Its teachers used a dead language that was impenetrable to all but the innermost circle of believers. Its priests preached love and kindness, but helped local warlords acquire firearms. They encouraged believers to cast aside their earthly allegiances and swear loyalty to a foreign god-emperor, before seeking paradise in terrible martyrdoms. The cult was in open revolt, led, it was said, by a boy sorcerer. Farmers claiming to have the blessing of an alien god had bested trained samurai in combat and proclaimed that fires in the sky would soon bring about the end of the world. The Shogun called old soldiers out of retirement for one last battle before peace could be declared in Japan. For there to be an end to war, he said, the Christians would have to die.This is a true story.

    They took matters into their own hands, collecting their own scientific data that revealed radiation-contaminated food. In Radiation Brain Moms and Citizen Scientists Aya Hirata Kimura shows how, instead of being praised for their concern about their communities’ health and safety, they faced stiff social sanctions, which dismissed their results by attributing them to the work of irrational and rumor-spreading women who lacked scientific knowledge. These citizen scientists were unsuccessful at gaining political traction, as they were constrained by neoliberal and traditional gender ideologies that dictated how private citizens—especially women—should act. By highlighting the challenges these citizen scientists faced, Kimura provides insights into the complicated relationship between science, foodways, gender, and politics in post-Fukushima Japan and beyond.

    By linking justice to the effects of American geopolitical hegemony, and by deploying a conjunctive cultural critique—of "comfort women" redress efforts, state-sponsored apologies and amnesties, Asian American involvement in redress cases, the ongoing effects of the U.S. occupation of Japan and Okinawa, Japanese atrocities in China, and battles over WWII memories—Yoneyama helps illuminate how redress culture across Asia and the Pacific has the potential to bring powerful new and challenging perspectives on American exceptionalism, militarized security, justice, sovereignty, forgiveness, and decolonization.

    Drawing on archive material, this new history provides the reader with piercing strategic and political insights which debunk many of the enduring myths which encompass Japan's apocalyptic drive for hegemony in Southeast Asia. Why did Japan invade China? Was war with America and the British Empire inevitable? Why was the Japanese mobile fleet defeated so decisively at Midway? Why did the Japanese continue fighting when defeat was inevitable? Was Emperor Hirohito merely a puppet of the militarists? Why did the Japanese people acquiesce in the occupation of their homeland? Whilst unsparing in its treatment of Japan's ultimate culpability for unleashing the Second World War, Japan at War 1931-1945 is an objective appraisal of the tragedy that engulfed much of the territories under Japanese control, and eventually Japan itself.

    It begins with an explanation of the fate of Christianity, and proceeds to cover the changing nature of the relationship between Buddhism and secularauthority, new developments in Shinto, and the growth of 'Japanese studies'. The main emphasis, however, is on the process by which Neo-Confucianism captured the imagination of the intellectual class and informed debate throughout the period. This process was expressed in terms of a never-endingsearch for the Way, a mode and pattern of existence that could provide not only order for society at large, but self-fulfilment for the individual. The narrative traces how ideas and attitudes changed through time, and is based on the premise that the Tokugawa period is important in and of itself, not merely as a backdrop to the Meiji Restoration of 1868.

    Released to mark the 75th anniversary of America's entrance into World War II, this Library of America two-volume boxed set gathers the acclaimed collection that evokes an extraordinary period in American history and in American journalism. In two authoritative Library of America volumes, nearly 200 pieces by 80 writers record events from Munich to the birth of the nuclear age. Included are reports by William L. Shirer, Edward R. Murrow, Martha Gellhorn, Ernie Pyle, Margaret Bourke-White, and scores of other of the era's great journalists, as well as the complete texts of two books: Bill Mauldin's Up Front, the classic evocation of war from the GI's point of view, presented with his famous cartoons, and Hiroshima, John Hersey's compassionate account of the first atomic bombing and its aftermath. Each volume contains a chronology, maps, biographical profiles, notes and a glossary, and 32 pages of photographs."

    In 1785 Ōtsuki Gentaku (1757-1827) journeyed from the capital to Nagasaki to meet Dutch physicians and the Japanese who acted as their interpreters. Gentaku was himself a physician, but he was also a Dutch studies (rangaku) scholar who passionately believed that European science and medicine were critical to Japan's progress. Network of Knowledge examines the development of Dutch studies during the crucial years 1770-1830 as Gentaku, with the help of likeminded colleagues, worked to facilitate its growth, creating a school, participating in and hosting scholarly and social gatherings, and circulating books. In time the modest, informal gatherings of Dutch studies devotees (rangakusha), mostly in Edo and Nagasaki, would grow into a pan-national society.Applying ideas from social network theory and Bourdieu's conceptions of habitus, field, and capital, this volume shows how Dutch studies scholars used networks to grow their numbers and overcome government indifference to create a dynamic community. The social significance of rangakusha, as much as the knowledge they pursued in medicine, astronomy, cartography, and military science, was integral to the creation of a Tokugawa information revolution--one that saw an increase in information gathering among all classes and innovative methods for collecting and storing that information. Although their salons were not as politically charged as those of their European counterparts, rangakusha were subversive in their decision to include scholars from a wide range of socio-economic backgrounds. They created a cultural society of civility and play in which members worked toward a common cultural goal. This insightful study reveals the strength of the community's ties as it follows rangakusha into the Meiji era (1868-1912), when a new generation championed values and ambitions similar to those of Gentaku and his peers.Network of Knowledge offers a fresh look at the cultural and intellectual environment of the late Tokugawa that will be welcomed by scholars and students of Japanese intellectual and social history.