It tells the story of a great cattle-raid, the invasion of Ulster by the armies of Medb and Ailill, queen and king of Connacht, and their allies, seeking to carry off the great Brown Bull of Cúailnge. The hero of the tale is Cúchulainn, the Hound of Ulster, who resists the invaders single-handed, while Ulster's warriors lie sick.Thomas Kinsella's presents a complete and living version of the story. His translation is based on the partial texts in two medieval manuscripts, with elements from other version, and adds a group of related stories which prepare for the action of the Táin. Illustrated with brush drawings by Louis le Brocquy, this edition provides a combination of medieval epic and modern art.

    

    It follows the paths and portals to another world, Land-Under-Wave, the realm of myth, imagination and the psyche. It is a book in touch and tune with the wellsprings of poetry.Neither ‘believing nor disbelieving’, sometimes insouciant and always wideranging, The Fifty Minute Mermaid is a book of accumulating force and subtle consonance. Paul Muldoon’s generous surrender to Nuala Ní Dhomhnaill’s poems supports José Saramago’s adage that the author with his or her language creates a national literature. World literature is created by translators.

    It is the winter following the summer they met. A couple, Bell and Sigh, move into a remote house in the Irish countryside with their dogs. Both solitary with misanthropic tendencies, they leave the conventional lives stretched out before them to build another—one embedded in ritual, and away from the friends and family from whom they’ve drifted. They arrive at their new home on a clear January day and look up to appraise the view. A mountain gently and unspectacularly ascends from the Atlantic, “as if it had accumulated stature over centuries. As if, over centuries, it had steadily flattened itself upwards.” They make a promise to climb the mountain, but—over the course of the next seven years—it remains unclimbed. We move through the seasons with Bell and Sigh as they come to understand more about the small world around them, and as their interest in the wider world recedes.Seven Steeples is a beautiful and profound meditation on the nature of love and the resilience of nature. Through Bell and Sigh, and the life they create for themselves, Sara Baume explores what it means to escape the traditional paths laid out before us—and what it means to evolve in devotion to another person, and to the landscape.

    Her daughter Sam and baby son PJ keep her tethered to this life she doesn't want. She finds unexpected refuge with a seventeen-year-old boy, but this relationship is only temporary, a sticking plaster on a festering wound. It cannot last and when her chance to leave Northern Ireland comes, Nuala takes it.In 1994, Sam Malin plans escape. She longs for a life outside her dysfunctional family, far away from the North and all its troubles, free from her quiet brooding father Patsy, who never talks about her mother, Nuala; a woman Sam barely knew, who abandoned them twelve years ago. She finds solace in music, drugs and her best friend Becca, but most of all in an illicit relationship with a jagged, magnetic older man.She is drawn to him, and he to her, in a way she can't yet comprehend.Sam is more like her mother than she knows.