In The Beginnings of Western Science, David C. Lindberg provides a rich chronicle of the development of scientific ideas, practices, and institutions from the pre-Socratic Greek philosophers to the late-medieval scholastics.Lindberg surveys all the most important themes in the history of ancient and medieval science, including developments in cosmology, astronomy, mechanics, optics, alchemy, natural history, and medicine. He synthesizes a wealth of information in superbly organized, clearly written chapters designed to serve students, scholars, and nonspecialists alike. In addition, Lindberg offers an illuminating account of the transmission of Greek science to medieval Islam and subsequently to medieval Europe. And throughout the book he pays close attention to the cultural and institutional contexts within which scientific knowledge was created and disseminated and to the ways in which the content and practice of science were influenced by interaction with philosophy and religion. Carefully selected maps, drawings, and photographs complement the text.Lindberg's story rests on a large body of important scholarship produced by historians of science, philosophy, and religion over the past few decades. However, Lindberg does not hesitate to offer new interpretations and to hazard fresh judgments aimed at resolving long-standing historical disputes. Addressed to the general educated reader as well as to students, his book will also appeal to any scholar whose interests touch on the history of the scientific enterprise.

    Over the last three centuries it was responsible for the deaths of a thousand million people. Feared more than cancer or even bubonic plague, it became a symbol of romantic death, robbing generations of the most celebrated artists, philosophers and writers, including Keats, Chopin, Chekhov and George Orwell, meanwhile inspiring a remarkable cultural legacy, such as the opera, La Traviata, and Thomas Mann’s Magic Mountain. The discovery of the cure for this terrible disease changed the course of human history. Half way through the twentieth century few people worldwide, whether doctors or the ordinary man or woman, believed that such a cure would ever be possible. It was left to a tiny band of unlikely heroes, scattered in different countries, to discover the impossible. Few were tuberculosis experts. Half of them were not medically qualified. This is their story.This book tells the epic tale of the search for the cure for tuberculosis. It is an extraordinary narrative of human drama, scientific deduction, and original historical documentation. But as consultant physician, Frank Ryan, who for many years travelled worldwide gathering together the intimate details of their lives, the triumph of discovering the cure now comes with a dire warning. The greatest shock was awaiting him in New York, when he discovered that in a deadly alliance with AIDS, tuberculosis was once again threatening both the developed and developing world.

    He was also in pain. His mother had poisoned herself after his father's involvement in an affair. Emerging from a brief marriage with a cabaret performer, Pauli drank heavily, quarreled frequently and sometimes publicly, and was disturbed by powerful dreams. He turned for help to C. G. Jung, setting a standing appointment for Mondays at noon. Thus bloomed an extraordinary intellectual conjunction not just between a physicist and a psychologist but between physics and psychology. Eighty letters, written over twenty-six years, record that friendship. This artful translation presents them in English for the first time.Though Jung never analyzed Pauli formally, he interpreted more than 400 of his dreams--work that bore fruit later in Psychology and Alchemy and The Analysis of Dreams. As their acquaintance developed, Jung and Pauli exchanged views on the content of their work and the ideas of the day. They discussed the nature of dreams and their relation to reality, finding surprising common ground between depth psychology and quantum physics. Their collaboration resulted in the combined publication of Jung's treatise on synchronicity and Pauli's essay on archetypal ideas influencing Kepler's writings in The Interpretation of Nature and the Psyche. Over time, their correspondence shaped and reshaped their understanding of the principle they called synchronicity, a term Jung had suggested earlier.Through the association of these two pioneering thinkers, developments in physics profoundly influenced the evolution of Jungian psychology. And many of Jung's abiding themes shaped how Pauli--and, through him, other physicists--understood the physical world. Of clear appeal to historians of science and anyone investigating the life and work of Pauli or Jung, this portrait of an incredible friendship will also draw readers interested in human creativity as well as those who merely like to be present when great minds meet.

    Designed for survey courses in the history of medicine, this Second Edition presents a wide-ranging overview of Western medicine, as well as an introduction to the varied medical traditions of India and China provides additional chapters on the history of medicine in Pre-Columbian America and the evolution of medicine in the United States contains new sections on preventive and alternative medicine, medical education for women, miasma and contagion theories, the threat of epidemic disease, changing patterns of morbidity and mortality, public health and sanitary reforms, the high cost of medical care, diseases of affluence and aging, and the emergence of new diseases explores the concepts, theories, and diseases that illuminate medical history from paleopathology to prions

    and a PhD.  While he was a student, and later during his surgical internship at the Johns Hopkins Hospital, he began the series of animal experiments that led eventually to the world’s first transplantation of the human liver in 1963.Throughout his career, first at the University of Colorado and then at the University of Pittsburgh, he has aroused both worldwide admiration and controversy.  His technical innovations and medical genius have revolutionized the field, but Starzl has not hesitated to address the moral and ethical issues raised by transplantation.  In this book he clearly states his position on many hotly debated issues including brain death, randomized trials for experimental drugs, the costs of transplant operations, and the system for selecting organ recipients from among scores of desperately ill patients.There are many heroes in the story of transplantation, and many “puzzle people,” the patients who, as one journalist suggested, might one day be made entirely of various transplanted parts.  They are old and young, obscure and world famous.  Some have been taken into the hearts of America, like Stormie Jones, the brave and beautiful child from Texas.  Every patient who receives someone else’s organ - and Starzl remembers each one - is a puzzle.  “It was not just the acquisition of a new part,” he writes.  “The rest of the body had to change in many ways before the gift could be accepted.  It was necessary for the mind to see the world in a different way.”  The surgeons and physicians who pioneered transplantation were also changed: they too became puzzle people.  “Some were corroded or destroyed by the experience, some were sublimated, and none remained the same.”

    Problems are taken from their original sources, enabling students to understand how mathematicians in various times and places solved mathematical problems. In this new edition a more global perspective is taken, integrating more non-Western coverage including contributions from Chinese/Indian, and Islamic mathematics and mathematicians. An additional chapter covers mathematical techniques from other cultures. *Up to date, uses the results of very recent scholarship in the history of mathematics. *Provides summaries of the arguments of all important ideas in the field.

    Ronald L. Numbers chronicles the astonishing resurgence of this belief since the 1960s, as well as the creationist movement's tangled religious roots in the theologies of late-nineteenth - and early twentieth century Baptists, Presbyterians, Lutherans, Adventists, and other religious groups. Even more remarkable than Numbers's story of today's widespread rejection of the theory of evolution is the dramatic shift from acceptance of the earth's antiquity (even for William Jennings Bryan the biblical "days" of Genesis represented long geological ages) to the insistence of present-day scientific creationists that most fossils date back to Noah's flood and its aftermath, and that the earth itself is no more than ten thousand years old. The author focuses especially on the rise of this "flood geology, " popularized in 1961 by John Whitcomb and Henry Morris's book, The Genesis Flood, which defended the theory that creation took place in six literal days, and updated the old arguments purporting to prove that a geologically significant worldwide flood actually took place. Numbers gives particular attention to the development of creation research institutes and societies, and to those creationists - including the half of the founders of the Creation Research Society with doctorates in biology - who possessed, or claimed to possess, scientific credentials. On the basis of dozens of interviews and scores of little-known manuscript collections, Numbers delineates the competing scientific and biblicalinterpretations, and reports on the debates between creationists and evolutionists - in courthouses, legislative halls, and on school boards - over the boundaries between science and religion. He traces the evolution of scientific creationism up to our own time and shows how the creationist

    In these five lively interviews with sociologist Bruno Latour, this increasingly important cultural figure sheds light on the ideas that inspire his highly original, challenging, and transdisciplinary essays. Serres begins by discussing the intellectual context and historical events-- including the impact of World War II and Hiroshima, which for him marked the beginning of science's ascendancy over the humanities--that shaped his own philosophical outlook and led him to his lifelong mission of bringing together the texts of the humanities and the conceptual revolutions of modern science. He then confronts the major difficulties encountered by his readers: his methodology, his mathematician's fondness for "shortcuts" in argument, and his criteria for juxtaposing disparate elements from different epochs and cultures in extraordinary combinations. Finally, he discusses his ethic for the modern age--a time when scientific advances have replaced the natural necessities of disease and disaster with humankind's frightening new responsibility for vital things formerly beyond its control. In the course of these conversations Serres revisits and illuminates many of his themes: the chaotic nature of knowledge, the need for connections between science and the humanities, the futility of traditional criticism, and what he calls his "philosophy of prepositions"--an argument for considering prepositions, rather than the conventionally emphasized verbs and substantives, as the linguistic keys to understanding human interactions. For readers familiar with Serres's works as well as for the uninitiated, Conversations on a Life in Philosophy provides fascinating insights into the mind of this appealing, innovative and ardent thinker. Michel Serres has taught at Clermont-Ferrand, at the University of Paris VIII (Vincennes) and at the Sorbonne. He has served as visiting professor at Johns Hopkins University and has been on the faculty of Stanford University since 1984. Bruno Latour, a philosopher and anthropologist, is Professor of Sociology, L'Ecole Nationale Supérieure des Mines in Paris. He has written several books and numerous articles on the ties between the sciences and the rest of culture and society. Roxanne Lapidus is Managing Editor of SubStance: A Review of Theory and Literary Criticism. Conversations on a Life in Philosophy was originally published in France as Eclaircissements.

    In this new book, Michael Friedman argues that Kant's continuing efforts to find a metaphysics that could provide a foundation for the sciences is of the utmost importance in understanding the development of his philosophical thought from its earliest beginnings in the thesis of 1747, through the Critique of Pure Reason, to his last unpublished writings in the Opus postumum.Previous commentators on Kant have typically minimized these efforts because the sciences in question have since been outmoded. Friedman argues that, on the contrary, Kant's philosophy is shaped by extraordinarily deep insight into the foundations of the exact sciences as he found them, and that this represents one of the greatest strengths of his philosophy. Friedman examines Kant's engagement with geometry, arithmetic and algebra, the foundations of mechanics, and the law of gravitation in Part One. He then devotes Part Two to the Opus postumum, showing how Kant's need to come to terms with developments in the physics of heat and in chemistry formed a primary motive for his projected Transition from the Metaphysical Foundations of Natural Science to Physics.Kant and the Exact Sciences is a book of high scholarly achievement, argued with impressive power. It represents a great advance in our understanding of Kant's philosophy of science.

    Best remembered for his chronophotography, Marey constructed a single-camera system that led the way to cinematography. Picturing Time, the first complete survey of Marey's work, investigates the far reaching effects of Marey's inventions on stream-of-consciousness literature, psychoanalysis, Bergsonian philosophy, and the art of cubists and futurists.Braun offers a fascinating look at how Marey's chronophotography was used to express the profound transformation in understanding and experiencing time that occurred in the late nineteenth century. Featuring 335 illustrations, Picturing Time includes many unpublished examples of Marey's chronophotographs and cinematic work. It also contains a complete bibliography of his writings and the first catalog of his films, photographic prints, and recently discovered negatives.

    These accounts constitute the point at which the metaphysical doctrines on God, the soul, and body, developed in writings like the Meditations, give rise to physical conclusions regarding atoms, vacua, and the laws that matter in motion must obey. Garber achieves a philosophically rigorous reading of Descartes that is sensitive to the historical and intellectual context in which he wrote. What emerges is a novel view of this familiar figure, at once unexpected and truer to the historical Descartes. The book begins with a discussion of Descartes' intellectual development and the larger project that frames his natural philosophy, the complete reform of all the sciences. After this introduction Garber thoroughly examines various aspects of Descartes' physics: the notion of body and its identification with extension; Descartes' rejection of the substantial forms of the scholastics; his relation to the atomistic tradition of atoms and the void; the concept of motion and the laws of motion, including Descartes' conservation principle, his laws of the persistence of motion, and his collision law; and the grounding of his laws in God.

    Second edition published 1992, reprinted in 2002 and 2011. In this book Professor Tylecote presents a unique introduction to the history of metallurgy from the earliest times to the present. The development of metallurgy skills and techniques of different civilisations, and the connection between them, are carefully chartered. This volume is concerned with such important topics as the rise of metallurgy in the Near East and the Industrial Revolution in Western Europe."

    It points out that when writing began in Mesopotamia it was not, as previously thought, a sudden and spontaneous invention. Instead, it was the outgrowth of many thousands of years' worth of experience at manipulating symbols.In Volume I: From Counting to Cuneiform, Denise Schmandt-Besserat describes how in about 8000 B.C., coinciding with the rise of agriculture, a system of counters, or tokens, appeared in the Near East. These tokens—small, geometrically shaped objects made of clay—represented various units of goods and were used to count and account for them. The token system was a breakthrough in data processing and communication that ultimately led to the invention of writing about 3100 B.C. Through a study of archaeological and epigraphic evidence, Schmandt-Besserat traces how the Sumerian cuneiform script, the first writing system, emerged from a counting device.In Volume II: A Catalog of Near Eastern Tokens, Schmandt-Besserat presents the primary data on which she bases her theories. These data consist of several thousand tokens, catalogued by country, archaeological site, and token types and subtypes. The information also includes the chronology, stratigraphy, museum ownership, accession or field number, references to previous publications, material, and size of the artifacts. Line drawings and photographs illustrate the various token types.

    One of the greatest physicists of the 20th century recounts his journey from Hungary and the Nazi invasion to the creation of the first atomic bomb.

    This term was used to describe events or objects that were considered unusual, extraordinary, or rare and that aroused in the viewer a sense of wonder, which the French philosopher Rene Descartes regarded as "the first of all the passions." The taste for the marvelous was remarkably widespread during this period and found expression in the visual arts, literature, music and drama, the natural sciences, religion, and philosophy. Among the reasons for the growing interest in the marvelous were the recovery of ancient texts that commented on marvels and marvelous effects; the efforts of the Catholic church to convince the faithful of the truth of God's miracles; and the profound impact of great scientific achievements, such as the invention of the telescope, that revealed new and fascinating aspects of the physical world. Perhaps most significant was the exploration of hitherto unknown lands by Christopher Columbus and others, which exerted an enormous influence on the European imagination and literally reshaped the way the world was understood. Published to accompany the exhibition The Age of the Marvelous, organized by the Hood Museum of Art at Dartmouth College, this catalogue offers the most thorough treatment of the subject to date. The essays were written by a team of scholars assembled by guest curator Joy Kenseth, Associate Professor of Art History at Dartmouth College and a specialist in Italian art of the sixteenth and seventeenth centuries. Dr. Kenseth's introduction addresses both the criteria of the marvelous and the contemporary influences on this phenomenon. A second essay describes the cabinets of curiosities known as Kunst- und Wunderkammern (rooms of art and marvels), that flourished at the time. James Mirollo, Professor of English and Comparative Literature at Columbia University, then examines the aesthetics of the marvelous in literature. The following