Canetti worked brilliantly in many forms, but the three volumes that comprise his autobiography are where his genius is perhaps most evident. The first volume, "The Tongue Set Free," presents the events, personalities, and intellectual forces that fed Canetti's early creative development. "The Torch in My Ear" explores his admiration for the first great mentor of his adulthood, Karl Krauss, and also describes his first marriage. The final volume, "The Play of the Eyes," is set in Vienna between 1931 and 1937, with the European catastrophe imminent; here he vividly portrays relationships with Hermann Broch and Robert Musil, among others.

    G. Sebald's first novel, never before translated into English, is perhaps his most amazing and certainly his most alarming. Sebald—the acknowledged master of memory's uncanniness—takes the painful pleasures of unknowability to new intensities in Vertigo. Here in their first flowering are the signature elements of Sebald's hugely acclaimed novels The Emigrants and The Rings of Saturn. An unnamed narrator, beset by nervous ailments, is again our guide on a hair-raising journey through the past and across Europe, amid restless literary ghosts—Kafka, Stendhal, Casanova. In four dizzying sections, the narrator plunges the reader into vertigo, into that "swimming of the head," as Webster's defines it: in other words, into that state so unsettling, so fascinating, and so "stunning and strange," as The New York Times Book Review declared about The Emigrants, that it is "like a dream you want to last forever."

    Gass calls his true profession. From 1899 until he was misdiagnosed a schizophrenic and hospitalized in 1933, Walser produced nine novels and more than a thousand short stories and prose pieces.Walser's contemporary admirers were few but well-placed. They included Franz Kafka, Hermann Hesse, Robert Musil, and Walter benjamin. Today Robert Walser is widely regarded as one of the most important and original literary voices of the twentieth century. In Masquerade and Other Stories, Susan Bernofsky, presents a representative selection of Walser's work, from his first published fiction to the stately prose of the last years before his voice vanished forever behind the asylum walls. Written between 1899 and 1933, these 64 sketches, scenes, stories, and wanderings through landscapes and dreamscapes are characterized by startling, skewed comparisons, warpings of syntax, vagaries or perspective, and a delight in contradiction. Quirky, playful, and sometimes bizarre, Walser's texts were unconventional by the standards in the context of today's fiction.

    

    C. A. Vogel comes from a Swiss family where the secrets of herbalism were known and practised. From early childhood he was eager to learn about the healing powers of plants and bit by bit he collected and expanded the traditional and empirical knowledge of European folk-medicine. Since 1929 he has reported his experiences and observations as a nature practitioner, nutritionist, researcher of medicinal plants and discoverer of natural healing powers, in his monthly periodical Gesundheitsnachrichten (A. Vogel's Health News). First published in 1952, The Nature Doctor has become a recognised standard publication even among medical doctors and scientists.