Lillian is charming, beautiful . . . and slowly dying of consumption. But she doesn’t wish to end her days in a hospital in the Alps. She wants to see Paris again, then Venice—to live frivolously for as long as possible. She might die on the road, she might not, but before she goes, she wants a chance at life. Clerfayt, a race-car driver, tempts fate every time he’s behind the wheel. A man with no illusions about chance, he is powerfully drawn to a woman who can look death in the eye and laugh. Together, he and Lillian make an unusual pair, living only for the moment, without regard for the future. It’s a perfect arrangement—until one of them begins to fall in love.

    Reading these stories entails abandoning the terms of one's own comfort. The author's relentless vision demands that readers allows themselves to be hypnotised, taken over by her repetitive cadences and burning images of grief and loss. And yet, in the beauty of her images there is a tremendous affirmation of the world.

    The novel is based on events from June 1944, during the Battle of Normandy, to the invasion of Germany in the Spring of 1945. The book describes fighting by the men of a small unit of British tanks during this period, with the focus on one tank crew. The novel is highly realistic, as it is based on Elstob's experience in the war as a tank crewmember.

    

    Count Harry Kessler (1868-1937), the son of a German banker and an Irish beauty, was a diplomat and publisher who moved easily among the worlds of art, politics, and society. He lived in Berlin but traveled throughout Europe, always with a keen eye to the political climate of the times. His diaries encompass an extraordinary variety of people: Einstein engages him in long discussions on his theories, and Josephine Baker dances naked in Kessler's drawing room. Kessler had lunch with Bertolt Brecht, Kurt Weill, and Erik Satie, and dinner with Max Reinhardt, George Grosz, Virginia Woolf, Jean Cocteau, and Andre Gide, to name a few. His diaries encapsulate this tumultuous time frame, recording at first hand the agonizing collapse and death of Weimar Germany and the arrival of the Nazis. Beautifully written, the diaries provide rare insight into the frenetic, constantly changing mood and give us a brilliant portrait of Germany and Europe between the wars. "What distinguishes his diary is Kessler's distanziert tone -- its elegance, precision and shrewdness." -- Iain Bamforth, The New York Times Book Review

    This volume includes the Yiddish edition of Kruk’s diaries, published in 1961 and translated here for the first time, as well as many widely scattered pages of the chronicles, collected here for the first time and meticulously deciphered, translated, and annotated.Kruk describes vividly the collapse of Poland in September, 1939, life as a refugee in Vilna, the manhunt that destroyed most of Vilna Jewry in the summer of 1941, the creation of a ghetto and the persecution and self-rule of the remnants of the “Jerusalem of Lithuania,” the internment of the last survivors in concentration camps in Estonia, and their brutal deaths. Kruk scribbled his final diary entry on September 17, 1944, managing to bury the small, loose pages of his manuscript just hours before he and other camp inmates were shot to death and their bodies burnt on a pyre.Kruk’s writings illuminate the tragedy of the Vilna Jews and their courageous efforts to maintain an ideological, social, and cultural life even as their world was being destroyed. To read Kruk’s day-by-day account of the unfolding of the Holocaust is to discern the possibilities for human courage and perseverance even in the face of profound fear.