The author was an eyewitness to the last days of Paris in June 1940 and joined the chaotic mass exodus south to the unoccupied zone on foot with nothing but his manuscripts. He found himself trapped in Marseille under the Vichy government, a persecuted, stateless Russian, and participated in the early French Resistance before escaping on the last ship to the Americas in 1941.Exiled in Mexico City, Serge poured his recent experience into a fast-moving, gripping novel aimed at an American audience. The book begins in a near-deserted Paris abandoned by the government, the suburbs already noisy with gunfire. Serge’s anti-fascist protagonists join the flood of refugees fleeing south on foot, in cars loaded with household goods, on bikes, pushing carts and prams under the strafing Stukas, and finally make their way to wartime Marseille. Last Times offers a vivid eyewitness account of the city’s criminal underground and no less criminal Vichy authorities, of collaborators and of the growing resistance, of crowds of desperate refugees competing for the last visa and the last berth on the last—hoped-for—ship to the New World.

    

    This beautiful bilingual volume is formatted with a French-Ukrainian parallel text and includes 18 sketches by Henri Matisse. Published in cooperation with the Ukrainian Studies and Research Endowment Fund at the University of Ottawa in the Series in Contemporary Ukrainian Literature.

    Davis ***Winner of an English PEN Award 2022*** The mainstream conversation surrounding gender equality is a repertoire of violence: harassment, rape, abuse, femicide. These words suggest a cruel reality. But they also hide another reality: that of gendered violence committed with the complicity of the State. In this book, Françoise Vergès denounces the carceral turn in the fight against sexism. By focusing on 'violent men', we fail to question the sources of their violence. There is no doubt as to the underlying causes: racial capitalism, ultra-conservative populism, the crushing of the Global South by wars and imperialist looting, the exile of millions and the proliferation of prisons - these all put masculinity in the service of a policy of death. Against the spirit of the times, Françoise Vergès refuses the punitive obsession of the State in favour of restorative justice.