Hers was the first English translation of Flaubert's Mme Bovary. She pioneered the theatre of Henrik Ibsen. She was the first woman to lead the British dock workers' and gas workers' trades unions. For years she worked tirelessly for her father, Karl Marx, as personal secretary and researcher. Later she edited many of his key political works, and laid the foundations for his biography. But foremost among her achievements was her pioneering feminism. For her, sexual equality was a necessary precondition for a just society.Drawing strength from her family and their wide circle, including Friedrich Engels and Wilhelm Liebknecht, Eleanor Marx set out into the world to make a difference - her favourite motto: 'Go ahead!' With her closest friends - among them, Olive Schreiner, Havelock Ellis, George Bernard Shaw, Will Thorne and William Morris - she was at the epicentre of British socialism. She was also the only Marx to claim her Jewishness. But her life contained a deep sadness: she loved a faithless and dishonest man, the academic, actor and would-be playwright Edward Aveling. Yet despite the unhappiness he brought her, Eleanor Marx never wavered in her political life, ceaselessly campaigning and organising until her untimely end, which - with its letters, legacies, secrets and hidden paternity - reads in part like a novel by Wilkie Collins, and in part like the modern tragedy it was.

    Alexander G. Weheliye develops a theory of "racializing assemblages," taking race as a set of sociopolitical processes that discipline humanity into full humans, not-quite-humans, and nonhumans. This disciplining, while not biological per se, frequently depends on anchoring political hierarchies in human flesh. The work of the black feminist scholars Hortense Spillers and Sylvia Wynter is vital to Weheliye's argument. Particularly significant are their contributions to the intellectual project of black studies vis-à-vis racialization and the category of the human in western modernity. Wynter and Spillers configure black studies as an endeavor to disrupt the governing conception of humanity as synonymous with white, western Man. Weheliye posits black feminist theories of modern humanity as useful correctives to the "bare life and biopolitics discourse" exemplified by the works of Giorgio Agamben and Michel Foucault, which, Weheliye contends, vastly underestimate the conceptual and political significance of race in constructions of the human. Habeas Viscus reveals the pressing need to make the insights of black studies and black feminism foundational to the study of modern humanity.

    “How much can a body endure? Almost everything.” Chelsea Hodson is a 2012 PEN Center USA Emerging Voices Fellow. She is also the author of the chapbook Beach Camp, published by Swill Children in 2010. Her essays have been published in Black Warrior Review, Vol. 1 Brooklyn, Sex Magazine, and elsewhere. She lives in Brooklyn, New York. Watch the trailer here: http://vimeo.com/88997155

    One history of will is a history of attempts to eliminate willfulness from the will. Delving into philosophical and literary texts, Ahmed examines the relation between will and willfulness, ill will and good will, and the particular will and general will. Her reflections shed light on how will is embedded in a political and cultural landscape, how it is embodied, and how will and willfulness are socially mediated. Attentive to the wayward, the wandering, and the deviant, Ahmed considers how willfulness is taken up by those who have received its charge. Grounded in feminist, queer, and antiracist politics, her sui generis analysis of the willful subject, the figure who wills wrongly or wills too much, suggests that willfulness might be required to recover from the attempt at its elimination.

    These talented photojournalists are celebrated in this captivating photography book, covering places and subjects around the globe and sharing the same passion and commitment to storytelling that has come to define National Geographic magazine, with more than 31 million readers worldwide.Women of Vision is a tribute to the spirit and the ambition of these journalists and artists who have created riveting, visual experiences through the insightful, sensitive, and strategic use of a camera. With an introduction by Chris Johns, editor-in-chief of National Geographic magazine, and a thoughtful foreword by acclaimed journalist Ann Curry, this book presents both personal reflections and stunning selections of photographic assignment work from the past decade, setting a new standard for excellence that will continue to inspire for decades to come.From the elegant landscapes of the Mongolian steppes to the war-torn battlefields of Iraq; from the last great wildernesses of Africa to the flash and tumult of the Jersey Shore, these stories explore the realities of our world and the depths of what it means to be human in the 21st century.

    It is based on Mireille Miller-Young's extensive archival research and her interviews with dozens of women who have worked in the adult entertainment industry since the 1980s. The women share their thoughts about desire and eroticism, black women's sexuality and representation, and ambition and the need to make ends meet. Miller-Young documents their interventions into the complicated history of black women's sexuality, looking at individual choices, however small—a costume, a gesture, an improvised line—as small acts of resistance, of what she calls "illicit eroticism." Building on the work of other black feminist theorists, and contributing to the field of sex work studies, she seeks to expand discussion of black women's sexuality to include their eroticism and desires, as well as their participation and representation in the adult entertainment industry. Miller-Young wants the voices of black women sex workers heard, and the decisions they make, albeit often within material and industrial constraints, recognized as their own.

    Following a bio-terrorist attack, the population now lives within comfortable Citidomes. MindValues advocate acceptance and non-attachment. The BodyPerfect cult encourages a tall thin androgynous appearance, and looks are everything. This first book, Future Perfect, tells the story of Caia, an intelligent and highly educated young woman. In spite of severe governmental and societal strictures, Caia finds herself becoming attracted to her co-worker, Mac, a rebel whose questioning of their so-called utopian society both adds to his allure and encourages her own questioning of the status quo. As Mac introduces her to illegal and subversive information she is drawn into a forbidden, dangerous world, becoming alienated from her other co-workers and resmates, the companions with whom she shares her residence. In a society where every thought and action are controlled, informers are everywhere; whom can she trust? When she and Mac are sent on an outdoor research mission, Caia's life changes irreversibly. A dark undercurrent runs through this story; the enforcement of conformity through fear, the fostering of distorted and damaging attitudes towards forbidden love, manipulation of appearance and even the definition of beauty, will appeal to both an adult and young adult audience.

    “Immediately her word became accomplished fact.”

     To date, there are no books devoted exclusively to black women that integrate performance auto/ethnography and media studies from a hip hop feminist perspective. This book serves as a three-sided intervention against a textually dominated feminist media studies, a white-centered feminist third wave theory, and a masculinist hip hop cultural project. Aisha S. Durham not only reclaims her voice in these three spaces, she also rewrites her hip hop history by returning to the intellectual, cultural, and physical places she calls home. The book will appeal to undergraduate and graduate students interested in media and cultural studies, race and ethnic studies, and gender and sexuality studies.

    In the first detailed ethnography of India's surrogacy industry, Amrita Pande visits clinics and hostels and speaks with surrogates and their families, clients, doctors, brokers, and hostel matrons in order to shed light on this burgeoning business and the experiences of the laborers within it. From recruitment to training to delivery, Pande's research focuses on how reproduction meets production in surrogacy and how this reflects characteristics of India's larger labor system.Pande's interviews prove surrogates are more than victims of disciplinary power, and she examines the strategies they deploy to retain control over their bodies and reproductive futures. While some women are coerced into the business by their families, others negotiate with clients and their clinics to gain access to technologies and networks otherwise closed to them. As surrogates, the women Pande meets get to know and make the most of advanced medical discoveries. They traverse borders and straddle relationships that test the boundaries of race, class, religion, and nationality. Those who focus on the inherent inequalities of India's surrogacy industry believe the practice should be either banned or strictly regulated. Pande instead advocates for a better understanding of this complex labor market, envisioning an international model of fair-trade surrogacy founded on openness and transparency in all business, medical, and emotional exchanges.

    Ann Tickner is ranked among the most influential scholars of international relations. As one of the founders of the field of feminist international relations, she is also among the most pioneering. In many ways her academic career has traced the development of the feminist subfield of IR, and it is no overstatement to say that the field today would look much different without her groundbreaking contributions.A Feminist Voyage through International Relations provides a compendium of Tickner's work as a feminist IR scholar, from the late 1980s through today. The book addresses the issue of methodology in feminist IR and the continuing challenge from traditional IR scholars that feminists don't perform legitimate scientific research. Tickner introduces and contextualizes her previous writings with new essays that trace her intellectual development as a feminist scholar. The chapters consider the introduction of women and gender into the conversation about IR, as well as feminist methodological interventions and conversations with the IR mainstream. The final section of the book includes some of Tickner's later writings on topics including race, imperialism, and religion. She ends with thoughts on the present currents of feminist IR and its place within the wider discipline.Given the way that her career has mirrored the evolution of the subfield, Tickner's book provides a methodological and epistemological story of feminist interventions in IR and a thoughtful reflection on where the field is headed in the future.

    In one political moment, left-wingers, academics and feminists have defended powerful men accused of sex crimes, positioned topless pictures in the tabloids as empowering, and opposed them for sexualizing breasts and undermining their 'natural' function. At the same time they have been criticized by extreme-right groups for ignoring honour killings and other 'culture-based' forms of violence against women. How can we make sense of this varied terrain?In this important and challenging new book, Alison Phipps constructs a political sociology of women's bodies around key debates: sexual violence, gender and Islam, sex work and motherhood. Her analysis uncovers dubious rhetorics and paradoxical allegiances, and contextualizes these within the powerful coalition of neoliberal and neoconservative frameworks. She explores how 'feminism' can be caricatured and vilified at both ends of the political spectrum, arguing that Western feminisms are now faced with complex problems of positioning in a world where gender often comes second to other political priorities.This book provides a welcome investigation into Western politics around women's bodies, and will be particularly useful to scholars and upper-level students of sociology, political science, gender studies and cultural studies, as well as to anyone interested in how bodies become politicized.