Presented here for historical value.Found here: http://www.burningbuilding.com/zombie...

    It contains 53 extremely short stories and several B&W illustrations by Adam Rickwood.

    But hey, that's life at the bottom of the food chain. One normal summer day, every mammal, reptile and avian on the entire planet unite with a single goal: The extermination of mankind. Three days later the insects join in, and it doesn't stop. It never stops. Ten years later, scattered pockets of humanity fight to keep flesh and sanity intact as they strive to unravel the mystery of what made the animals change, and more importantly, how to change them back.

    Are you in a vast warehouse of free shopping, or the vilest mortuary in the universe? Could you survive? Would you want to? Read on for the story of some who decided to live. And imagine yourself there. There Falls No Shadow is the story of a group of survivors struggling to rebuild their lives after a terrorist released plague mutates and decimates the world's population. Although each novel is complete in its own right, TFNS is the first book of a trilogy which follows the main characters from the first days of the plague to a stunning conclusion some years later. Live with them as they fight fear, disease, hunger, feral animals and one another. Feel the elation and devastation as they find and lose friends and lovers, face storms and fire, see their crops grow and fail. There have been disaster novels before. There has never been one so believable, nor so timely.

    What has often been overlooked is the emergence of a new hybrid subgenre, particularly in science fiction and fantasy, which incorporates utopian strategies within the dystopian narrative, particularly in the feminist dystopias of the 1980s and 1990s. The author names this new subgenre “transgressive utopian dystopias.” Suzette Haden Elgin's Native Tongue trilogy, Suzy McKee Charna's Holdfast series, and Margaret Atwood's The Handmaid's Tale are thoroughly analyzed within the context of this this new subgenre of “transgressive utopian dystopias.” Analysis focuses particularly on how these works cover the interrelated categories of gender, race and class, along with their relationship to classic literary dualism and the dystopian narrative. Without completely dissolving the dualistic order, the feminist dystopias studied here contest the notions of unambiguity and authenticity that are generally part of the canon.