Best of
Drama

1666

The Misanthrope and Other Plays


Molière - 1666
    He created a new synthesis from the major comic traditions at his disposal. This collection demonstrates the range of Molière's comic vision, his ability to move between the broad and basic ploys of farce to the more subtle and sophisticated level of high comedy. The Misanthrope appears along with Such Preposterously Precious Ladies, Tartuffe, A Doctor Despite Himself, The Would-Be Gentleman, and Those Learned Ladies.

The Misanthrope/ Tartuffe


Molière - 1666
    In brilliant rhymed couplets Wilbur renders into English not only the form and spirit of Molière's language but also its substance.The Misanthrope, one of Molière's most popular plays, is a searching comic study of falsity, shallowness, and self-righteousness. The misanthrope in this case is Alceste, a man whose conscience and sincerity are too rigorous for his time. In Tartuffe the title character, a wily opportunist and swindler, affects sanctity and gains complete ascendancy over Orgon, a rich bourgeois who in his middle years has become a bigot and prude. Only when Orgon actually witnesses Tartuffe's attempt to seduce his wife does he come to his senses. Richard Wilbur won a share of the Bollingen Translation Prize for his much-acclaimed translation of this satiric turn on religious hypocrisy.

The Misanthrope (after Molière)


Roger McGough - 1666
    Empty phrases, meaningless gestures of faked good-will. These affable dispensers of embraces make me ill."Disgusted with French society where powdered fops gossip in code and bejewelled coquettes whisper behind fans, poet Alceste embarks on a one-man crusade against fakery, frippery and forked tongues. But could the woman he adores be the worst culprit of them all? And in this rarefied world will his revolution prove merely revolting?Considered by many to be Molière's best work, The Misanthrope was first performed in 1666 in Paris by the King's Players. Following the huge successes of Tartuffe and The Hypochondriac master wordsmith Roger McGough once again dips his quill into a Molière classic in this mockery of manners and morals set amid seventeenth-century French aristocracy and written in verse.