Drawing on his rich experience and intimate familiarity with the works of these giants, Charles Rosen presents his keen insights in clear and persuasive language. For this expanded edition, now available in paperback for the first time, Rosen has provided a new, 64-page chapter on the later years of Beethoven and the musical conventions he inherited from Haydn and Mozart. The author has also written an extensive new preface in which he responds to other writers who have commented on his ideas.

    For this Dover edition, the Editor's Preface (Revisionsbericht) and the Table of Contents have been translated into English.Noteheads have been reproduced in a size large enough to be read easily at the keyboard. Margins and spaces between staves are generous, permitting insertion of written notes, analysis, fingertips, running measure numbers, etc. This edition will be welcomed, not only by the classical pianist, but by all who will find it highly practical and convenient for instruction, study, reference, enjoyment, and virtually any other purpose.

    Not only part of what came to be known as the Beat generation, Amram has also composed over 100 orchestral and chamber works, written two operas, and has collaborated with such notables as Leonard Bernstein, Dizzy Gillespie, Lionel Hampton, Charles Mingus, Dustin Hoffman, Thelonius Monk, Willie Nelson, Betty Carter, Odetta, Elia Kazan, Arthur Miller, and Tito Puente. This edition includes a new introduction by the author and a new foreword by Douglas Brinkley