This collection includes poetry and prose, including "The Conqueror Worm", "The Fall of the House of Usher", "The Murders in the Rue Morgue", and "The Pit and the Pendulum". 1,186 pp.

    Scott Fitzgerald was famous in the 1920s and 1930s as a short-story writer.  The nineteen stories in this volume were so popular that hardcover collections—Flappers and Philosophers and Tales of the Jazz Age—came out almost immediately after the stories had appeared in magazines. With stories like “The Ice Palace,” “Bernice Bobs Her Hair,” and “The Jelly Bean,” he portrayed the emotional depth of a society devoted to excess and racing heedlessly towards catastrophe that was only a few years ahead.

    . .Rampton Farm, Northumberland, has always been a gloomy, godforsaken place. Now it’s earmarked for demolition — to make way for just another tawdry amusement park.It will be progress. And nothing can stand in the way.Except perhaps Arnold Landon, the Planning Officer who must glean the lie of the land.Medieval architecture is Arnold’s passion. And scouting the grounds, he makes a thrilling discovery. The Old Wheat Barn.He is captivated the moment he crosses the threshold. Its walls echo with whispers of the past.Then and there, he realises he must save it from the developers. But his efforts meet with hostile resistance. And then the barn offers up its most shocking secret yet.A dead body, sprawled in the straw.What other crimes lay hidden in the dark history of the barn? Arnold won’t rest until he uncovers the truth.Previously published as A Gathering of Ghosts

    In these fourteen stories, Hemingway begins to examine the themes that would occupy his later works: the casualties of war, the often uneasy relationship between men and women, sport and sportsmanship. In "Banal Story," Hemingway offers a lasting tribute to the famed matador Maera. "In Another Country" tells of an Italian major recovering from war wounds as he mourns the untimely death of his wife. "The Killers" is the hard-edged story about two Chicago gunmen and their potential victim. Nick Adams makes an appearance in "Ten Indians," in which he is presumably betrayed by his Indian girlfriend, Prudence. And "Hills Like White Elephants" is a young couple's subtle, heartwrenching discussion of abortion. Pared down, gritty, and subtly expressive, these stories show the young Hemingway emerging as America's finest short story writer.

    

    He told tales of good and evil, of men struggling with the darkest parts of their souls. Acclaimed Scottish writer Robert Louis Stevenson was a master whose works offer compelling insight into our hearts and minds. His novels should be studied and treasured, kept in every home library. Featuring the full texts of Treasure Island, Prince Otto, Strange Case of Dr. Jekyll and Mr. Hyde, Kidnapped, The Black Arrow, The Master of Ballantrae, and David Balfour, this Canterbury Classics edition of Robert Louis Stevenson collects his greatest yarns in an elegant, leather-bound book. With gilded edges, a ribbon bookmark, and other exciting enhancements, as well as introduction by a renowned Stevenson scholar that illuminates his meanings and intentions, this new edition is the perfect gift or keepsake. Readers will want to keep Robert Louis Stevenson forever--and go on a never-ending adventure!

    From the special perspectives of "my corner of Europe," a classical and Catholic education, a serious encounter with Marxism, and a life marked by journeys and exiles, Milosz has developed a sensibility at once warm and detached, flooded with specific memory yet never hermetic or provincial.Milosz addresses many of the major problems of contemporary poetry, beginning with the pessimism and negativism prompted by reductionist interpretations of man's animal origins. He examines the tendency of poets since Mallarme to isolate themselves from society, and stresses the need for the poet to make himself part of the great human family. One chapter is devoted to the tension between classicism and realism; Milosz believes poetry should be "a passionate pursuit of the real." In "Ruins and Poetry" he looks at poems constructed from the wreckage of a civilization, specifically that of Poland after the horrors of World War II. Finally, he expresses optimism for the world, based on a hoped-for better understanding of the lessons of modern science, on the emerging recognition of humanity's oneness, and on mankind's growing awareness of its own history.

    Together here with O Pioneers!, a classic American tale of pioneer life and the transformation of the frontier, this volume of Willa Cather’s works captures a time, a place, and a spirit that are part of our national heritage.

    Along with the faithful Jim, Huck lights out for the territory, joining the 1849 Gold Rush and encountering on the trail a cast of characters as wily, scabrous, and entertaining as those in Twain's original.In this sequel Huck and Jim are a little older and a good deal wiser than they were originally. It is refreshing to see them holding their own in a world of grown-up nonsense and bullying, and it is especially gratifying to follow Jim as he slowly and painfully creates a newer, freer self.

    Includes the well-known tales as well as less familiar ones such as "The Gardener and the Squire," "The Story of a Mother," "In a Thousand Years Time," and "The Shadow."

    . . will prove of great assistance to a student of Japanese literature and thought from the eleventh century onwards."--Times Literary Supplement "A major contribution to the fields of Japanese studies, comparative literature, and history of religions . . . a book that begs for classroom use."--The Eastern Buddhist "Innovative and provocative . . . will be of interest not only to specialists in Japanese religion and Japanese culture, but also to literary critics and cultural historians."--Religious Studies Review "Rich and stimulating material . . . an important help and influence to all concerned with understanding the tradition that has shaped Japanese culture and religion."--History of Religions "Thought provoking, finely written . . . one of the more original and creative contributions to the study of medieval culture and religion to be produced by a Western scholar. . . . Can be read with profit by all Western students of Japanese culture . . . one of those rare books that has something to offer Japanese specialists in medieval studies."--Journal of Japanese Studies "A very important contribution to Japanese studies . . . a paradigm of the genre."--Pacific Affairs "This is an exciting, ground-breaking book."--Chanoyu Quarterly "I have been most impressed and even excited by what I have read."--Donald Keene, Professor Emeritus and Shincho Professor Emeritus of Japanese Literature at Columbia University "This is one of the most important books in Japanese studies in a long time and will influence the entire field."--Robert Bellah, former Elliott Professor of Sociology, Professor Emeritus at the University of California, Berkeley

    But above all, 'Treasure Island' is a complex study of good and evil, as embodied by that hero-villain, Long John Silver: the merry unscrupulous buccaneer-rogue whose greedy quest for gold cannot help but win the heart of every soul who ever longed for romance, treasure, and adventure. Since its publication in 1883, 'Treasure Island' has provided an enduring literary model for such eminent writers as Anthony Hope, Graham Greene, and Jorge Luis Borges. As David Daiches wrote: "Robert Louis Stevenson transformed the Victorian boys' adventure into a classic of its kind."