Now it has outstripped Japan. After the Second World War and a sudden rupture with newly formed Malaysia, Singapore found itself independent - and facing a crisis. It took the bloody-minded determination and vision of Lee Kuan Yew, its founding premier, to take a small island of diverse ethnic groups with a fragile economy and hostile neighbours and meld it into Asia's first globalised city. Lion City examines the different faces of Singaporean life - from education and health to art, politics and demographic challenges - and reveals how in just half a century, Lee forged a country with a buoyant economy and distinctive identity. It explores the darker side of how this was achieved too; through authoritarian control that led to it being dubbed 'Disneyland with the death penalty'. Jeevan Vasagar, former Singapore correspondent for the Financial Times, masterfully takes us through the intricate history, present and future of this unique diamond-shaped island one degree north of the equator, where new and old have remained connected. Lion City is a personal, insightful and definitive guide to the city, and how its extraordinary rise is shaping East Asia and the rest of the world.

    Yet his close friend and sometime collaborator, Henry Hobson Richardson, has been almost entirely forgotten today, despite his outsized influence on American architecture--from Boston's iconic Trinity Church to Chicago's Marshall Field Wholesale Store to the Shingle Style and the wildly popular "open plan" he conceived for family homes. Individually they created much-beloved buildings and public spaces. Together they married natural landscapes with built structures in train stations and public libraries that helped drive the shift in American life from congested cities to developing suburbs across the country.The small, reserved Olmsted and the passionate, Falstaffian Richardson could not have been more different in character, but their sensibilities were closely aligned. In chronicling their intersecting lives and work in the context of the nation's post-war renewal, Hugh Howard reveals how these two men created original all-American idioms in architecture and landscape that influence how we enjoy our public and private spaces to this day.

    The view from this apartment window offers a ringside seat onto the city's theatre of action. The building has stood on the banks of the Landwehr Canal in central Berlin since 1869, its feet in the West but looking East, right into the heart of a metropolis in the making, on a terrain inscribed indelibly with trauma. When her marriage breaks down, Kirsty Bell - a British-American art critic, adrift, in her mid-forties - becomes fixated on the history of her building and of her adoptive city. She came to Berlin in 2001, and moved into this house in 2014 with her then-husband and two sons. But before her was Herr Zimmermann, the wood-dealer who built the house, and the Salas, a family of printers who took it over in 1908, and lived here through both world wars. Their adopted daughter Melitta Sala, a Kriegskind or 'child of the war', inherited the building and takes hold of her imagination. Now, at the start of the twenty-first century, it is Kirtsy Bell's turn to look out of this apartment window. She looks to the lives of the house's various inhabitants, to accounts penned by Walter Benjamin, Rosa Luxemburg and Gabriele Tergit, and to the female protagonists in the works of Theodor Fontane, Irmgard Keun and Rainer Werner Fassbinder. A new cultural topography of Berlin emerges, one which taps into energetic undercurrents to recover untold or forgotten stories beneath the city's familiar narratives. Humane, thought-provoking and moving, The Undercurrents is a hybrid literary portrait of a place that makes the case for radical close readings: of ourselves, our cities and our histories.