Presented in both the original Chinese and Mike O'Connor's beautifully crafted English translation, When I Find You Again, It Will Be in Mountains brings to life this preeminent poet and his glorious religious tradition, offering the fullest translation of Chia Tao's poems to date.

    Through balanced attention to both the received literary tradition and the wide range of recently excavated artifacts, manuscripts, and inscriptions, their combined efforts reveal the rich and multilayered interplay of textual composition and ritual performance. Drawn across disciplinary boundaries, the resulting picture illuminates two of the defining features of early Chinese culture and advances new insights into their sumptuous complexity.Beginning with a substantial introduction to the conceptual and thematic issues explored in succeeding chapters, Text and Ritual in Early China is anchored by essays on early Chinese cultural history and ritual display (Michael Nylan) and the nature of its textuality (William G. Boltz). This twofold approach sets the stage for studies of the E Jun Qi metal tallies (Lothar von Falkenhausen), the Gongyang commentary to The Spring and Autumn Annals (Joachim Gentz), the early history of The Book of Odes (Martin Kern), moral remonstration in historiography (David Schaberg), the "Liming" manuscript text unearthed at Mawangdui (Mark Csikszentmihalyi), and Eastern Han commemorative stele inscriptions (K. E. Brashier).The scholarly originality of these essays rests firmly on their authors' control over ancient sources, newly excavated materials, and modern scholarship across all major Sinological languages. The extensive bibliography is in itself a valuable and reliable reference resource.This important work will be required reading for scholars of Chinese history, language, literature, philosophy, religion, art history, and archaeology.

    It also contains fresh translations by newer voices in the field.

    Although the collections themselves were lost through warfare and fire, the classified catalogues prepared by the Privy Director of Books were often used in compiling national bibliographies for the state-sponsored dynastic histories. Through these and other catalogues we learn much about books now lost and even the contents of lost books can be sampled through quotations in medieval encyclopedias.These lectures discuss the dynamics of loss and survival; the role of the imperial state in manipulating book culture through classification and selective preservation; the significance of lost books as an index of superseded knowledge and values. An analysis of two specific cases demonstrates the insights to be gained through textual reconstruction and the inadequacies of standard classifications in times past and present. Medieval Chinese literature emerges as a richer, more problematic, less docile body of work than the orthodoxies of the last millennium would wish.