She had grown up without television or telephones but had absorbed the tragic stories and comic yarns of her close-knit family and community. The death of her infant brother marked the family, and years later, Morrissey suffers devastating guilt about the accidental death of her teenage brother, whom she'd enticed to join her in the oilfields. Her misery was compounded by her own misdiagnosis of a terminal illness, all of which contributed to crippling anxiety and an actual diagnosis of PTSD. Many of those events and themes would eventually be transformed and recast as fictional gold in Morrissey's novels.In another writer's hands, Morrissey's account of her personal story could easily be a tragedy. Instead, she combines darkness and light, levity and sadness into her tale, as her indomitable spirit and humour sustain her. Morrissey's path takes her from the drudgery of being a grocery clerk (who occasionally enlivens her shift with recreational drugs) to western oilfields, to marriage and divorce and working in a fish-processing plant to support herself and her two young children. Throughout her struggles, she nourishes a love of learning and language.Morrissey layers her account of her life with stories of those who came before her, a breed rarely seen in the modern world. It centers around iron-willed women: mothers and daughters, wives, sisters, teachers and mentors who find the support, the wind for their wings, outside the bounds given to them by nature. And it is a mysterious older woman she meets in Halifax who eventually unleashes the writer that Morrissey is destined to become.An inspiring and insightful memoir, Pluck illustrates that even when you find yourself unravelling, you can find a way to spin the yarns that will save you--and delight readers everywhere.

    Her story, as an immigrant from a tightknit Egyptian-Lebanese family, demonstrates the value of strong role models--from her mother and grandmother, to her brilliant uncle Sami who died of AIDS. She learned the value of hard work, being true to herself and others, and unapologetically owning it all.Marie Henein shares here her unvarnished view on the ethical and practical implications of being a criminal lawyer, and how the job is misunderstood and even demonized. Ironically, her most successful cases made her a "lightning rod" in some circles, confirming her belief that much of the public's understanding of the justice system is based on popular culture, and social media, and decidedly not the rule of law. As she turns 50 and struggles with the corrosive effect on women of becoming invisible, Marie doubles down on being even more highly visible and opinionated as she deconstructs, among other things, the otherness of the immigrant experience (Where are you really from?), the pros and cons of being a household name in this country, opening her own boutique law firm, and the likes of Martha Stewart and her commoditization of previously unpaid female labour. Nothing But the Truth is refreshingly unconstrained and surprising--a woman at the top of her game in a male-dominated world.

    In myth Herakles is an embodiment of manly violence who returns home after years of making war on enemies and monsters (his famous “Labors of Herakles”) to find he cannot adapt himself to a life of peacetime domesticity. He goes berserk and murders his whole family. Suicide is his next idea. Amazingly, this does not happen. Due to the intervention of his friend Theseus, Herakles comes to believe he is not, after all, indelibly stained by his own crimes, nor is his life without value. It remains for the reader to judge this redemptive outcome.      “I think there is no such thing as an innocent landscape,” said Anselm Kiefer, painter of forests grown tall on bones.

    Since, he's found increasing opportunities to take his show on the road. In An Embarrassment of Critch's, the star of CBC's This Hour Has 22 Minutes revisits some of his career's--and the country's--biggest moments, revealing all the things you might not know happened along the way: A wishful rumour spread by Mark's father results in his big break; two bottles of Scotch nearly get him kicked out of a secret Canadian airbase in the United Arab Emirates; and for anyone wondering how to get an interview with the Prime Minister and Bono (yes, that Bono) on the same evening, Critch might recommend a journey to the 2003 Liberal Convention.Critch's top-secret access to all of the funniest behind-the-scenes moments involve many of the charismatic and notorious politicians we love to see blush, including fearless leaders Justin Trudeau, Stephen Harper, Paul Martin, and Jean Chr�tien, celebrities such as Pamela Anderson and Robin Williams, and other colourful figures he's met over years of pulling off daring skits at home and abroad. Remember when MP Carolyn Parrish took her boot to George W. Bush's head in an interview? Or when Critch asked Justin Trudeau where the best place to smoke pot on Parliament Hill was before pulling out a joint for them to share? There's more to each of those stories than you know. Though Critch has spent years crisscrossing the country--and the globe--with the explicit aim of causing trouble everywhere he goes, like the best journeys, this one takes him right back home.

    One glimpse of the tiny painted house that folk art legend Maud Lewis shared with her husband, Everett, in Marshalltown, Nova Scotia, during the mid-twentieth century and the startling contrast between her joyful artwork and her life's deprivations is evident. One glimpse at her photo and you realize, for all her smile's shyness, she must've been one tough cookie. But, beneath her iconic resilience, who was Maud, really? How did she manage, holed up in that one-room house with no running water, married to a miserly man known for his drinking? Was she happy, or was she miserable? Did painting save or make her Everett's meal ticket? And then there are the darker secrets that haunt her story: the loss of her parents, her child, her first love. Against all odds, Maud Lewis rose above these constraints—and this is where you'll find the Maud of Brighten the Corner Where You Are: speaking her mind from beyond the grave, freed of the stigmas of gender, poverty, and disability that marked her life and shaped her art. Unfettered and feisty as can be, she tells her story her way, illuminating the darkest corners of her life. In possession of a voice all her own, Maud demonstrates the agency that hovers within us all.

    For once in Ari Appleton's life, this mayhem is not the fault of her twisted mother or dead father -- or is it? From the waning flower-power '60s in Toronto, through her East Coast university years, Ari fights to discover who she is and what it means to be the child of an addicted mother and depraved father. With wit, tenacity, and the incessant meddling of Jasper -- the seahorse in her head -- Ari rides turbulent waves of devilry and discovery, calamity and creation, abandonment and atonement on a journey to find her true self, and to find Natasha. Cracked Pots is a story about a girl broken by both cruelty and truth. It is a revelation: that destiny is shaped in clay, not stone. It is also a celebration: of rising after the blows, gathering the fragments, and piecing together a remarkable life through creativity, kindness, and belonging.

    With her help, that doctor launched a family study that eventually led to the identification of the genetic mutation now known as Lynch syndrome, which predisposes its carriers to several types of cancer. In 2001, Ami was among the first to be tested for the syndrome. And now she's written the captivating story of how she, like her mother before her, learned to carry on with joy, with hope, and with a bold hunger for life in the face of an uncertain future. Ami writes of her childhood, I listened to the women in my family tell stories of the past . . . sitting around the kitchen table with my mother, sometimes laughing until they cried, sometimes sobbing through words of grief. They spoke of relatives who lived before I was born--people who came from nothing, who faced great hardship, who died too young. The women in those tales stared down death, looked after the sick, and conversed with fate. They spread the truth through story, even when others didn't wish to hear it. This is how I learned that stories have power--to make sense of the world, to give voice to dreams, to nurture hope and banish fear.

    What she unearthed there is an elaborate web connecting conscious worlds to subconscious ones, fascism to neofascisms, Europe to the Americas to the Middle East, typhus to HIV/AIDS, genocide in Romania to land grabs in Palestine, women’s lives in farming villages to queer lives in the city, language to its trap doors, and love to its hidden, ancestral obligations.With force, clarity and searing craft, Horlick’s poems are equal to the urgency of our political moment. “No one ever thinks they might be the dragon,” Horlick writes, and yet history repeats its cruelties. This work takes things apart to put them profoundly back together.“Every poem in Moldovan Hotel is a room thick with ghosts. Here, Horlick takes the language of the past—used to dehumanize and unmoor—and crystalizes it around revelation after revelation. A graceful, striking collection.” — Carmen Maria Machado“If Leah Horlick’s second book invited us to witness, this time she draws from her Jewish heritage and takes us back to show us how to read the landscape and mind-scape and tell us what the texts left out. This is an accounting, a calling, an invocation, a return, a skilful mediation on how to remember when the ‘names of the oppressors are blotted out’.” — Juliane Okot Bitek

    

    Nineteen elections later, Chief Louie has led his community for nearly four decades. The story of how the Osoyoos Indian Band--"The Miracle in the Desert"--transformed from a Rez that once struggled with poverty into an economically independent people is well-known. Guided by his years growing up on the Rez, Chief Louie believes that economic and business independence are key to self-sufficiency, reconciliation, and justice for First Nations people.In Rez Rules, Chief Louie writes about his youth in Osoyoos, from early mornings working in the vineyards, to playing and coaching sports, and attending a largely white school in Oliver, B.C. He remembers enrolling in the "Native American Studies" program at the Saskatchewan Indian Federated College in 1979 and falling in love with First Nations history. Learning about the historic significance of treaties was life-changing. He recalls his first involvement in activism: participating in a treaty bundle run across the country before embarking on a path of leadership. He and his band have worked hard to achieve economic growth and record levels of employment. Inspired by his ancestors' working culture, and by the young people on the reserve, Chief Louie continues to work for First Nations' self-sufficiency and independence.Direct and passionate, Chief Louie brings together wide-ranging subjects: life on the Rez, including Rez language and humour; per capita payments; the role of elected chiefs; the devastating impact of residential schools; the need to look to culture and ceremony for governance and guidance; the use of Indigenous names and logos by professional sports teams; his love for motorcycle honour rides; and what makes a good leader. He takes aim at systemic racism and examines the relationship between First Nations and colonial Canada and the United States, and sounds a call to action for First Nations to "Indian Up!" and "never forget our past." Offering leadership lessons on and off the Rez, this memoir describes the fascinating life and legacy of a remarkable leader and provides a common-sense blueprint for the future of First Nations communities. In it, Chief Louie writes, "Damn, I'm lucky to be an Indian!"

    Here Martha uncovers a tragic family history. When WW1 occurs, Anna, voyages to France to care for wounded and loses herself in shell shock. Martha leaves the emptiness of her adopted family and becomes a wartime farmerette. Her life is as a farmer, a mother, a wife to Charlie coming home from war, broken. In 1938, Simon Lansky, a German Jewish professor asks for help in rescuing his daughters from a dreadful fate. Martha and Anna, hardened to war and its torments, travel to Europe to rescue the girls.Will Simon survive the war and reunite with his daughters?Will war define Martha and Anna?

    

    This vital anthology opens a dialogue about this unique language diversity and probes the importance of language in our identity and the ways in which it shapes us.In this collection of deeply personal essays, twenty-six writers explore their connection with language, accents, and vocabularies, and contend with the ways they can be used as both bridge and weapon. Some explore the way power and privilege affect language learning, especially the shame and exclusion often felt by non-native English speakers in a white, settler, colonial nation. Some confront the pain of losing a mother tongue or an ancestral language along with the loss of community and highlight the empowerment that comes with reclamation. Others celebrate the joys of learning a new language and the power of connection. All underscore how language can offer transformation and collective healing to various communities.With contributions by: Kamal Al-Solaylee, Jenny Heijun Wills, Karen McBride, Melissa Bull, Leonarda Carranza, Adam Pottle, Kai Cheng Thom, Sigal Samuel, Rebecca Fisseha, Logan Broeckaert, Taslim Jaffer, Ashley Hynd, Jagtar Kaul Atwal, Téa Mutonji, Rowan McCandless, Sahar Golshan, Camila Justino, Amanda Leduc, Ayelet Tsabari, Carrianne Leung, Janet Hong, Danny Ramadan, Sediqa de Meijer, Jónína Kirton, and Eufemia Fantetti.

    It was a life-long dream of ours. We were always hopeful.Lambda Literary and Stonewall Book Award-winner Hasan Namir shares a joyful collection about parenting, fatherhood and hope. These warm free-verse poems document the journey that he and his husband took to have a child. Between love letters to their young son, Namir shares insight into his love story with his husband, the complexities of the IVF surrogacy process and the first year as a family of three. Umbilical Cord is a heartfelt book for parents or would be parents, with a universal message of hope.

    Walking in honour of his father, a staunch Anglican who passed away before they could begin their trip together, Haigh wonders: Is there a place in the modern secular world for pilgrimage? On his journey, he sorts through his own spiritual aimlessness while crossing paths with writers like Anthony Trollope, John Keats, Jane Austen, Jonathan Swift, Charles Dickens, and, of course, Geoffrey Chaucer. On Foot to Canterbury is part travelogue, part memoir, part literary history, and all heart.

    Rooted within the British Columbia landscape, and with an almost tactile representation of being on the land and water, Spíləx̣m explores resilience, reconnection, and narrative memory through stories.Captivating and deeply moving, this story basket of memories tells one Indigenous woman’s journey of overcoming adversity and colonial trauma to find strength through creative works and traditional perspectives of healing, transformation, and resurgence.

    

    Amidst her heartache, the 30 year-old library tech is tasked with reading newly discovered letters that Amelia Earhart wrote to her lover, Gene Vidal. She becomes captivated by the famous pilot who disappeared in 1937. Letter by letter, she understands more about the aviation hero while piecing her own life back together.When Grace discovers she is pregnant, her life becomes more intertwined with the mysterious pilot and Grace begins to write her own letters to Amelia. While navigating her third trimester, amidst new conspiracy theories about Amelia’s disappearance, the search for her remains, and the impending publication of her private letters, Grace goes on a pilgrimage of her own.Letters to Amelia is a stunning, contemporary epistolary novel from the creator of the internationally acclaimed Love Lettering Project. It underscores the power of reading and writing letters for both connection and self-discovery, and celebrates the unwritten, undocumented parts of our lives.Above all, Letters to Amelia is a story of the essential need for connection—and our universal ability to find hope in the face of fear.Praise for Letters to Amelia:"Brimming over with Lindsay Zier-Vogel's obvious love for the story of Amelia Earhart, Letters to Amelia is a wonderful novel about flight and passion, about love-letters and reaching out; a novel about how we never know quite what's coming next, but still keep launching ourselves into the blue tomorrow."—Jon McGregor, author of Reservoir 13"A tender portrait of heartbreak and a thoughtful ode to new motherhood. Letters to Amelia is an endorsement of finding our own ways to heal, and a celebration of that big, messy, wonderful journey of coming into one's own. Charming and beautifully rendered, this is a big-hearted hopeful novel, full of life and love." —Stacey May Fowles, author of Baseball Life Advice: Loving the Game that Saved Me"When we think of Amelia Earhart, we think enigmatic adventurer and feminist pioneer—and, of course, of her mysterious disappearance. But in Letters to Amelia, we meet a different Amelia Earhart, as seen through the eyes of Grace, the novel’s protagonist, a young library tech tasked with reading her letters: an Amelia who is funny, charming, joyful, sad, and most of all, full of life. Zier-Vogel writes with uncanny empathy about heartbreak, friendship, motherhood, and the common threads that connect women across time, geography, and even between earth and sky. Letters to Amelia is a gorgeous, big-hearted debut that will make you feel like you are flying, and Zier-Vogel is a writer whose career is about to soar." —Amy Jones, author of Every Little Piece of Me"Letters to Amelia invites us to hold our heroines close and to take heart – it is gentle and joyous, full of tenderness, alive and sturdy with hope." —Anne Michaels, author of Fugitive Pieces and The Winter Vault

    It's not so long since they were burned, and any woman who knows too much, who's too clever or quick or skilled at healing, is suspect.Young Lilli knows this, and yet she also knows that the wise woman she's learning from, Alisz, isn't evil. She is teaching Lilli which plants cure a fever, which help a cough, which speed a difficult labour. She only wants to help people, and so does Lilli. But Lilli's father hates any sign of witchcraft and is furious at their connection. When Lilli is just thirteen, he surprises the family with news: they are moving to the New World. Alisz and Lilli pledge to be soul friends, inseparable by ocean or years and across time. In present-day Nova Scotia, Lilly and Alice are making their own way towards each other.Lilli's learning and plight in the 1700s take front and centre in this multi-century story of healing, friendship, and the bravery it can take to be a woman who follows her own heart.

    A striking original, deftly humorous collection of stories that considers the quest for truth: how we come to it or alternatively avoid it.A fervently comic debut, The Running Trees leads readers into a series of conversations — through phonelines, acts in a play, and a rewound recording of a police interrogation — to reveal characters in fumbling bouts of brutality, reflection, isolation, and love.The relationship between two siblings disintegrates after one asks the other for the pen; a professor and his former student get drinks years after a "romantic" encounter; a book club meets only to find that they have wildly different opinions about a new memoir about their town; and a long-haired feline contemplates existence and consciousness while his cohabitant licks his butthole.Whimsical, unconventional, humorous, and always pitch-perfect, The Running Trees explores how we desperately try to communicate with each other amid the gaps in meaning we create