In the course of an afternoon, Hagar’s life unfolds: her childhood in a small prairie town, her Scottish immigrant father, the tumultuous relationship with her now-estranged husband, her sons, and their partners. Based on the novel by Margaret Laurence.

    What I'm Doing HereTo a Man Who ThinksHe Is Making an AngelI Had It for a Moment The HearthOn the Sickness of My LoveIsland Bulletin Portrait of the City HallCruel BabyIndependence CongratulationsFor MarianneThe House The Drawer's Condition on November 28, 1961The Failure of a Secular LifeOrder The SuitMy MentorsDestiny Business as UsualHydra 1960Queen Victoria and Me Indictment of the Blue HoleLeviathanThe Pure List and the Commentary Nothing I Can LoseHeirloomThe New Step (A Ballet-Drama in One Act) Police GazettePromiseThe Paper No PartnersSkyNursery Rhyme On the Death of an Uncharted PlanetWaiting for MarianneOld Dialogue I Wanted to Be a DoctorWhy I Happen to Be FreeWinter Bulletin On Hearing a NameLong UnspokenThe True DesireWhy Did You Give My Name to the Police? Finally I CalledThe Way BackGovernments Make Me Lonely StyleThe ProjectThe Lists Goebbels Abandons His Novel and Joins the PartyHydra 1963To the Indian Pilgrims Why Commands Are ObeyedAll There Is to Know about Adolph EichmannThe Music Crept By Us It Uses Us!The New LeaderThe Telephone The First MurderHow It Happened in the Middle of the DayDisguises My Teacher Is DyingFor E.J.P.Lot Montreal 1964The Glass DogOne of the Nights I Didn't Kill Myself Why Experience Is No TeacherA Migrating DialogueThe Big World For My Old LaytonThe BusNarcissus The Only Tourist in Havana Turns His Thoughts Homeward LaundryCherry Orchards The Invisible TroubleThe Rest Is DrossStreetcars Sick AloneHow the Winter Gets InBullets MillenniumPropagandaHitler Hitler the Brain-MoleOpium and HitlerFront Lawn Death of a LeaderFor Anyone Dressed in MarbleKerensky Alexander Trocchi, Public JunkiePriez Pour NousWheels, FirecloudsAnother Night with Telescope Three Good NightsFolk

    Softcover.

    Marked by beautiful, carefully crafted prose, The Road to Confederation reflects a style that perhaps no contemporary historian would dare: romantic, suspenseful, fearlessly narrative, and full of unapologetic opinions. If not politically correct and sanitized, it is a fascinating exploration of the personalities, the political logjams, even the debt problems that marked the period leading to Confederation.The book was also, as Donald Wright's excellent introduction argues, haunted by doubt. Not only had Canada failed to live up to Creighton's vision, Creighton himself was writing from the perspective of a rapidly changing country. Quebec was moving towards a liberal, secular, and nationalist identity; English Canada was embracing bilingualism and diversity; debates about nuclear weapons were raging; and living next to the United States was becoming increasingly uneasy. The road was becoming ever less straightforward. In many respects, The Road to Confederation reveals as much about the 1960s as it does the 1860s.Can echoes of Creighton's vision be seen even now, as Canada reinserts "Royal" into its military's name and remains entranced by William and Kate, the Duke and Duchess of Cambridge, and the future of the Royal Family?