He plans to write a memoir about his great love affair with Clement Makin, his mentor both professionally and personally, and to amuse himself with Lizzie, an actress he has strung along for many years. None of his plans work out, and his memoir evolves into a riveting chronicle of the strange events and unexpected visitors--some real, some spectral--that disrupt his world and shake his oversized ego to its very core.In exposing the jumble of motivations that drive Arrowby and the other characters, Iris Murdoch lays bare "the truth of untruth"--the human vanity, jealousy, and lack of compassion behind the disguises they present to the world. Played out against a vividly rendered landscape and filled with allusions to myth and magic, Charles's confrontation with the tidal rips of love and forgiveness is one of Murdoch's most moving and powerful novels.

    Set in London, Paris, the south of France, the English countryside, these thirty-five stories reflect the themes that have always characterized Lessing’s work: the bedrock realities of marriage and other relationships between men and women; the crisis of the individual whose very psyche is threatened by a society unattuned to its own most dangerous qualities; the fate of women.The stories in this book were taken from the following previously published anthologies:Five (1953)The Habit of Loving (1957)A Man and Two Women (1963)The Temptation of Jack Orkney and Other Stories (1972)

    Loved by King Henry. Honoured by King Richard. Betrayed by King John. For William Marshall, the greatest knight of the realm, serving royalty is an unpredictable business. * * * Having survived the threat of beheading from Stephen as a child, Marshall rises from nothing to a place in court serving King Henry II. Accused of acting on his love for the beautiful Queen Margaret, William is saved by his trust and loyalty to the King. But the battle for the throne is relentless, and when Henry’s own son John rises against him, William must decide if he can remain loyal to the crown… A Pride of Kings, the first in the Plantagenet series, is an epic chronicle of love, heroism, loyalty and betrayal in one of the most fascinating periods of English history. Ideal for fans of Sharon Kay Penman, Elizabeth Chadwick or Jean Plaidy.

    Although she is considerably older, Leonora becomes a little too fond of James. Leonora is determined to keep James to herself but realizes that her rival is the bookish Phoebe. Then along comes Ned, a saucy young American, and Leonora's problems boil over.

     Albertine 'Tina' Newton knows her worth. The most beautiful girl of the Season, she knew she was born to grace a nobler establishment. And she has her sights set on the perfect husband: Lord Skirlaugh, the heir to the Duke of Byram. Scarred, disillusioned, and cynical, Skirlaugh must nonetheless marry to ensure the succession. He neither expected nor desired love; just a well-bred conformable wife with a reasonable dowry. Tina is certain that there is no one to outshine her. But when her cousin Thea inherits a fortune, she also becomes a contender for Skirlaugh's attention. Then, after meeting on a roadside when both stopped to aid a young man with a badly injured horse, it seems that Thea and Skirlaugh have more potential than Tina thinks... But which aspiring débutante will please his critical taste? Mira Stables is the author of many historical fiction novels, including The Swynden Necklace and Golden Barrier.

    The contents of this volume include: Manfred, Hebrew Melodies, Ode to Napoleon Bonaparte, Monody on the Death of the Right Hon. R. B. Sheridan, The Lament of Tasso, Poems, Ode on Venice, The Prophecy of Dante, Cain, Marino Faliero, and many more. This vintage book was first published in 1840 and is being republished now in an affordable, modern, high-quality, edition. It comes complete with a specially commissioned new biography of the author."

    They demonstrate that Bayley possesses an extraordinarily fertile imagination, and a talent for combining the absurd and the abstruse with a dramatic flourish. He is a writer who delights in novel ideas and their exploration, a lover of bizarre juxtapositions. The range of his literary strategies extends from carefree space opera to stylishly satirical mock-intellectualism. Though his melodramas are magnificently surreal, he is perhaps at his best when he is at his most casual, affecting an earnest attitude of scrupulous reportage which throws his inventions into sharper relief. His powers of characterization are limited and his dialogue is frequently weak, but in the kind of fiction which he writes these faults are almost inconsequential, and they do not detract from the force and entertainment value of his fiction.--Brian Stableford