"Queen Lucia" was published in 1920, "Miss Mapp" in 1922 and "Lucia in London" in 1927. They are much-loved novels of provincial snobbery and became a successful television series.

    Despite their hints, Constance remains ever cool, and seemingly oblivious. Or is she? In this comedy of unfaithful manners, Constance (a not-desperate housewife) has surprising ideas of her own about extra-marital activity.

    An unexpected invite throws the Christmas plans of Bertie Wooster and his long- suffering valet, Jeeves, into disarray. Rather than the Winter sun of Monte Carlo, Jeeves and Wooster find themselves spending Christmas at Skeldings Hall, much to the disappointment of Jeeves, home of Lady Wickham, and her daughter Bobbie, thr object of Bertie's desire. Also in attendance is Sir Roderick Glossop, father of Bertie's former fiancé, Honoria, and Tuppy Glossop, he who tricked Bertie into falling into the swimming pool at the Drones Club.First published in 1927, and previously published in The World of Jeeves, Jeeves and the Yule-tide Spirit is the perfect festive treat.

    127, was Dorothy Whipple’s debut novel. It is about the first twenty years of a girl’s life: she lives at home mostly looked after by the kindly Emily, goes to school, falls in love and finally marries someone else. So far, so unoriginal. Yet it is original. There is something about the description of Anne’s life which is quite simply superb.As Lucy Mangan says in her Persephone Preface: in the novel DW’s ‘unmistakable voice is already there. The book that would start her on her career as a novelist is written with all the sense of command and restraint that her fans (then and now) would come to know and love so well. The temptation of the debut author is to overwrite – to show all that you can do, all at once and repeatedly, so that people Get The Message. We have all read them and been exhausted by them. But Whipple, from the off, keeps her ego and her insecurities in check. As in all her later, more experienced works, she is not a showman but a patient, disciplined archaeologist at a dig, gently but ceaselessly sweeping away sandy layers of human conventionality and self- deception, and on down to deeper pretences to get at the stubborn, jagged, enduring truths about us all beneath.’

    F. Benson’s beloved Mapp and Lucia novels are sparkling, classic comedies of manners set against the petty snobberies and competitive maneuverings of English village society in the 1920s and 1930s.The third and fourth novels in the series, Lucia in London (1927) and Mapp and Lucia (1931) continue the adventures of Benson’s famously irrepressible characters, and bring them into hilarious conflict. Both Mrs. Lucia Lucas and Miss Elizabeth Mapp are accustomed to complete social supremacy, and when one intrudes on the other’s territory, war ensues. Lucia sees herself as a benevolent—if ruthless—dictator, while Miss Mapp is driven by an insatiable desire for vengeance against the presumptuous interloper. Their skirmishes—played out on a battlefield composed of dinner parties, council meetings, and art exhibits—enliven the plots of Benson’s maliciously witty comedies.

    Satterthwaite bumps into his old friend Mr. Quin at the opera at London's Covent Garden. During intermission, they spot a strikingly beautiful but distressed young woman in the audience. Later, they discover that she may be in real danger and decide to rescue her.The story was published in the print anthology 'The Mysterious Mr. Quin'.