In her twenty years behind the mic at New York City's two biggest hip-hop stations--Hot 97 and Power 105.1--Angie Martinez has become an entertainment legend. From one-time presidential hopeful Barack Obama to Jay-Z and Beyonce to post-prison Tupac, her intimate and candid interviews with the leading names in the music business, hip-hop culture, and beyond have grabbed headlines and changed the conversation. In the same no-holds-barred style of her radio show, Angie shares stories from behind-the-scenes of her most controversial interviews and reflects on her climb to the top of the radio business. And for the first time, Angie opens up about her personal life, exploring how her experiences have shaped her into the strong and outspoken woman that she is today. The Power of a Voice brings together New York City's one-of-a-kind urban radio culture, the changing faces of hip-hop music, and Angie Martinez's rise to become the Voice of New York"--

    Smith, as well as the work of other luminaries such as Elizabeth Alexander, Ishmael Reed, and Sonia Sanchez. Included are poems such as “No Wound of Exit” by Patricia Smith, “We Are Not Responsible” by Harryette Mullen, and “Poem for My Father” by Quincy Troupe. Each is accompanied by a photograph of the poet along with a first-person biography. The anthology also contains personal essays on race such as “The Talk” by Jeannine Amber and works by Harry Belafonte, Amiri Baraka, and The Reverend Dr. William Barber II, architect of the Moral Mondays movement, as well as images and iconic political posters of the Black Lives Matter movement, Malcolm X, and the Black Panther Party. Taken together, Of Poetry and Protest gives voice to the current conversation about race in America while also providing historical and cultural context. It serves as an excellent introduction to African American poetry and is a must-have for every reader committed to social justice and racial harmony.

    Dear Ancestors is a poetic homage to the past and present.

    trigger is a bold, intimate, and comfortable/uncomfortable quest, through Selenite's eyes, in being Black, being queer, being trans, being a woman, and being non-binary in the 21st century, in what continues to be systemic and oppressive, but also adventurous and ecstatic.

    From his stunning lyric debut (Most Way Home, 1995) and the amazing "double album" life of Jean-Michel Basquiat (2001, "remixed" for Knopf in 2005), through his brokenhearted Jelly Roll: A Blues (2003) and his recent forays into adult grief and the joys of birth in Dear Darkness (2008) and Book of Hours (2014), this collection provides a grand tour of a poet whose personal poems and political poems are equally riveting. Together with wonderful outtakes and previously unseen blues, the profoundly felt poems here of family, Southern food, and loss are of a piece with the depth of personal sensibility and humanity found in his Ardency: A Chronicle of the Amistad Rebels or bold sequences such as "The Ballad of Jim Crow" and a new "Homage to Phillis Wheatley."

    Countless books, films, songs, pamphlets, buttons, t-shirts, and more are rightfully devoted to this transformative struggle for social revolution by Spanish workers and peasants. But digging through the mountain of available material, little can be found on black militants in the Spanish revolution, like the one featured in the powerful photo on the cover of this reader — a member of the Bakunin Barracks in Barcelona, Spain 1936, and a symbol of both the profound presence and absence of Black anarchism internationally.For more than 150 years, black anarchists have played a critical role in shaping various struggles around the globe, including mass strikes, national liberation movements, tenant organizing, prisoner solidarity, queer liberation, the formation of autonomous black liberation organizations, and more.Our current political moment is one characterized by a global resurgence of Black rebellion in response to racialized state violence, criminalization, and dispossession. Black and Afro-diasporic communities in places like Britain, South Africa, Brazil, Haiti, Colombia and the US have initiated popular social movements to resist conditions of social death and forge paths toward liberation on their own terms. Given the anti-authoritarian spirit of these struggles, the time is ripe to take a closer look at anarchism more broadly, and Black anarchism in particular.The deceptive absence of Black anarchist politics in the existing literature can be attributed to an inherent contradiction found within the Eurocentric canon of classical anarchism which, in its allegiance to a Western conception of universalism, overlooks and actively mutes the contributions by colonized peoples. In recent years, Black militants, and others dedicated to Black anarchist politics, have gone a long way toward bringing Black anarchism into focus through numerous essays, books, interviews, and public talks, many of which are brought together for the first time in this reader.Our hope is that this reader will serve as a fruitful contribution to ongoing dialogues, debates, and struggles occurring throughout the Black diaspora about how to move forward toward our liberation globally. “Anarchism,” noted Hannibal Abdul Shakur, “like anything else finds a radical new meaning when it meets blackness.” While this reader brings us closer to “a radical new meaning” for anarchism, there are glaring gaps that need to be filled to get a fuller picture of Black anarchism, particularly the vital contributions of black women, queer militants, and more folks from the Global South.