With engaging candor, eloquence, and wit, Paramahansa Yogananda narrates the inspiring chronicle of his life: the experiences of his remarkable childhood, encounters with many saints and sages during his youthful search throughout India for an illumined teacher, ten years of training in the hermitage of a revered yoga master, and the thirty years that he lived and taught in America. Also recorded here are his meetings with Mahatma Gandhi, Rabindranath Tagore, Luther Burbank, the Catholic stigmatist Therese Neumann, and other celebrated spiritual personalities of East and West. Autobiography of a Yogi is at once a beautifully written account of an exceptional life and a profound introduction to the ancient science of Yoga and its time-honored tradition of meditation. The author clearly explains the subtle but definite laws behind both the ordinary events of everyday life and the extraordinary events commonly termed miracles. His absorbing life story thus becomes the background for a penetrating and unforgettable look at the ultimate mysteries of human existence. Considered a modern spiritual classic, the book has been translated into more than twenty languages and is widely used as a text and reference work in colleges and universities. A perennial bestseller since it was first published sixty years ago, Autobiography of a Yogi has found its way into the hearts of millions of readers around the world.

     Just over a year later the Japanese attack on Pearl Harbor devastated this force. Out of a total of 231 aircraft of the Hawaiian Air Force, 64 were destroyed and not more than 79 were left usable. Out of the inferno emerged the newly reformed Seventh Air Force. It faced, in the central Pacific, the largest water theater in the world — sixteen million square miles, five times the size of the United States. The Americans patched up their planes as best they could and began to fly the "Atoll Circuit," the low-lying, white sand atolls and the first stepping stones on the long road to Tokyo. In this huge area and against a fearsome opponent, the men of the Seventh were forced to fly the longest missions in any theater of war, entirely over water and, at first, without fighter escort. They fought at Midway, Guadalcanal, Tarawa, Kwajalein, Eniwetok, Truk, Saipan, Palau, the Philippines, Iwo Jima, and finally Tokyo. Clive Howard and Joe Whitley’s history of this remarkable air force covers from the events at Pearl Harbor through to V-J Day, covering every single island that the force landed on in between. They listened to demand of Corporal Earl Nelson’s article “Heroes Don’t Win Wars”, that criticised the press and radio that only recorded the fantastic achievements of men who wore medals; “Why don’t they talk about the guy who is just a soldier?” So with humor and insight Howard and Whitley have provided us with a history of the Seventh Air Force that doesn’t focus on only the glorious achievements of some men, nor does it simply record the accounts of the “brass hats”, but instead gets to the heart of what the men of this extraordinary force did and thought. Clive Howard and Joe Whitley were both sergeants and served as correspondents for the Seventh Air Force. They were there; they saw it happen. Their book One Damned Island After Another was first published in 1946.

    She also gave us Come, Tell Me How You Live, a charming, fascinating, and wonderfully witty nonfiction account of her days on an archaeological dig in Syria with her husband, renowned archeologist Max Mallowan. Something completely different from arguably the best-selling author of all time, Come, Tell Me How You Live is an evocative journey to the fascinating Middle East of the 1930s that is sure to delight Dame Agatha’s millions of fans, as well as aficionados of Elizabeth Peters’s Amelia Peabody mysteries and eager armchair travelers everywhere.

    First published in 1946, Really the Blues was a rousing wake-up call to alienated young whites to explore the world of jazz, the first music America could call its own. Told in the jive lingo of the underground's inner circle, this classic is an unforgettable chronicle of street life, smoky clubs, and roadhouse dances.

    in a literary sense, ever written in Canada."Completed just before Emily Carr died in 1945, Growing Pains tells the story of Carr’s life, beginning with her girlhood in pioneer Victoria and going on to her training as an artist in San Francisco, England and France. Also here is the frustration she felt at the rejection of her art by Canadians, of the years of despair when she stopped painting. She had to earn a living, and did so by running a small apartment-house, and her painful years of landladying and more joyful times raising dogs for sale, claimed all her time and energy. Then, towards the end of her life, came unexpected vindication and triumph when the Group of Seven accepted her as one of them. Throughout, the book is informed with Carr’s passionatate love of and connection with nature.Carr is a natural storyteller whose writing is vivid and vital, informed by wit, nostalgic charm, an artist’s eye for description, a deep feeling for creatures and the foibles of humanity--all the things that made her previous books Klee Wyck and Book of Small so popular and critically acclaimed.

    In this brilliant first-person account of a young journalist's experience during World War II, Sevareid records both the events of the war and the development of journalistic strategies for covering international affairs. He also recalls vividly his own youth in North Dakota, his decision to study journalism, and his early involvement in radio reporting during the beginnings of World War II.

    Allison Peers's justly celebrated translation.

    Werth was a free-spirited and unclassifiable writer. He is the author of eleven novels, art and dance criticism, acerbic political reporting, and memorable personal essays. He was Jewish, and left Paris in June 1940 to hide out in his wife's country house in Saint-Amour, a small village in the Jura Mountains. His short memoir 33 Days recounts his struggle to get there. Deposition tells of daily life in the village, on nearby farms and towns, and finally back in Paris, where he draws the portrait of a Resistance network in his apartment and writes an eyewitness report of the insurrection that freed the city in August, 1944.From Saint-Amour, we see both the Resistance in the countryside, derailing troop trains, punishing notorious collaborators--and growing repression: arrests, torture, deportation, and executions. Above all, we see how Vichy and the Occupation affect the lives of farmers and villagers and how their often contradictory attitudes evolve from 1940-1944. Werth's ear for dialogue and novelist's gift for creating characters animate the diary: in the markets and in town, we meet real French peasants and shopkeepers, railroad men and the patronne of the cafe at the station, schoolteachers and gendarmes. They come off the page alive, and the countryside and villages come alive with them.With biting irony, Werth records, almost daily, what Vichy-German propaganda was saying on the radio and in the press. We follow the progress of the war as people did then, day by day. These entries make interesting, often amusing reading, a stark contrast with his gripping entries on the persecution and deportation of the Jews. Deposition is a varied and complex piece of living history, and a pleasure to read.

    Grosz's account of a world gone mad is as acute and provocative as the art that depicts it, and this translation of a work long out of print restores the spontaneity, humor, and energy of the author's German text. It also includes a chapter on Grosz's experience in the Soviet Union—omitted from the original English-language edition—as well as more writings about his twenty-year self-imposed exile in America, and a fable written in English.